This was my fav track back in 1990. Was on Techno 2 compilation

trance

Dirty Epic welcomes the Canadian producer @747 for the sixth episode of Amplify Series.

@747 is a DJ and producer from Vancouver. Best known for his acidic contributions to Aquaregia, he continues to impress with each and every release. Like his hypnotic DJ sets, his tracks are constantly evolving with a mixture of lush pads, dreamy soundscapes, and the sonically pleasing sound of the 303. Inspired by the sounds of Berlin, Detroit, and the acid legends, his sound is high-fidelity yet old-school, uplifting yet melancholic, a journey with no destination.

His most notable release, the widely acclaimed Aurora Centralis EP, immediately brought 747 to the forefront of the acid techno scene, while the title track captivated floors around the world. He saw a quick rise the following year with his eight-track Paleo series on Aquaregia. The acidic collection was well received and built a loyal following for his particular brand of melancholic acid, leading him to bookings at some of the world’s most renowned clubs including Fabric and Rex.

LINKS:

747: 
Soundcloud: @747
Facebook: https://www.facebook.com/Team747
Instagram: https://www.instagram.com/rchan747/
RA: https://ra.co/dj/747
Twitter: https://twitter.com/rchan747

DIRTY EPIC:
Website: www.dirty-epic.com
Merch: shopby6am.com/collections/dirty-epic-collection
Facebook: www.facebook.com/DirtyepicLA
Twitter: twitter.com/dirtyepicla 
Instagram: www.instagram.com/dirtyepicla/

Amplify Series 006 - 747

THESE TRACKS WERE PLAYED IN FULL OR PART OF AT PARTY'S IN GOA,INDIA DURING THE 1983/94 PERIOD. LEGENDARY GOA DJ'S LAURENT AND SWISS RUDI AMONG OTHERS PLAYED THESE TRACKS AT PARTY VENUES LIKE BAMBOO FOREST IN ANJUNA & DISCO VALLEY IN VAGATOR.

Stardiver - Lifetime Mission (10 Minutes Of Stardiving)

Freaks- DANCE TO TRANCE

Time Of War (A.C. Mix)- METROPOLIS

Working with old friends is always a joyous thing so Optimo Music is delighted to be releasing the new EP from our old friend Facets. Boris has been coming to our New York gigs for as long as I can remember and always brings a great energy. That energy flows over into his music. EBM has become a much abused term in recent times but here are some tracks exploring that EBM DNA where the creator 100% knows that history and what they are doing. Taking that knowledge and bringing that sound right up to date. We asked Boris for some notes on the tracks.
He said -
All three tracks spread across different genres I like and each has its own unique type of energy. “Noć,” which includes haunting Serbian vocals from Marija Kovacević and lyrics by Jesus Martinez, has an arpeggiated sequence along with a new wave-esque bassline. “Breakable” is a driving synth track that used lots of modulation accompanied by a 12-bit drum machine. Finally, “Reveal Yourself” is an EBM track on which I incorporated my own vocals for the first time, as well as lyrics that came from a vivid dream I had.

Breakable is out on November 10th.

Facets
Soundcloud: @facets-music
Facebook: www.facebook.com/facets.muzik
Instagram: www.instagram.com/facets_music/

Optimo Music
Soundcloud: @optimo-music
Facebook: www.facebook.com/OptimoMusicGlasgow/
Instagram: www.instagram.com/optimomusic/

Facets - Reveal Yourself (Optimo Music)

KGB - Stark

Future

Saturation (Extended Mix)

@auraltrace - Whisper
Remixer - @volta-cab
Label - @thisberecordings

All Sinchi premieres available on 
Youtube: https://www.youtube.com/@SinchiMusic
Instagram: https://www.instagram.com/sinchicollective
Spotify: https://open.spotify.com/playlist/7sd3nFrzl9itGooHqItGFG

♫ Info + Buy ♫

PREMIERE – Aural Trace – Whisper (Rambal Cochet’s Goa Breaks Mix) (Thisbe Recordings)

