Nightmares of tawny owls

I've been recording throughout Deep Creek National Park (formerly Conservation Park) for several years, and throughout all seasons. This recent recording was different from any other I've made here. It was dominated mainly by Australian Ravens and Magpies, although a few other birds make an appearance, such as what I believe was an energetic little Brown Thornbill in the foreground, at one point. In other recordings made during the same morning at other nearby locations, Grey Shrike-thrushes and White-throated Treecreepers, amongst others, could be heard.

What I like most about this recording is the recurring, distant, beautiful, wistful call of a Magpie somewhere much farther up the valley: its song is sometimes occluded by the nearer Ravens and Magpies; and sometimes, in more quiet intervals, its song reverberates gently, quietly, and elegantly down the valley.

Can be listened to with speakers or headphones; but quality open-backed headphones are especially recommended.

Unprocessed and unedited recording (96/24 WAV > 48/24 FLAC).

Recorded on land of the Kaurna and Ngarrindjeri people that is now a National Park.

2022.05.08 Coastal Eucalypt Forest. Dawn. Deep Creek. Late Autumn.

I revisited this location, ten nights later, for a different vantage-point, nearer to the Eastern Banjo Frogs (cf. https://soundcloud.com/hearingbeings/20220901-night-pastures-late-winterearly-spring). Soon after recording began, an Australian Magpie in a nearby gum tree uttered a quiet melodic warble, and then continued with a long series of telegraphic, punctuated vocalisations. Finally, closing with another melodic warble, it lapsed into silence again.

Recorded around 01:00.

Australian Magpie (Gymnorhina tibicen, ssp either telonocua or tyrannica)
Eastern Banjo Frog (Limnodynastes dumerilii)
Common Eastern Froglet (Crinia signifera)
Spotted Marsh Frog (Limnodynastes tasmaniensis)

No processing.

2022.09.11 Night Pastures. Early Spring.

Bienvenue à l'épisode #290 de Que dit la Bible, le podcast hebdomadaire du Bon Combat en partenariat avec Logos. Logos est un logiciel biblique utilisé par près de 8 millions de personnes dans le monde. 

Voici la question à laquelle nous répondons cette semaine :  Dans le jardin, Adam et Èveont mangé de l’arbre de la connaissance du bien et du mal. Mais que faisait cet arbre dans le jardin ? Pourquoi Dieu l’a-t-il créée sachant qu'il causerait la chute de l’humanité ?

Voici la réponse du pasteur Guillaume Bourin !

_____________
Que dit la Bible est l'émission hebdomadaire du blog Le Bon Combat en partenariat avec Logos, un logiciel d'étude de la Bible utilisé par plus de 100 000 biblistes, pasteurs, et exégètes. 
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#290 - Pourquoi Dieu a-t-il créé l'arbre de la connaissance du bien et du mal ?

Track based on disquiet0572's xiixxi -submission "Euclidean Rhythmicon" , yes please, THANK YOU!  just what i've been waiting for, a bit of revitalization for me to continue my project with Jef Bek from 1988 T-en Thick Bed, it's immanent, again thanks to you...stay tuned.

segment of beat looped and structured, added bass samples, live bass, more live bass, and live bass. How low can you go...

More on this 573rd weekly Disquiet Junto project – Float Mode (The Assignment: Add material atop a pre-existing beat to form a complete track) – at: https://disquiet.com/0573/ 1

More on the Disquiet Junto at: https://disquiet.com/junto/ 1

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0573-float-mode/

Forwardtribal disquiet0573 +xiixxi Euclidean Rhythmicon

Field recording based composition by Alëna Korolëva, with voice of Eki Shola.

Recorded in marble quarries near Borba, Portugal, October 2022.

Strange but true fact: mining is responsible for nearly half of the world’s economy. The history of mining around the world can be read in the open scars that have been left when the sought after resource has been extracted. In these wounds, often larger-than-life pits abandoned by humans, new forms of life have gathered. Inverted Mountains is a documentary record of one of these spaces. 

Portugal’s Borba Region is rich in marble, 400 pit mines dot the landscape, all but 50 are abandoned. In 2018 a wall of one of the biggest quarries collapsed and buried five people in a landslide.

This track offers a detailed examination of sunset at the bottom of the pit, four years after the accident. Pigeons circle in the lower levels, offering a sound of wings, while starlings and swallows gather near the mouth of the pit, 50 meters above. The natural echoing acoustics of the steep walls allow each bird cry to resonate in a living delay, as if there were thousands not hundreds of birds gathering here. At the very end, the lonely bird song is echoed by a human voice, calling out in a plaintive wordless cry, the ghost of all those whose lives were lost in this forsaken place.

Inverted Mountains

for competytion my new production dont us my bets befor my promes

TPC SIC AL

NEW: Aircheck - BBC Radio 2 (2005) - Steve Wright - News In

For details : www.loiseauson.com/en/beaver01/
Pour détails : www.loiseauson.com/castor01/

Beaver & Common Loons - Castor & Plongeons huards

Video: https://youtu.be/IydYOyJmGrk

Alessandro Perini - "N-S" (2017)
for cello, piano and tape

• Francesco Dillon, cello
• Emanuele Torquati, piano

From the concert "Distant Voices, Malmö"

May 5th, 2017 - Inter Arts Center, Malmö (Sweden)

Curated by Hertzbreakerz

In collaboration with Ars Nova, with the support of Konstnärsnämnden and Längmanska Kulturfonden

http://alessandroperini.com/?p=1193

"N-S" for cello, piano and tape (Francesco Dillon / Emanuele Torquati), 2017

Le Bon Combat est un blog de théologie analytique qui héberge les formations #Transmettre ainsi que les podcasts Que dit la Bible et Coram Deo

Retrouvez toutes nos ressources sur www.leboncombat.fr

#290 - Pourquoi Dieu a-t-il créé l'arbre de la connaissance du bien et du mal ?

Le Bon Combat

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