GodKing MajorLucre - ( Cold Freestyle )

Marco Lucchi : piano and synthesizer

3 luglio 2022

minimalismo in modo ionio (second rendition)

By Any Means King Loc Ft.Alosdadon

Being way out of touch and not having any idea what gabber was, I took a crash course. Turns out to be good ol’ hardcore techno! Can’t say it ever did much for me, but that’s probably just an age thing. Our own https://soundcloud.com/lityk has even been generous enough to use some of my sounds in his work, like this one: https://soundcloud.com/lityk/dronebrute   and an earlier one which even came out on vinyl! https://www.discogs.com/release/8227918-Lityk-Feat-Tuonela-3-Kotti-Telepath-Subsonic-002

Anyway, many of the tracks I came across had some fascinating dynamics. I picked this one as a sound source:

https://www.youtube.com/watch?v=Ss8aTYJVMyw&list=PLwt1yl0k-dTevOoOXJaEOKna3WjTumUHz&index=16

ie  Kesj & Donut - Total confusionz

and fed it into my trusty outdated ambient v.3 software.

And this, with some multi-tracking and tonal tweaking, was the result. For me, it’s ambient but still has elements of the brutal power of the original. And just 1 real beat in 5 minutes!

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The Assignment: Field-test a hybrid genre.

Thanks to Sevenism for having proposed this project.

Gabber and ambient music seem like polar opposites. Gabber is typified by a constant distorted kick drum pummelling you at upwards of 200bpm. Ambient, on the other hand, can be deeply immersive or barely noticeable. This project asks the question: is “gabber ambient” possible?

Step 1: Consider what makes gabber gabber and what makes ambient ambient. Where is there crossover?

Step 2: Make a track that could be construed as “gabba ambient.”

Step 3: You’re probably going to want to delete it. Try not to. Save and upload.

More on this 556th weekly Disquiet Junto project — Gabber Ambient (The Assignment: Field-test a hybrid genre) — at: https://disquiet.com/0556/

More on the Disquiet Junto at: https://disquiet.com/junto /

Gambient ambit or ambient gambit [disquiet0556]

N = C : 20

Alypses

Far from Shore

Choose The Red Pill (Loop Diggers Sunday Roulette 103)

This is another piece with a loop from Jens. 

https://soundcloud.com/senfsuck

New Colors

Flames 

Wind blows right though me 
Bones are like ice 
The army and the navy are mourning you tonight 
We’re like two strangers that have never met in their life 
Your face is familiar in a certain light 
I can’t believe it’s true 
All the years between us 
Wasted on our youth 
When you going to catch a flame tonight 
When you going to let the spark ignite 


Walking down this sad aisle 
Feeling out of place 
Seeing brothers and sisters like a foreign race 
My head is spinning but my heart is fine 
If I look your’e wining 
If I stare your’e mine
I can’t believe it’s true 
All the years between us 
Wasted on our youth 
When you going to catch a flame tonight 
When you going to let the spark ignite 

I give in , I surrender to your cause 
I’m on my knees begging for no recourse 
You’d love that
I can picture the smile on your face 
The victory so sweet , bitter to the  taste 
I’ll fight you to the very end , to the very end 
Defeated , I’ll come after you time and time again
I will never fail 
I will piss upon your grave 
Tear your headstone down 
Break you bone by bone 
Bring Armageddon around 

I will fight you to the end

Flames

Solo Piano - Chris Bright

scarlet 1108 - 11:8:22, 6.17 PM

the answer to every question or problem you have is inside of you.
#Demi-God

I cant do this by MYSELF.

Hopefully this can help you forget on what’s weighing you down.
Solely produced on my phone 📱

Trying to Forget

Legacy Broken is a cinematic orchestral concept album that explores the psychological weight of legacy, family, and emotional silence. Blending restrained elegance with hypnotic minimalism, each track unfolds like a room in a haunted memory palace—echoes of conversations, legal inheritances, betrayals, and unresolved grief.

Muted strings, fractured piano motifs, trembling horns, and emotionally conflicted harmonic structures form a sonic language of unspoken tension and decaying tradition. The arrangements resist resolution, allowing silence, repetition, and space to carry as much meaning as melody.

This album is not just a score — it’s a portrait of inheritance, power, and the long shadows of memory. The finale song "Inheritance of Silence" concludes with a vocalized song about empty love, wealth and social responsibility. 

13. Time Gut Punches

Winter Sunrise (Symphonic Wind Orchestra)

Written for San Marco Cathedral in Venice, this piece carried on the tradition of G. Gabrieli's use of the building's acoustics. Monteverdi's music stressed more solo performance and increasing contrapuntal complexity. This is wonderful music for that distinguished building and congregation. This arrangement substitutes brass choirs for the original vocal choir parts.

Monteverdi - Laetaniae della Beata Vergine

I compose concert music including solo works, chamber music and orchestral pieces.

Far from Shore

Linda Catlin Smith

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