AUEL - Visions

The Art of Picking Yourself Up

Blackened Sky

DataWaves

Brocade

Neon Village - Time Machine 🕘 (1986)

Solitude

In the half-light between dreaming and waking, our world reveals its true nature: a perpetual threshold where nothing fully is, yet everything is becoming. Airport terminals at 3 AM hold their breath in fluorescent stillness, neither departure nor arrival, while empty parking garages echo with the ghostly memories of footsteps that might have been. We live in the spaces between definitive moments—the pause before the conductor's baton falls, the instant between clicking "send" and delivery, the sunset hour when day hasn't quite surrendered to night. These liminal spaces are reality's waiting rooms, where time feels both stretched and compressed, where identity becomes fluid as mercury, and where the familiar world dissolves into something stranger and more sublime. Here, in these threshold spaces, we are all travelers passing through doors that lead to doors that lead to doors, never quite arriving, never fully departed, suspended in the infinite moment between what was and what will be.

The piano used on this piece was a supposed haunted object, rescued from a cruise ship that had been left to float away.

The Liminal

Lost Memory

Starlust

Fluctuation of the Heart

I compose concert music including solo works, chamber music and orchestral pieces.

Brocade

Linda Catlin Smith

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