AUEL - Visions

Les Fleurs Anciennes

Enjoy

No Replay, No Rewind

Unattainable

Our Time

Processed

HAIKU MUSIC CHALLENGE

Naviarhaiku576

Amongst the rushes,
a stillness comes over us -
Heron in winter.

roekin is a mark of gratitude; an attribution to all that is; kin.
Dependently arising, from a life lived simply, peace+haiku is the growing collection of poetry and writings attributed to roekin. The collection can be found at https://www.roekin.com

This haiku poem is part of the Naviar haiku music challenge, where artists are invited to make music in response to a weekly assigned haiku poem. Participation is free and there are no limitations in the songs’ length or genre.

You have seven days from the posting of this haiku to submit your track. For information on how to make a submission, visit the Naviar Haiku Music Challenge page: https://www.naviarrecords.com/haiku-music-challenge/

Submission deadline: 22nd January 2025

All Over The Place (naviarhaiku576)

Crashed Universe

My take on this masterpiece, based strongly on a cover by Patrick Pietschman as I overheard it from Youtube, but at the last section I went into impro to spice it a little bit. One day I might conjure a better incarnation, but for now, I'm getting slightly tired by it (it is a busy piece...).

Gladiator - Now We Are Free by Hans Zimmer - Piano Cover

Right Now by Velunai is a lo-fi track with an intimate and melancholic atmosphere, built on a soft and enveloping foundation. The delicate and reverberated melodies intertwine with a relaxed beat, creating a sense of calm and introspection. Warm and deep bass lines give the track a rich presence, while the subtle harmonies and sonic details contribute to a fluid emotional progression, transporting the listener to a space suspended between dream and reality.

Right Now

The rhythmic patterns of the drums are notably influenced by the musical artistry of Sleep Token. (Sleep Token Influenced Drums-STID) As I immersed myself in the intricate compositions of II, I carefully observed his distinct approach to sound.

II's drumming style is characterized by his creative application of rudiments and rhythmic techniques. He masterfully integrates these elements into both fills and grooves, adding depth and complexity to Sleep Token's music.

Six-Stroke Roll: II doesn't just use the six-stroke roll (RRLLRL or LLRR LR) as a simple fill. He weaves it into the fabric of his grooves, creating a dynamic interplay between dense and open sounds. Whether played softly for a ghost note effect or accented for a powerful surge, the six-stroke roll contributes to the music's forward momentum and subtle rhythmic shifts. You can hear this in moments where the drumming feels both intricate and driving.

Triplets: Triplets are essential to II's fluid and often syncopated feel. He uses them in a variety of ways: rapid fills that inject bursts of energy, complex hi-hat patterns that contribute to a "Jungle" or broken beat vibe, and subtle groove variations that create a sense of swing or push. The contrast between straight eighth/sixteenth notes and triplets adds rhythmic tension and release, keeping the listener engaged.

Quads (Four-Note Groupings): II's precise execution of four-note patterns, whether as sixteenth notes or other variations, contributes to the tightness and complexity of the Djent-influenced sections. These patterns appear as powerful, syncopated kick drum patterns, rapid snare fills, or intricate combinations across the kit. His ability to maintain clarity and power, even at high tempos, is a testament to his technical skill.

What sets II apart is his seamless integration of these rudiments with electronic elements. For example, a rapid triplet fill on the acoustic kit might be mirrored or punctuated by a synthesized sound from a Strike Pad, creating a unique sonic texture that blurs the lines between organic and electronic sounds. 

Drawing inspiration from those observations, I incorporated his distinctive elements into this uncomplicated, yet undeniably engaging beat that captures attention and evokes emotion.

STID

I compose concert music including solo works, chamber music and orchestral pieces.

Les Fleurs Anciennes

Linda Catlin Smith

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Rick Sacks

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