AIR LQD & ABDULLAH MINIAWY - How do you burry a paperless man

Snottebel es principa- 4 Ballade du troisième jour

Les Statues Meurent Aussi explore la contre culture musicale des années 80 et 90 en Auvergne Rhône-Alpes, à l'époque du mail art et de la cassette audio. 
Cette émission met à l'honneur les principaux musiciens et labels d'alors, dans le cadre d'un projet de recherche sur le sujet réalisé en collaboration avec la Biliothèque Municipale de Lyon et avec le soutien de la DRAC. Home-made music for home-made people !

٭٭ TRACKLIST ٭٭

THE SPINOZA SISTERS - Unfrequency
CONTRASTE - Black December 
IN AETERNAM VALE - Gustave
NO UNAUTHORIZED - Hiroshima 
KEELER - Shy
SYNDROME - Break Through Blood 
SONS OF SAM - Nature Makes Mistakes 
??? - ???
CRIPURE SA - Little Meat 
TED ET LES TERRIENS - Persecution Dub
DAVID WALKLETT - Divine Intervention Now
AL SEAMLESS & DELETED - Popular Electronics
MANA ERG - Dervish 
JEROME NOETINGER & RICHARD ANTEZ - Appel A Tous !
PASCAL LIGUORO - Danse Tribale 
PALO ALTO - Nuit Verte 
RODOLFO MISTERIOSO - Drums For Love
KLIMPEREI - Les Champs De Blé

~~~~~~~~~~~~

www.instagram.com/lsma_rds/
https://www.facebook.com/lesstatuesmeurentaussi

Contrebande Vol. 1 : cassette culture en Auvergne Rhône-Alpes (1980-1999)

« A quarante ans, je continuais à porter des mini-jupes, des motifs extravagants, du rose, du ﬂuorescent, des étoiles en guise de boucle d’oreilles. Je continuais de me balader avec mon chapeau léopard, mon sac-peluche, mon ensemble à ﬂeurs, et puis j’ai senti dans le regard des autres que je n’avais plus l’âge pour le faire. Je suis pourtant la même qu’à mes 16 ans, c’est les autres que je vois changer » 
 On ne peut mieux décrire ce qu’est le vieillissement, sinon dans cet écart qui nait et ne cesse de croître, entre réalité physique et image spéculaire de soi : L’une s’abîme avec le temps, exposée aux lois cruelles de la pesanteur et de l’oxydation, l’autre, ne vieillit pas, reste intacte et vierge de toute altération, ﬁgée à un moment où l’on se sentait bien. Plus le temps passe, plus l’écart qui se creuse devient monde. Il peut en devenir si douloureux que beaucoup cherchent à y échapper, usant et abusant de tous les artiﬁces. 
 Youth looks so good on you est une balade sonore explorant avec étrangeté le monde intérmédiaire qui se trouve entre réalité et fanstame de soi, un monde où le culte esthétique de la jeunesse se fait le souverain du peuple.

Naomie Klaus est une productrice de musique et chanteuse française, basée à Bruxelles. Se considérant comme une actrice ratée, elle construit sa musique sous forme d’histoires et de micro-séquences dans lesquelles elle s’amuse à interpréter différents personnages avec sa voix. Elle évoque un conte de fées pour adultes, où les princesses que l’on rencontre sont des nymphomanes hystériques, armées et mal habillées.

En savoir plus sur les Heures Sauvages : https://cwb.fr/agenda/les-heures-sauvages-nef-des-marges-dans-l-ombre-des-certitudes

Naomie Klaus - Youth looks so good on you #HeuresSauvages #IdealTrouble

https://nosejob.bandcamp.com/album/nooit-nooit

Luc Bersier (https://soundcloud.com/reymour, Jean-Luc) & https://soundcloud.com/rickshiver
(Cornet by Ariel)

Nose Job presents eleven subversive and throbbing dub-not-dub tunes on NOOIT NOOIT. Translated as ‘never never’ this convergent compilation depicts the facelessness and disarray within inner city life. Sludge, broken glass, rats and alleyways – sonic images flashing through the mind – traffic lights, raindrops, concrete and endless nights. Do you still follow? Are you being followed? Is your consciousness playing you tricks? Vibrant, buzzing, grim et louche – NOOIT NOOIT gives an ode to all dreaming dwellers in singular Nose Job style. Enter Brussel’s underworld.

