Name: APOSTOLIS - CLOCK CROC. by leecfcgoa in house
Duration: 7 min 7 s
Description: THESE TRACKS WERE PLAYED IN FULL OR PART OF AT PARTY'S IN GOA,INDIA DURING THE 1983/94 PERIOD. LEGENDARY GOA DJ'S LAURENT AND SWISS RUDI AMONG OTHERS PLAYED THESE TRACKS AT PARTY VENUES LIKE BAMBOO FOREST IN ANJUNA & DISCO VALLEY IN VAGATOR.

You have no idea how much of a legendary classic this is!!!

house

One of my absolute favourite Aretha tracks.  Enjoy :-)

Get It Rite [LNTG Don't Give Up Rework]

Old Growth

Asygen@Efir 38 Radio BKFreaks 28.05.23

Spectral Decay

Reprise

Guardians of the groove

Toot Toot-Hey-Beep Beep!
Love you Donna x
LNTG.

Do U Wanna Get Down [LNTG Rework]

THESE TRACKS WERE PLAYED IN FULL OR PART OF AT PARTY'S IN GOA,INDIA DURING THE 1983/94 PERIOD. LEGENDARY GOA DJ'S LAURENT AND SWISS RUDI AMONG OTHERS PLAYED THESE TRACKS AT PARTY VENUES LIKE BAMBOO FOREST IN ANJUNA & DISCO VALLEY IN VAGATOR.

APOSTOLIS - CLOCK CROC.

Jiminy Kraken @Delta#4 the 7AM techno mix 2023

Tracklist : 
Abdula Rashim -  A Shell of Speed
Abdula Rashim -  Red Uprise
Kornél Kovács - Szikra (Abdula Rashim Remix)
Shifted - Vacibe
Abdula Rashim -  Moral Blinds
Artefakt - The Mental Universe
Antigone - Third From The Sun
Meta - Answer Code Request
Shifted - Chapter 69
B.Mod - Floater
Fadi Mohem - Perception
Artefakt - Kinship
Jeroen Search - Escape Velocity
Black Mirror Park - Swing 56 (Original Mix)
Black Lotus & Temudo - Only Then (Original Mix)
Jeroen Search -  Distant Observers
Ramumu - Gorla
2pole, Ursula Rucker - Alone (Original Mix)
Danny Wabbit - Internal Jungle
Ricardo Garduno - Spiteful Behavior
Klint - Mustang
Unbalanced - Red Traces
Luca Maniaci - 23
The Chronics - Mind Trip
CucaRafa - Reservado
Juri Heidemann - Ketatscha
Juri Heidemann - Klamona
KUSS - Panic
Kahler - Kami
Hyden - Blackmail
Marcal - Matsu
The Chronics - Luz
A. G. Cook - Idyll

Jiminy Kraken @Delta#4 the 7AM techno mix

Öböl s02e02 ~ mrc

KEPA (hypnotic) - Höstmörker

[extract] 1h techno set mixed by MLVGN /10.11.2023/ xSettemenouno (7-1) @LumeOccupato (Milano)

MLVGN - [extract] Techno mix # @LumeOccupato(Milano)/1h set /10.11.2023/x Settemenouno (7-1)

https://sengiley.bandcamp.com/album/sound-dome-exo-passenger-ep-sng055

https://soundcloud.com/sengileywax
https://soundcloud.com/sound-dome
https://soundcloud.com/isjohnson

In the latest release of Sound Dome, a versatile producer who masterfully combines house and techno with electro-powerful aesthetics, we are dealing with a real musical revelation. This mini-album, consisting of four tracks, combines his musical roots with modern influences, elements of psychedelic and progressive with a pulsation of techno-house and broken rhythms, filled with pulsating synthesizers and breakbeat textures.

From the first minutes of the sound, you are immersed in a world of pulsating synthesizers and progressive textures. Each track is a carefully constructed structure in which elements of psychedelic and progressive sound create a unique atmosphere. The broken rhythms that permeate the compositions make you move and feel every bit at the body level.

Don't forget about Sound Dome's collaborations with such talents as M.Alve and Johnson. These collaborations add additional depth and variety to the album, emphasizing its versatility and openness to experimentation.

𝐇𝐔𝐑𝐅𝐂𝐋𝐔𝐒𝐈𝐕𝐄 ➟ Sound Dome - Stronger Love (feat. Johnson)

A2. HouseHeadz00 - Movin' On

Compiled by Hunee, 'Sounds from the Far East' features highly sought after material by legendary Japanese house producer Soichi Terada and fellow producers Shinichiro Yokota, Manabu Nagayama! 

Hohai Beats - Soichi Terada

* Read more: https://boltingbits.com/onipa-woza-krywald-ferrer-remix/
* Watch on Youtube: https://youtu.be/j5_G6C1vOVg
* Pre-order : https://wearemawimbi.bandcamp.com/album/wasso

Parisian Afro imprint Mawimbi's latest release in collaboration with Wormfood Records comes from Ghanian project ONIPA. In packaging four originals with three remixes, the EP covers a lot of ground, with West African stylings manifested in hip-hop, disco and house formats and beyond. This feat should come as no surprise to followers of the label, however, as the Paris crew has long managed to tastefully blend African music forms with electronic dance sensibilities.

