Mr Cozzo comment please my music sound tracks thanks my Friend

Out Now: https://orcd.co/rekids237a

Monty Luke unveils the first part of ‘Nightdubbing’ on Rekids.

Monty Luke’s ‘Nightdubbing (Part 1)’ on Rekids launches with '40 Acres And A Terabyte', a droning and deep cut with broken beats and sustained chords that convey a real sense of space travel. It's physical but emotional, making a lasting impact before the title track, ‘Nightdubbing’, joins in with melancholic chords which strike a bittersweet note, slowly evolving into warm, uplifting rays of cosmic energy.

'Dark Paradise' is another masterful mix of musical chords over deep, dynamic drums below. It's the sort of track which makes the mind wander, with closer 'Bob Molly' boasting wispy pads and astral keys. Each sonic element darts about the airwaves over a woody and organic groove that's both loopy and hypnotic. 

Monty Luke spent ten formative years in Detroit, where the city's unique musical spirit influenced him immensely. He has since distilled this experience into the music he has put out on labels like Rekids, Planet-E, Hypercolour, and his own Black Catalogue. His raw, dub-infused sound comes with plenty of futuristic designs, with the variety of this first instalment of ‘Nightdubbing’ showing real, tastemaker class.

Monty Luke - Bob Molly

Possibilities

Possibilities (Elisa Bee Remix)

Out now: orcd.co/REKIDS235

Mark Broom returns to Rekids with the ‘Showtime’ EP. 

Mark Broom’s return to Radio Slave’s Rekids imprint takes in four tracks that showcase the UK techno legend’s sample-twisting style of house and techno. With a slew of EPs, LPs and remixes for Rekids and sister label RSPSX in recent years, Broom is one of the label’s core roster and most in-demand artists. 

Tough drums meet soulful, recognisable strings in ‘Klashjamz’, a real blast to the past chopped up in creatively funky ways. The title track ‘Showtime’ is next, its groove skipping and stuttering before breaking out into jazzy electro swing done right. 

On the flip, broom brings in ‘HIGHNRG’, a percussive, peak-time treat that expertly does what it says on the tin via a pulsating, rolling bassline accompanied by hypnotic vocals and infectious rhythm. ‘Jazz Ting’ then closes Mark Broom’s ‘Showtime’ EP, a hyped-up number with an earworm, classic & classy melody. 

Techno, house, hardgroove and rave, Mark Broom is one of UK dance music’s legends and has a myriad of production credits to his name dating back to 1989. Warp, M-Plant, Hardgroove, and his own Pure Plastic and Beardman imprints are just a handful of the labels he’s worked with, while studio collaborations with the likes of Baby Ford and James Ruskin have cemented his reputation as a storied and vital part of electronic music culture.

Showtime EP

Mark Broom - HIGHNRG

Out now: https://orcd.co/REKIDS239

DJ, producer, promoter, composer, and cultural agitator Man Power makes his debut on Radio Slave’s Rekids with ‘We Trawl The Hurts’ featuring Louisahhh on 12th April. The first fruits of a long-term friendship see Man Power (Me Me Me/Throne of Blood/Optimo) serving up a stomping, big-room cut that tips its hat to late-90s NY house and serves as a bed for the inimitable Louisahhh’s (RAAR) breathy vocal delivery of classic Prefab Sprout lyrics.

“I realised that I never set out to make a "Banger", so I started sharing daily WIPs on Twitter/X of me attempting to do so, with notes on why I'd made certain decisions or changed certain things. The results were a shock and it felt like I'd managed to do what I set out to do, but I felt it needed an additional element. I've wanted to do something with Louisahhh for forever and the idea of asking her to cover that as a vocal element just arrived in my head fully formed. It's one of the few occasions making music where I've had an idea and the execution has turned out exactly as it was in my head when I first thought of it” - Man Power

An intimate, spoken-word vocal from Louisahh weaves through a world of vibrant pads and chords. The gorgeous lyricism of their ‘We Trawl The Hurts’ is underpinned by an uplifting and emotive swirl of melody and a rock-steady beat. Man Power’s love of Murk and Tenaglia shines through.

The evergreen Deetron delivers three versions of ‘We Trawl The Hurt’s ft Louisahhh’: a remix that flips the original into a thumping deep techno cut featuring loopy synths and pixelated leads, a stripped-back and powerful dub, and his DJ tool ‘drum and bass’, built for those who like to mix.

Man Power Ft Louisahhh  - We Trawl The Hurts

Man Power Ft Louisahhh  - We Trawl The Hurts (Deetron Drum And Bass)

Man Power Ft Louisahhh  - We Trawl The Hurts (Deetron Remix Dub)

Mr Cozzo -Siren (Orignal Mix)

From the label:

"Hi! We are ready to present the second record from My Cup Of Tea produced by founder Piero, it includes 4 house tracks and broken beats with a warm and danceable sound, includes a remix by Carlo from Aterral. We hope that this copy will find its place not only on the shelf, but also in the bag and will always be relevant at any party. From the southern latitudes - with love!"

Buy: https://basicframe.it/home/444-MCOT002.html

PREMIERE: Piero - Blue Train [My Cup Of Tea]

Out April 12th.
Available here: https://lnk.to/MYNAMEISDESIRE

https://soundcloud.com/lupe

In a past life, Dutch producer LUPE was a go-go dancer, and their latest release for Sous Music, 'My Name Is Desire', evokes the halcyon years of the underground vogue scene. 
 
The title track is a slamming, hi-NRG ballroom odyssey with infectious synths that whir like electric zippers and a delicious come-hither female vocal. 
 
'Ramrod', perhaps named after the infamous leather bar in New York in the ‘70s, bristles with bubbling energy. Clattering percussion, a hold-tight pace and festive vocal snatches combine in a bouncing club delight. 
 
Taking the pedal off the gas slightly, 'Miss Thing' brings the mood back from boiling point to a strong simmer. A tension building transition track, it will keep the dancefloor cooking without sending it into overdrive. 
 
'Battle Beat' shifts back into a higher gear, its driving drums and crunchy, reverbed snares channelling a more hypnotic kind of delirium. Best dropped after the party has well and truly hit its stride. 
 
Riding a long introduction, closer 'The Essence' gets a little freaky at the 2-minute mark. Disco goblin vocals and cinematic horns add an air of drama to this dark journey that’s equal parts unnerving and intoxicating. 
 
Across five uniquely captivating club cuts, LUPE demonstrates that decades of experience have enhanced rather than dulled their instinct for high-impact floor-fillers.

LUPE - My Name Is Desire

Hybrid Productions Sound Architecture proudly presents: [HPX131] Mythos Ascendant, by Orion. The Absence of Facts head of operations is returning to Hybrid with 3 extra raw tracks that are scratching all the correct itches. https://soundcloud.com/djorion

Mr Cozzo -Siren (Orignal Mix)

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