Name: Die Schwarze Zone-LDC by leecfcgoa in More than everything else
Duration: 8 min 10 s
Description: THESE TRACKS WERE PLAYED IN FULL OR PART OF AT PARTY'S IN GOA,INDIA DURING THE 1983/94 PERIOD. LEGENDARY GOA DJ'S LAURENT AND SWISS RUDI AMONG OTHERS PLAYED THESE TRACKS AT PARTY VENUES LIKE BAMBOO FOREST IN ANJUNA & DISCO VALLEY IN VAGATOR.

Produced by Torsten Fenslau, Resident DJ at the legendary "Dorian Gray", International Airport Frankfurt/Main...

More than everything else

Mega

THESE TRACKS WERE PLAYED IN FULL OR PART OF AT PARTY'S IN GOA,INDIA DURING THE 1983/94 PERIOD. LEGENDARY GOA DJ'S LAURENT AND SWISS RUDI AMONG OTHERS PLAYED THESE TRACKS AT PARTY VENUES LIKE BAMBOO FOREST IN ANJUNA & DISCO VALLEY IN VAGATOR.

Die Schwarze Zone-LDC

The Neon Judgement – The fashion party

Remix of the original track released in 2001 and remixed in 2011

Mittelstandskinder ohne Strom - White Sand 2011

Ticon - Waiting for the Knights(Original Mix)
Aero - Iboga Records
https://pro.beatport.com/release/aero/1467408 

IBOGACD92
1. Ticon - Dont Tell Me I Sing Like a Robot (Original Mix)
2. Ticon - Waiting for the Knights (Original Mix)
3. Ticon - Elt (Original Mix)
4. Ticon - Some Simple Sounds (Original Mix)
5. Ticon - Vox Pabiscum (Original Mix)
6. Ticon - Groovin the Bed (Original Mix)
7. Ticon - It Breakz My Heart (Original Mix)
8. Ticon - Back to Basic (Original Mix)
9. Ticon - Bonanza (Original Mix)
10. Ticon - Snooze Da Booze (Original Mix)
Ticon is back with a stunning biography of the most groovalicious psychedelic trance, this second album of theirs must be one of the most awaited releases in 2003 after the rock solid milestone debut album 'Rewind'. 
Filip Mårdberg, Fredrik Gilenholt 
2015 Iboga Records
INgrooves Music Publishing

--------------------------------------------------------------------------------------
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Accounts : Management : Promotion for the Music Industry

Ticon - Waiting for the Knights (Original Mix)

S34NKY - 1996

The Rave

Download: http://www.xlr8r.com/mp3/2015/06/heartthrob-does-your-car-know-the-acid-reprise/

@heartthrob

Download

Heartthrob - Does Your Car Know (The Acid Reprise)

Butterflies (Jomarkho)

underground eden

* Bandcamp: https://spaindisco.bandcamp.com
* Junodownload: www.junodownload.com/labels/Boite+Music/
* Traxsource: www.traxsource.com/label/53933/boite-music
* Beatport: www.beatport.com/label/boite-music/89982
* Facebook: www.facebook.com/boitemusicrecords/
* Instagram: www.instagram.com/boite_music_records/
* Youtube: www.youtube.com/c/spaindiscorecordsfrandeeper
* Mastering: master79music@gmail.com

[BM112] DANI DIAZ - Apophysis (Original Mix)

Sun Project - Statistic (Atmos remix) - Spiral Trax. https://soundcloud.com/spiral-trax
https://www.facebook.com/spiraltraxgroup

Spiral Trax founded the international branch to focus on the music of producers from other countries than Sweden.
With Internationalism compilation released in Jun 2000 the world was treated to a full range of massive psychedelic goa trance sounds with this legendary selection of the top producers of the time delivering phenomenal contributions. To this day tracks from this album are still be dropped in massive DJ sets across the globe. 


Various ?– Internationalism
Label:
Spiral Trax International ?– spitincd 1
Series:
Internationalism 
Format:
CD, Compilation 
Country:
Sweden
Released:
Jun 2000
Genre:
Electronic
Style:
Psy-Trance, Progressive Trance
Tracklist 
1	–X.V. Kilist*	Gurgel
Written-By, Producer – Kilian Horvath
11:13
2	–S.U.N. Project	Statistic (Atmos Ultra Remix)
Remix – Anti Enkvist, Atmos, T. Balicki*
Written-By, Producer – H-Man McCoy, M.A. Menichelli*
7:35
3	–Gus Till	Cheesecake
Written-By, Producer – G. Till*
8:19
4	–Bigwigs	Corki Lota
Written-By, Producer – G. Magnuszewski*, J. Przezdziecki*, T. Roehr*
7:46
5	–Peak Pilots	Smelling Trap
Written-By, Producer – M. Carp*, P. Hollenbach*, S. Hubner*
7:48
6	–Bumbling Loons Vs. Planet B.E.N.	Schnoo Mooshun
Written-By, Producer – B. Wierzoch*, R. Trevor*, J. Monro*
8:51
7	–Quixotic	Spy Vs. Fly
Written-By, Producer – M. Allen*, T. Healey*
8:28
8	–Dragon	Engen
Written-By, Producer – R. Featherstone*, T. Butt*
8:19
Companies etc
Mastered At – Tom Puss Point Studios
Manufactured By – MPO
Copyright (c) – Spiral Trax
Credits
Cover – Christian Loets
Mastered By – Guru Selleri
Notes
Mastered at Tom Puss Point Studios in Koppom. 
Cover design at Loets Design AB. 
Comes in digipak. 
"Thank you for hallucinating"
Barcode and Other Identifiers
Barcode: 4031345208147
Matrix / Runout: SPITINCD1 MPO 01 @@ 4 01