Our premiere comes via London duo Krywald & Farrer's remix of the A1 track, "Woza". Known lately for their scorching hot Persies series, here the talented editors modify the frenzied, afrofuturistic original into a chilled deep house affair. Where the original is percussive, and intensely jovial, the remix is more subdued. Synth pads and basslines create a new texture for the track, while drum and vocal samples from the original are layered in to maintain some of the original flavor. It's ultimately a fairly climactic affair, too, with everything building towards a bittersweet combination of chords.

PREMIERE: Onipa - Woza [Krywald & Farrer Remix]

Stream it here: https://low-island.lnk.to/InPersonRemixesFA

In Person (Remixes)

In Person (Krywald & Farrer Remix)

GOA PARTY MUSIC FROM 1984 TO 1993.
ANYONE INTERESTED IN MUSIC FROM THIS ERA PLEASE FEEL FREE TO DOWNLOAD.
A LOT OF THESE TRACKS WERE PLAYED BY DJ LAURENT AT THE PARTY'S DURING THIS PERIOD.

A musical role model of mine, little known outside of the psytrance scene, is Laurent, the French DJ who introduced electronic music to the beaches of Goa, India and played there regularly during the years of 1983-1993.

Part of the hippie traveler wave that flocked to Goa beginning in the 60s and 70s, Laurent took the early sounds of electronic dance music and, through a combination of clever track selection and customized digital tape edits, turned it into a futuristic form of sixties psychedelia. The extended edit wasn't a new thing (it had been done back in the days of disco), but he realized that by cutting out vocals and extending passages with nothing but synthesizers and drum machines you could create a ritualistic atmosphere, one especially suited to the Goa environment. An environment that was awash with acid and chillums, shot through with mystical trappings, and set outdoors in beautiful nature. As well as his editing skills, his collection and knowledge of music was beyond extensive, tapping a global network of friends for music that came from everywhere and every style. He drew from rock, dub, electrofunk, disco, new wave, industrial, house, experimental art-pop, and American techno from Chicago and Detroit. He would also incorporate European forms of techno like trance, the genre he helped create and in doing so, he eventually became part of a feedback loop going from Goa DJs to studio musicians and back again.

By the beginning of the nineties, artists were traveling to Goa, hearing Laurent and DJs influenced by Laurent, coming home, and making music based on what they had heard. Trance, and what would become psytrance, owe much to his expansive attitude. He was a pioneer of the 'party as a journey' concept... dark, inward,focused music at night would fuck with the dancers' heads, and at sunrise, dreamlike reveries would bring them gently back to Earth. For those who dropped acid, this seems especially appropriate.
By his own estimate, Laurent played around 10,000 different tracks during his years in Goa. It's not entirely clear why, by 1994, he had quit DJing. The changing nature of the music may have contributed to it: Goa had coalesced into its own musical style by then, one that had been streamlined into a fast techno/trance hybrid. Full moon parties, trance dances, or just Goa parties were the terms before then, but now artists were making "Goa Trance" with its own particular motifs and aesthetic. This was incredible music, it brought much-needed colour, nuance and experimentation to a techno that too often limited itself to dystopian gray or was content to pound its listeners into submission. Still, Goa Trance (later called psychedelic trance or just psytrance) was too uniform for some old-schoolers, who missed the days of even wilder experimentalism. LSD was still the drug of choice, but some complained that you just couldn't dance all night to 140 BPM.
Perhaps, though, Laurent had simply done everything he had wanted to do as a DJ and decided that it was time to move on. He remains an enigmatic figure, posting on the occasional forum when it strikes his fancy. In a massive infodump, posted on discogs.com, he revealed 1,000 of the tracks he had used; all commercial releases, ranging from the extremely obscure to the very well known. I learned so, so much from that tracklist: it gave me many happy weeks on Youtube, swelled my record collection, and led to a tribute mix.
Looking at the list, I'm struck by how counter intuitive much of it seems. I picture juxtapositions of the most bizarre kinds... The B-52s and Front 242; Blancmange and Afrika Bambaataa; Thomas Dolby and Italo disco. Laurent's genius, I think, was to identify the shared transcendental impulse behind much contemporary music, and to put that under a sonic magnifying glass for all to hear.
By the late nineties, Goa was a fading scene. I started with the post-Goa psytrance movement, that had its epicenter in Israel and the UK.
in the deserts outside Tel Aviv and the nightclubs of swinging London, not a beach in southern India. From there I worked my way backward to learn the music's history and why India was so damn important, anyway.
Very important, as it turns out. The story of Indians from Goa, some of whom grew up with this music and later became producers of it, is another tale waiting to be told; from what I've heard, Goa is rife with both wonderful examples of coexistence and cross-pollination and less-wonderful examples of conflict and exploitation. But in its heyday, Goa was a case of First World spiritual seekers and party animals living in symbiosis with a newly independent Indian state. It was hot, dusty, and rough, and it created a new musical culture.
The early Goa scene took the artificially imposed distinction between 'head' electronic music and 'body' electronic dance music and took a sledgehammer to it, flattening it out into an open experiential field. It showed that EDM could be as trans formative, complex, and confrontational as a psychedelic trip; that it could provide, not just an escape from reality, but whole new ways of engaging with it.


APOSTOLIS - CLOCK CROC.

leecfcgoa

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Nick Meltdown (Bomm Records UK)

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