Sensen - DC

It’s that time again

Far from Shore

Loop

Original song using KORG Gadget2.
Just improvisation.

Noname

Noir

Sarah Mega-Hertz & PressureWorks Collaboration.
Volmet (Weather info for Pilots) 5450 kHz  Heard in the UK/Northern Europe

Spotted Lantern Fly

Spotted Lantern Fly  SMH/PW

beautiful chaos
the leaves’ quixotic dance
in autumn winds

haiku by Jessica Renee Dawson https://twitter.com/live_the_light

picture by Autumn Mott Rodeheaver https://unsplash.com/@autumnmott

For more information visit http://www.naviarrecords.com/about/naviar-haiku

clix faith quo

halF quixotiC [naviarhaiku467]

An electronic sequence, sounds created in Pure Data.

Winter Dawn (naviarhaiku468)

Full album in free download here https://yoshiwaku.bandcamp.com/album/remembering-the-comet
More free music by Yoshiwaku https://archive.org/search?query=creator%3A%22Yoshiwaku%22
More free eclectic music https://radiofreealbemut.tumblr.com/

Remember The Comet [Full Album in Free Download in The Description]

This piece moves gently, carrying a subtle sadness, but never sinking into despair. Its mood feels like quiet reflection — tinged with melancholy but also with warmth and dignity.
The music opens with a French horn solo, soft and resonant, its tone suggesting both distance and intimacy, like a voice calling from memory. The horn’s melodic line is simple yet noble, setting the reflective character of the work.
As the clarinet enters, it answers the horn in a lighter, more lyrical voice, bringing a hint of comfort and movement. The bassoon follows with a deeper, more grounded timbre, adding weight and gentle sorrow to the texture. Underneath, the cello provides sustained tones and subtle, pulsing rhythms — not heavy, but steady, anchoring the ensemble.
Through the middle section, the four instruments weave together in a chamber-like conversation: the horn’s phrases stretching long and noble, the clarinet offering sigh-like responses, the bassoon coloring the harmony with a touch of gravity, and the cello carrying a quiet undercurrent of resilience.
The piece gradually thins out near the close, leaving the French horn once again in solitude. The final horn solo mirrors the opening, but softer, as if the memory has faded — not with sorrow, but with acceptance.
The overall impression is of a slightly sad but tender piece, evoking reflection, farewell, or the quiet turning of a page.


Echoes of Tomorrow

I compose concert music including solo works, chamber music and orchestral pieces.

Far from Shore

Linda Catlin Smith

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