🌶️🪽[ Tony  +👑] - 2

I:Cube - Oblivion (Dixon Edit)

Brasiliana EP

Brasiliana

House For All



Format: 12” + Digital
Cat#: CCS098
Barcode: 827170553668
Release : 18.06.15
Artwork : Léo Butler

Tracklist:

A1 - Addictive - ISRC: FR-2T0-15-00025
A2 – Trans Trans Trans - ISRC: FR-2T0-15-00026
B1 – The Scene (feat. Mechanical Soul Brother) - ISRC: FR-2T0-15-00027
B2 - Llife - ISRC: FR-2T0-15-00028

Short info:

After Carlos Nilmmns enthralled us with his expressive True Chemistry EP, Circus Company is delighted to welcome a new character into the fold in the form of fast-rising German artist Borrowed Identity. Based in the Southern town of Freiburg im Breisgau, in just a few years he has already released scores of singles for labels as respected as Quintessentials, Fina, Home Taping Is Killing Music and Mistress.

The Borrowed Identity sound is direct and uncomplicated, using classic house and techno styles and applying them to dynamic arrangements that showcase a confident set of studio skills and a deep understanding of what excites the expectant dancer. Across the four tracks on the XXX EP, the perfect balance is struck between powerful rhythmic commands and psychoactive decoration, combining everything needed for a memorable club cut.

“Adictive” leaps out at the listener thanks to the sweeping piano hook and subby bassline, while “Trans Trans Trans” brings a purposefully old-school feeling with its stark square wave synth lines and sleazy vocal groans. Regular Borrowed Identity collaborator Mechanical Soul Brother lends a hand to “The Scene”, which piles on the late night tension with its tightly wound chord stabs and rolling drums, before “Life” showcases a more eclectic side to our latest signing thanks to a bongo-infused percussive throwdown and an uplifting dose of acid.

Every one of these tracks brims with infectious energy, channeling the traditions of peak-time house and techno into a thoroughly modern approach that celebrates the instant gratification of a kick-ass dancefloor weapon, without compromising on that all-important soul.


Borrowed Identity -  Addictive

Frits Wentink launches his new label Bobby Donny with ‘Live Fast, Dwayne Young’.  Bobby Donny has been set up to primarily feature Frits Wentink’s own tracks, but focusing on the wonkier, more lo-fi house edge of his sound.  The emphasis will be on tracks that are hardware jams on Rhodes, Juno 60 or mpc, then structured later. 

His first EP on Bobby Donny opens with ‘Dwayne Young’, which puts the fun into funky with its deep vibe, filtered vocals and creative samplings.  Slowing it down, ‘Rio’ is next, like a short but sweet interlude of off-kilter slow-mo experimentation.  Then it’s back to the grooving house beats of ‘Guacamole’ with its jazzy backbone, before the melodious ‘Q&A’ kicks in, featuring a gorgeously wobbly overtone.  ‘Aquarelle’ is a perfect ending, with distorted elements gradually coming together to find their harmonious compromise.

With ‘Live Fast, Dwayne Young’ Frits Wentink once again displays the hugely creative talents of this much sought after producer.  It’s released on vinyl and digitally 22nd June.

A1 Frits Wentink - Dwayne Young

Électronique

DJ Phellix Live Setmix At Klein Phonix Istanbul 18.3.25

Bodyrock

Travlin - Norm Talley

Lauer - Tearsh

Having previously released three critically acclaimed Secretsundaze mix comps, DANCE 2017 is the first label compilation, representing an exciting new chapter for the label. The artwork and name 'DANCE 2017' is a reference to the feel of pioneering late 80s and early 90s house and techno compilations. The comp is delivered in a non-mixed format as well as a mixed format, with the duo mixing it live at The Pickle Factory, where the pair hold their monthly Secretsundaze - All Night Long residency, playing 8 hour sets each month.

DANCE 2017

Brawther - Spaceman Funk (Deep Club mix)

After various releases on the likes of Nervous Records, RTCT Records, and his own label MUJA, Austria’s Bernhard Weiss aka Demuja joins Madhouse with some fresh material following last year’s output on House Puff and Freerange.
The release opens with title track ‘Come To Me’, a rough and ready Lo-Fi number featuring a soulful sample, and blissful stabs of horns and strings. Following is the Folamour’s ‘Lost In Eden’ remix, twisting the original into a Balearic, sun-drenched vibe, contrasting the original and bringing a more funk-infused, melodious feel to things.
Up next is the second original on the release ‘Take’ which employs classic house tropes with a nod to the 90s via catchy horns and a New Jersey Garage/House beat. ‘Free Me feat Ladybird’ then closes the package, taking you on a silky smooth house journey, with Ladybirds dazzling vocals taking center stage.