Sun Project - Statistic (Atmos Ultra Remix)

System Glitch (S>Range remix)

Egyptian Lover â€Ž- Sexy Style (Sexy Ain't It)(Egyptian Empire Records 1986)-1.mp3

Beatport: http://www.beatport.com/track/trust-feat-seth-troxler-tim-green-remix/951556

Available on Beatport

Tiefschwarz - Trust feat. Seth Troxler (Tim Green Remix) - Souvenir 2009

Rewind

Play My Boy (Original mix)

GOA PARTY MUSIC FROM 1984 TO 1993.
ANYONE INTERESTED IN MUSIC FROM THIS ERA PLEASE FEEL FREE TO DOWNLOAD.
A LOT OF THESE TRACKS WERE PLAYED BY DJ LAURENT AT THE PARTY'S DURING THIS PERIOD.

A musical role model of mine, little known outside of the psytrance scene, is Laurent, the French DJ who introduced electronic music to the beaches of Goa, India and played there regularly during the years of 1983-1993.

Part of the hippie traveler wave that flocked to Goa beginning in the 60s and 70s, Laurent took the early sounds of electronic dance music and, through a combination of clever track selection and customized digital tape edits, turned it into a futuristic form of sixties psychedelia. The extended edit wasn't a new thing (it had been done back in the days of disco), but he realized that by cutting out vocals and extending passages with nothing but synthesizers and drum machines you could create a ritualistic atmosphere, one especially suited to the Goa environment. An environment that was awash with acid and chillums, shot through with mystical trappings, and set outdoors in beautiful nature. As well as his editing skills, his collection and knowledge of music was beyond extensive, tapping a global network of friends for music that came from everywhere and every style. He drew from rock, dub, electrofunk, disco, new wave, industrial, house, experimental art-pop, and American techno from Chicago and Detroit. He would also incorporate European forms of techno like trance, the genre he helped create and in doing so, he eventually became part of a feedback loop going from Goa DJs to studio musicians and back again.

By the beginning of the nineties, artists were traveling to Goa, hearing Laurent and DJs influenced by Laurent, coming home, and making music based on what they had heard. Trance, and what would become psytrance, owe much to his expansive attitude. He was a pioneer of the 'party as a journey' concept... dark, inward,focused music at night would fuck with the dancers' heads, and at sunrise, dreamlike reveries would bring them gently back to Earth. For those who dropped acid, this seems especially appropriate.
By his own estimate, Laurent played around 10,000 different tracks during his years in Goa. It's not entirely clear why, by 1994, he had quit DJing. The changing nature of the music may have contributed to it: Goa had coalesced into its own musical style by then, one that had been streamlined into a fast techno/trance hybrid. Full moon parties, trance dances, or just Goa parties were the terms before then, but now artists were making "Goa Trance" with its own particular motifs and aesthetic. This was incredible music, it brought much-needed colour, nuance and experimentation to a techno that too often limited itself to dystopian gray or was content to pound its listeners into submission. Still, Goa Trance (later called psychedelic trance or just psytrance) was too uniform for some old-schoolers, who missed the days of even wilder experimentalism. LSD was still the drug of choice, but some complained that you just couldn't dance all night to 140 BPM.
Perhaps, though, Laurent had simply done everything he had wanted to do as a DJ and decided that it was time to move on. He remains an enigmatic figure, posting on the occasional forum when it strikes his fancy. In a massive infodump, posted on discogs.com, he revealed 1,000 of the tracks he had used; all commercial releases, ranging from the extremely obscure to the very well known. I learned so, so much from that tracklist: it gave me many happy weeks on Youtube, swelled my record collection, and led to a tribute mix.
Looking at the list, I'm struck by how counter intuitive much of it seems. I picture juxtapositions of the most bizarre kinds... The B-52s and Front 242; Blancmange and Afrika Bambaataa; Thomas Dolby and Italo disco. Laurent's genius, I think, was to identify the shared transcendental impulse behind much contemporary music, and to put that under a sonic magnifying glass for all to hear.
By the late nineties, Goa was a fading scene. I started with the post-Goa psytrance movement, that had its epicenter in Israel and the UK.
in the deserts outside Tel Aviv and the nightclubs of swinging London, not a beach in southern India. From there I worked my way backward to learn the music's history and why India was so damn important, anyway.
Very important, as it turns out. The story of Indians from Goa, some of whom grew up with this music and later became producers of it, is another tale waiting to be told; from what I've heard, Goa is rife with both wonderful examples of coexistence and cross-pollination and less-wonderful examples of conflict and exploitation. But in its heyday, Goa was a case of First World spiritual seekers and party animals living in symbiosis with a newly independent Indian state. It was hot, dusty, and rough, and it created a new musical culture.
The early Goa scene took the artificially imposed distinction between 'head' electronic music and 'body' electronic dance music and took a sledgehammer to it, flattening it out into an open experiential field. It showed that EDM could be as trans formative, complex, and confrontational as a psychedelic trip; that it could provide, not just an escape from reality, but whole new ways of engaging with it.


Die Schwarze Zone-LDC

leecfcgoa

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