Nooit Nooit

B5 Rattenkop - Cureghem Blues

MITSUBISHI (DMRD010 V​/​A BRUINE PERSISTANTE II) DEMORD ENREGISTREMENTS

GLENN GOULD - prelude and fugue No. 1 in C Major, BWV 846
PANORAM - Azolyna
PIGBABY - Why Don't You Stay, For A Moment
COCTEAU  TWINS  - Dials
TRYPHEME  - Don't you feel the same ?
KENJI  KAWAI -  Crossroad
WHITEARMOR - Eternal hills highest crest
VEGYN - Britnaeys new baby
SMLR - & I Wanted But I Couldn’t
MICHAEL HEDGES - Ursa Major
JS DONNY - dream-mars
TIN FOIL STAR  - you never even tried
RANDY ROGERS - Just For You
ALBATROS - l’albatros
MAXIME DENUC - Infinite end
YOKO KANNO - Yuto
BRIAN ENO  - Just Another Day
LAUREL HALO  - Light + Space
VELDT - sanctified
SERPENTWITHFEET - Heart Storm
RABIT feat EMBACI - no ceiling
DORIAN CONCEPT  - Turn Away
WHITE RING  - Do U Love Me 2
WET - Blades of Grass
GIRLS IN HAWAII - Flavor
SAYA GREY - SADNESS RESIDUE (ERASER ROOM)
HORACE ANDY - Love Of A Woman
DIP IN THE POOL - Dormir
BLONDSHELL  - Kiss City
CHRIS LEE ( LI YUCHUN) - Only You (Clark Remix)
MIDNIGHT JUGGERNAUTS - SHADOWS (M83 REMIX)
CFCF - Codependence
U-ZIQ - Ritm
ARCA - Obelisk
SHY GIRL - Heaven
PETER TALISMAN - We Have To Leave This Town Because I Have Done Something Unforgivable
DAS BEAT - Ariadne
THE CLEANERS FROM VENUS - The Mercury Girl
DIAMOND RINGS  - Which End Is Up

Trypheme & Khaled Hejira ( Sieste Ambient @ Station Station Radio )

when I lay down I...

Cool Drink of Blood

Psypop compactdisc1

Galica, the northwest region of the Iberian peninsula where dramatic cliffs cradle the wild Atlantic and here between the rocks of solitude there is a romantic spirit far from the prosaic order of elsewhere. The people share a deep connection with the land and sea which is inherent in their sound, a music of great strength with an intimacy that oscillates between dream and the reality. 

The majority of the recordings selected are from the post Franco era when social conditions relaxed and along with the peoples spirits, creative freedom soared. Music was created to defend the Galician language which was suppressed during the regime and viewed as a degenerate form of Spanish; contrary to when it flourished during the medieval period when there was rich tradition of Galician as a lyrical language. It is suggested that it was the first language used for literary purposes. Alonso X's Cantigas de Santa Maria a collection of 420 poems with musical notation written during 1221 and 1284 are a testimony to this. 

Muniera, the most characteristic Galician rhythm is distinguished by the tempo of 6/8 and played expressive and lively. The Gaita's(bagpipes)are a key element in the music and have ancient Celtic roots. Alalá, the most primitive musical form in Galician folklore was recovered by musicians and poets of the romantic(Rexurdimento)era. During this time an awakening of Galician identity occurred with notable figures such as Rosalie De Castro, Curros Enríquez and Eduardo Ponda writing lyrics and re-adaptions for traditional forms. Rosalie De Castro the author of "Cantares Galegos“(17/05/1863) was an ardent defender of women rights and the Galician language who actively fought against authoritarian abuse. A sense of persistence prevails in her poems with a refusal to accept false comforts, she inflicts a dose of sorrow without dilution, but also without bitterness.