Come To Me

LISTEN ON YOUTUBE

PREMIERE : Demuja - Come To Me (Folamour Lost In Eden Remix)

Kevin Over returns to Kerri Chandler’s Madhouse Records this October with his ‘Lavender’ EP, backed with a remix from Seven Davis Jr.

Berlin-based producer and DJ Kevin Over has been on the rise over the past few years with a steady stream of output on the likes of Gerd’s 4Lux, Dj Steaw’s House Puff and of course Madhouse where he returns to here following last years ‘Where To Begin’ EP.

The original mix of ‘Penthouse Boogie’ opens with jangling metallic percussion, thunderous sub tones and dusty drums driving the groove whilst an amalgamation of choppy chords and stabs ebb and flow amongst hypnotic pads, hooky vocals and jazzy marimba tones.

Seven Davis Jr’s remix of 'Penthouse Boogie' follows, taking a more raw and stripped-back approach with a gritty drum groove, skippy hats at the forefront whilst easing in the original’s vocal chant, resonant pad swells, wandering marimba tones and a fresh, bumpy bass line.

Title-track 'Lavender' then rounds out the package on a Garage tip with swinging broken drums, hooky vocal phrases, murky bass tones and organ stabs.

Kevin Over’s ‘Lavender’ EP is out on Madhouse Records 26th October 2018.

https://soundcloud.com/kevin-over
https://soundcloud.com/madhouse-records

Lavender EP

PREMIERE: Kevin Over - Penthouse Boogie [Madhouse Records]

The music of Genius of Time has always been defined by a certain elegance and grace. Finding new ways into and out of the labyrinth that some people call (deep) house, one the Swedish duo’s inner strength is the uncanny ability to create tension, sustaining and playing with it, before rewarding the listener (or dancer) with a fulminating mirror ball. Same goes for their treatment of percussive elements. 
„Peace Bird“, the opener of GOT’s EP of the same name, is a prime-example of that technique: a tight build-up and an intricate breakdown lead to heavily strings and foolproof floor finesse. Coming along with „Smiling Into Eternity“ that mellows you down easy as well as the club ready  „Rymd01“, the whole thing is a more than worthy successor to GOT’s first EP for Running Back almost five years ago. Niceness unlimited. Nerd facts: most of the elements of these three tracks here were recorded live and then mixed down on a reel to reel. No safety net, no double bottom!  Genius of time and genius of love.

Peace Bird RB075

Peace Bird

Genius Of Time - Peace Bird (RB075)

Back on the Riotvan with the third installment already, it is the ever on point https://soundcloud.com/llewellynmusic, still being the more extroverted Synth/Wave/NeoDisco-alter ego of Lake People - that just as a minor gloss for those who've been living under a rock over the last years. On "These Days" we see him further elaborate his distinctive signature sound, more than ever brimming with confidence and splendour. 

Exhibit A goes by the name "These Days (Don't Make Me Wait)" and instantly wins over the hearts of listeners and dancers alike by its driving, yet utmost elegant appearance. A slapping beat and dream-like pads get played about by a delightful piano improvisation and refined by amazement-triggering adlibs and vocal-excerpts. There you have it: the Indie-Dance-hymn of the season, bathing open air floors everywhere in streams of joy and collective rapture.

Then there is "I Wish I Could Have Seen It All" that in all detail emphasizes on classy Italo Disco-leanings, without compromising on current standards of production craftsmanship and all the requirements to get a crowd moving. That irresistible Funk driven synthbass just being one of them.

Closing things off, it's "Fleshed Out", presenting hissy snares, hi-hat-teasing plus a slightly off-beat arrangement, introducing a stardust powdered lead arpeggio synth and a plain compelling boost of energy and driving dynamic.

Artwork by Niklas Sagebiel. 

www.riotvan.de
www.mutingthenoise.com

These Days

These Days (Don't Make Me Wait)

BANDCAMP

Llewellyn - These Days (Don't Make Me Wait) (Snippet)

All enquiries info@electricminds.co.uk

"To The Disco '77" 
Written, produced & mixed by Move D.

Mastered by Matt Colton at Air Studios. 

Pressed by Optimal Media in Germany / Artwork by Jack Featherstone.

This is a vinyl only release. These 3 minute clips are very low quality mp3s for streaming and previewing only.

To the Disco ‘77 & Hybrid Minds Remixes

Move D "To The Disco '77"

Electronic music since 2010 

Techno . House . Tech House . Deep House . Electronica 


Travlin - Norm Talley

Le Disquaire

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