Damn  thank you for these sick dark mixes I've been craving

Let Me Woogie! (LIB 2012 Mixtape Contest) featuring 12 LIB artists
Please 'SAVE TO FAVORITES' (press heart icon above mix) to vote for me.. I would love to play at this year's event :-)
http://www.facebook.com/mr.lee.reynolds
http://dj.beatport.com/leereynolds

1. Enzo Siragusa & Luke Miskelly - Changing
2. tINI - Shmoohs Raisin Theory (Re-UP Remix)
3. Jay Tripwire - Acid Babies
4. DEREK MARIN - D in to D Out (ALEXI DELANO Remix)
5. NICK WARREN - In Search Of Silver (Martin Buttrich Remix)
6. Zod - Rise Before Zod
7. JUSTIN MARTIN - We Are Silver EP (The Sad Piano (Jimpster Mix)
8. ANDROID CARTEL- Toltec Wanderings
9. Matthew Deka & LEE BURRIDGE - Fur Die Liebe
10. Marcus Meinhardt - The Beach
11. MIKAEL STAVOSTRAND - Nothing More (Argenis Brito Remix)
12. Mark Henning - Jilted Love (TIM XAVIER Remix)
13. Maetrik & Maceo Plex - Fused
14. Sideshow -  Philly Soundworks (JESSE ROSE Remix)
15. J.PHLIP - Fever feat. Lailah Reich (Dub Mix)
16. BLUETECH - Worthy
17. TIPPER - Screw Loose

Let Me Woogie!

Just as rave culture was making its first waves in the UK in 1988, a mad English kid named Lee Reynolds rode his BMX bike across the Atlantic to Los Angeles, carrying with him dreams of big air and sunny skies. He was as wild then as he is now, it’s just that on two wheels, Reynolds’ lack of abandon resulted in broken bones, not broken beats. In 1992, he limped off the ramp one last time and soon found himself lost to electronic psychedelia, and thusly one of the West Coast’s finest DJs began his path to the Desert Hearts movement and the hysteria he now conjures with every performance. 

Now, a quarter century later, Reynolds has a lifetime’s worth of experience bringing the weird and the wonderful to the dancefloor. He earned his chops up and down the West Coast in the dance scene’s dustier institutions––Moontribe, Moonshake, LiB––That’s where he developed his endlessly wide palate, penchant for mysticism, and an understanding that a dance party should be a spiritual experience. 

“When I DJ, I want people to feel ecstatic, in a zone, in the moment, like the only thing that matters is the dance,” he says. “I don’t want to play music that people can dance to, I want to play music that makes people dance. I want it to sound like aliens are about to land on the dancefloor.”

In 2011, It was an encounter with a plucky bunch of San Diegans barely out of their teens that was the calling Lee Reynolds had spent his whole life working towards. Alongside Mikey Lion, Deep Jesus, Marbs, and Porkchop, Reynolds formed Desert Hearts and the rest is history in motion. Over the past three years of bi-annual renegade ragers and relentless touring, “Papa” Lee Reynolds has developed into the patriarch of the fastest growing and most visible cultural movement in all of stateside dance music.

“My real role in Desert Hearts is more on a spiritual level, making sure we spread a positive message and do the right thing,” says Reynolds. Wise words, maybe, but behind the decks, Reynolds is a maniacal presence as he channels his past lives, tastes, adventures, and perspectives into a dancefloor magic that captures you upon first beat and does not release: House, techno, acid, and breaks, they’re all conjured up in a plume of purple haze and that little mad bastard is at the center of it all. 

Dance music now is so often about fast rises and immediate gratification, but Lee Reynolds’ story is a reminder that some beats taste better when slowly fried over the course of 25 years. “I’ve been obsessed with this shit forever and I’ve always believed the madness was coming,” says Reynolds. Well, the madness has commenced, and it seems like it’s here for good––and Lee Reynolds is conducting the score.
- Jemayel Khäwåja

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