'The arrithmic chants of the alala are based on a single short theme that repeats its melodic intention several times, usually separated by some instrumental phrases played with the gaita or sung without words. Melodies of alalas are usually diatonic, and based on a continuous drone. The progressive adaptation of alalas to polyphony, by choral ensembles, imposed them modern characteristics, like harmonization and transcriptions into 2/4 or 3/4 tempo or combinations of both. The real melody of the chant is formed by the repetition of all its notes. The first cadence is also the final one, ending in a coda that is enlarged and faded as a sustained and undefined sound. This fact appears to be a very special characteristic of alalas.'

Some say Gregorian chant had a huge influence on the music in the middle ages via the masses of pilgrims who came to Santiago. The musics effect is however greater than the religion that informed it, as the people adopted and modified what was heard in monastries to reflect their lives as workers of the land. 
The music also encompasses a nostalgic sentiment or morriña, a yearning for a love that you are kept away from or that is taken away. Huge migration in the 19th and 20th century saw hundreds of thousands move from impoverished Galicia to The America's.

1- Miro Casabella - Canzón pra que un neno non durma,  Ti Galiza(1976)
2- Saraibas - Nacion, Uhna terra, Uh pobo, Uhna fala(1980)
3-Carlos Valcárcel & Fuxan os Ventos - Labregos, Fuxan os ventos(1976)
4 - Fuxan Os Ventos - Longa Noite 
5 - Milladoiro - Estrelina Do Luceiro, Augua De Maio 
6- Saraibas - Maruxa  Uhna Terra, Uh Pobo, Uhna Fala(19800
7- Xocaloma - Airiños, airiños aire, Terra(1978)Poema de Rosalía de Castro
8- Fuxan Os Ventos -  Dame Lume, Quen A Soubera Cantar(1979)
9- Milladoiro -A bruxa, A Galicia de Maelo(1979) 
10- Sangre de Muérdago 
11-Elisa Serno-Quejido(1973)
12-13- Negra Sombra,Dos Interpretacións de Poemas de Rosalía de Castro
14 -Traditional Alala & Muneira - O Quer Que lle Quer(1942) 
15-Pandeirada -Maneo de canon
"https://www.mustrad.org.uk/articles/alalas.htm"

Cantares gallegos - Unha terra, un pobo, unha fala

"Nés à la croisée de l’ancien et du nouveau monde, les enfants des années 90 sont habités de paradoxes.
Mélancoliques chroniques, habités par les sonorités d'antan et par la low technologie, c'est pourtant avec insatiabilité qu'ils arpentent les sentiers de l'apocalypse, croquant à tous les artifices du progrès. Ces sales gosses de naissance ne sont jamais « ici et maintenant », ils errent et créent parmi les déchets et traditions de leur ailleuls, se téléportent avec urgence dans le nouveau Sion, tuent le temps en trainant leur botte dans d’immenses cimetières de Gamboy Color. C’est à coup à coup d’électronique stellaire et de substances corrosives qu’ils  Ils tentent d’anesthésier leur courrou de grunge romantique, le tout sous la lumière cancéreuse de leur écran d’ordinateur" 

///TRACKLIST///
Hematic sunsets- Tristesse aromatique (1998)
Mystic Inane- Deep Creep (Children of 90’s)
Violenca de género- Fuck Tha Police n Gimme yr Money (Child of 90’s)    
Officium- Issue One (Child of 90’s)
Sound of the West interview Massive Attack (1996)
The Future sound of London- Vit (1994)
4E- 91 Killer (1995)/ Vocals Marylin Manson-This is the new shit
Maoupa Mazzochetti- Another Sinistra Century (child of 90’s)
Vaporspace- Gravitational arch of ten (1993)
Matrix Oracle Scene (1999)
Ryoki Ikeda- Headphonics (1999)
Voices of : DRP-The acider (1990)
The Dust Brothers- Single serving Jack (1999)
AIR LQD & ABDULLAH MINIAWY - How do you burry a paperless man (Children of 90’s)
Hematic sunset- Nach den Stunden (1998)
Coil- Disco Hospital (1991)
S.S WHITE- Words to Worlds (Child of 90’s)
ExistenZ Chinese restaurant scene (1999)
IVG- Japanese Whore (Child of 90’s)
Snottebel es principa- 4 Ballade du troisième jour (Child of 90’s)

Children of 90 / Episode 2 / Naomie Klaus / Mix / LYL RADIO

💌 🃏𝓝aomie 𝓚laus🃏 💌

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