Name: II In Taberna - In Taberna Quando Sumus (Orff, Carmina Burana) by ldsingers in Classical Essentials
Duration: 3 min 35 s
Description: From "Carmina Burana", The London Docklands Singers' Summer Concert, 2nd July 2011. Recorded live at All Saints' Church, Poplar. Conducted by Andrew Campling.

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Classical Essentials

Released 4th May - Preorder 'Live in Riga' http://thomasgould.bandcamp.com/

THOMAS GOULD Live in Riga
Sinfonietta Riga

1-3 VIOLIN CONCERTO IN D, OP. 61 - LUDWIG VAN BEETHOVEN 
I. Allegro ma non troppo 
II. Larghetto 
III. Rondo (Allegro)

4 THE LARK ASCENDING - RALPH VAUGHAN WILLIAMS

‘Violinist Thomas Gould is one of a new generation of classical musicians who refuses to be defined by a single genre’. GUARDIAN

‘One of the most talented and charismatic British violinists of the younger generation’. LONDON EVENING STANDARD

‘The young British violinist Thomas Gould seems intent on becoming the Nigel Kennedy of his generation… Scythingly scintillating playing from a young virtuoso with a magpie mind’. THE TIMES

‘Live in Riga’ is the major new album from the celebrated 31 year old British violinist Thomas Gould.  Recorded live in concert with Sinfonietta Riga on April 11th 2014 at the Great Guild Hall in Riga, Latvia, it confirms Gould’s enormous potential as one of the most inventive and colourful instrumentalists of his generation.  Gould is no ordinary classical musician but one of a new generation who refuse to be defined by a single genre.  He has developed impressive jazz credentials, but it is in this environment as soloist/director of classical repertoire where he really excels.  The Times recently described Gould as “intent on becoming the Nigel Kennedy of his generation”.  Gould, however, is incomparably his own musician.  Bold and courageous enough to forge his own path and follow his singular vision, he steps outside the footsteps of the greats.

‘Live in Riga’ is a defining album for Gould, his first disc of a three-album deal with forward-thinking British jazz and classical record label Edition Classics.  Over the last decade he has been in demand as a soloist with major orchestras worldwide, including the Royal Philharmonic Orchestra, City of Birmingham Symphony Orchestra, Hallé Orchestra and LA Phil New Music Group.  He is also much in demand as a leader/director, working with Britten Sinfonia, Aurora Orchestra, Mahler Chamber Orchestra and the Australian Chamber Orchestra’s ACO2, but it’s when he brings these disciplines together that the magic happens.  As Gould explains, “It means that everyone plays in a more engaged way. There is a group commitment to making it work, so the process is much more collaborative than when working with conductor.”

Sinfonietta Riga is an orchestra with a story to tell.  Formed in 2006, their vision is as bold as Gould’s.  Equally happy to play in concert dress or T-shirts they are intent on building new audiences for the music while reaching for the highest artistic standards.  Their collaboration is a perfect match and a unique experience for both the orchestra and for Gould.  This live concert recording bears witness to this special musical symbiosis.

To release an album featuring Beethoven’s Violin Concerto and Vaughan Williams’s The Lark Ascending is a bold decision.  As two cornerstones of the violin repertoire, there are plenty of performances to compare, but Gould’s versions demonstrate a brilliance of tone and colour that demands attention.  His flexibility and breadth of musical interests is fully evident.  Gould’s playing has the clarity you would expect from any major performer but radiates a freedom in its expression as though improvised with an immediate elegance and poise.

For Gould it’s all about achieving the right balance.  Whether it’s jazz or classical, written or improvised, as soloist or director, Gould is right in the eye of the storm.  If the dark clouds gathering in the wider music world imply that the days of the single-minded virtuoso are coming to an end; if to succeed in that brave new world we need to attract more diversity and brighter colours, then in Thomas Gould we may have found the lightning conductor to spark a new generation.


THOMAS GOULD Vaughan Williams - The Lark Ascending

Johann Sebastian Bach - Aria Da Capo,  Goldberg Variations, BWV 988 (Fine Classical Music)

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Piano Sonata No.15 in F-Major, K. 533: III. Rondo Allegretto

From "Et in terra pac, Dublin 2015", a joint benefit concert performed by the London Docklands Singers, the Dublin Bach Singers and the Dublin Airport Singers, 11th November 2015. Recorded live at Christ Church Cathedral, Dublin. With the Marcel Sinfonia, Brian Murray (Narrator) and conducted by Blánaid Murphy (Gloria) and Andrew Campling (Dona nobis pacem).

Et in terra pax Dublin 2015 - Part 1

From "Dettingen Te Deum, 2015", The London Docklands Singers' autumn concert, 20th November 2015 featuring the world premiere of Andrew Campling's Concerto for Organ, Percussion and Strings. Recorded live at St Clement Danes church, Strand, London. With the Marcel Sinfonia, Dr Andrew Parmley (organ), Elizabeth Rodger (soprano), Kath Wright (alto), Paul Martyn-West (tenor), Meurig Davies (bass) and conducted by Andrew Campling.

Recorded by Kazunari Shiraiso.

Dettingen Te Deum 2015 - Part 2

Dettingen Te Deum 2015 - Part 1

From "Christmas Carols @ The Space, 2015", The London Docklands Singers' Christmas concert, 14th December 2015 featuring many Christmas favourites. Recorded live at The Space, Isle of Dogs, London. With the Maxim Stsura (piano) and conducted by Andrew Campling.

Recorded by Donald Wetherick.

Christmas Carols @ The Space 2015

Arrange for 5 tubas of the finale of the overture from the Wagner's opera Tannhäuser.

I played the five tuba parts

Finale from Tannhauser Overture (Richard Wagner)

From "Fauré Requiem, 2016", The London Docklands Singers' spring concert, 12th March 2015. Recorded live at All Saints Church, Poplar, London. With Elizabeth Desbrulais (Soprano), John Holtorp (Bass), Alexander Binns (Organ)and conducted by Andrew Campling.

Recorded by Kazunari Shiraiso.

Fauré Requiem 2016 - Part 2

Fauré Requiem 2016 - Part 1

From "Carmina Burana, 2016", The London Docklands Singers' summer concert, 25th June 2016. Recorded live at All Saints Church, Poplar, London. With Paul Martyn-West (Baritone)and conducted by Andrew Campling.

Carmina Burana 2016 - Part 1

Carmina Burana 2016 - Part 2

From "Songs from the Shows, 2018", The London Docklands Singers' summer concert, 30th June 2018. Recorded live at All Saints Church, Poplar, London. With Maxim Stsura (Piano)and conducted by Andrew Campling.

Recorded by Donald Wetherick.

Songs from the Shows 2018 - Part 2

Songs from the Shows 2018 - Part 1

Colburn School - Junior Solo Recital - February 2012

11 Robert Schumann  Kinderszenen, Op. 15 - 7. Träumerei

From "Carmina Burana", The London Docklands Singers' Summer Concert, 2nd July 2011. Recorded live at All Saints' Church, Poplar. Conducted by Andrew Campling.

II In Taberna - In Taberna Quando Sumus (Orff, Carmina Burana)

In late 1992, Andrew Campling founded the London Docklands Singers with a small group of friends and colleagues who enjoyed making music together. The choir soon grew and the first performance in April 1993 saw about 30 singers on the stage. Today, the choir numbers some 50 singers, aged from 20 to 70+ from a wide variety of backgrounds and professions, living and working all over London and beyond.

The aim of the London Docklands Singers is to provide live classical music of a high artistic standard at affordable prices. The inclusive joining policy of the choir welcomes experienced choristers and sight-singers as well as those with more limited skills and experience. Weekly rehearsals as well as the high level of commitment, enthusiasm, mutual support and a friendly atmosphere help all singers attain the musical standard required to perform in concert. LDS gives three formal concerts each year, often accompanied by the Marcel Sinfonia.

II In Taberna - In Taberna Quando Sumus (Orff, Carmina Burana)

ldsingers

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