Eternity 1992 Germany
http://www.discogs.com/Transform-Transformation/release/85857

Transform - transformation (club mix)

"Cartoon Heart Slam Remixes" by @denseandpika, featuring two remixes by Slam (@paragraph), will be out on February 13 through @kneadedpains. More info: bit.ly/DePiSlam

Cartoon Heart Slam Remixes

Info

Dense & Pika - Cartoon Heart (Slam Remix)

Panokorama

Bartellow - Sala Sensi

Track from:
Various Artists - Voitax X Compilation
Released on VOITAX
https://clone.nl/item48139.html

Voitax X

You Were Too Proud

We dust off a classic for you - DJ Hell's Edition of H. Hancock - Rockit (1997). We Are Gigolo.

H. Hancock - Rockit - Extended Dance Mix  DJ Hell (1997)

This is a premiere for this Century. It's the 5th solo release of the label boss Jens Lissat, who created more than 1000 productions in his career so far. 
He chose a one bar love of a disco anthem and combined it with a Roland 303 Acid Line. The result is a massive techno blockbuster. Premiered already on the STREET PARADE in Zurich/Swiss, this track was absolutely killin' it!

Buy / Stream

Jens Lissat - Brothers On Acid & Sisters Feel Love (Brothers & Sisters Mix)

Out now on Rekids: lnk.to/REKIDS171

Radio Slave returns to his Rekids imprint for his first release of 2021, ‘Variations’.

Marking the first release of 2021, Matt Edwards aka Radio Slave turns in four thundering tracks loosely based around a common theme: his signature maximal minimalism mixed with classic dub techno aesthetics.

While his recent anthemic single ‘Live My Life’ displays Edwards’ knack for twisting vocal hooks into main room artillery, ‘Variations’ sees the Berlin-based producer head for room 2, showcasing Edwards ability for crafting devastatingly effective heads-y techno.

After releasing Robert Hood’s incendiary ‘Mirror Man’ LP towards the end of 2020, Rekids is showing no signs of slowing down for 2021. With this release highlighting an artist at the top of his game, ‘Variations’ adds yet another powerful and striking 12” to both the discography of one of electronic music’s most essential labels and one of its most lauded artists.

Radio Slave

Variations V4

Radio Slave - Variations V4

GOA PARTY MUSIC FROM 1984 TO 1993.
ANYONE INTERESTED IN MUSIC FROM THIS ERA PLEASE FEEL FREE TO DOWNLOAD.
A LOT OF THESE TRACKS WERE PLAYED BY DJ LAURENT AT THE PARTY'S DURING THIS PERIOD.

A musical role model of mine, little known outside of the psytrance scene, is Laurent, the French DJ who introduced electronic music to the beaches of Goa, India and played there regularly during the years of 1983-1993.

Part of the hippie traveler wave that flocked to Goa beginning in the 60s and 70s, Laurent took the early sounds of electronic dance music and, through a combination of clever track selection and customized digital tape edits, turned it into a futuristic form of sixties psychedelia. The extended edit wasn't a new thing (it had been done back in the days of disco), but he realized that by cutting out vocals and extending passages with nothing but synthesizers and drum machines you could create a ritualistic atmosphere, one especially suited to the Goa environment. An environment that was awash with acid and chillums, shot through with mystical trappings, and set outdoors in beautiful nature. As well as his editing skills, his collection and knowledge of music was beyond extensive, tapping a global network of friends for music that came from everywhere and every style. He drew from rock, dub, electrofunk, disco, new wave, industrial, house, experimental art-pop, and American techno from Chicago and Detroit. He would also incorporate European forms of techno like trance, the genre he helped create and in doing so, he eventually became part of a feedback loop going from Goa DJs to studio musicians and back again.

By the beginning of the nineties, artists were traveling to Goa, hearing Laurent and DJs influenced by Laurent, coming home, and making music based on what they had heard. Trance, and what would become psytrance, owe much to his expansive attitude. He was a pioneer of the 'party as a journey' concept... dark, inward,focused music at night would fuck with the dancers' heads, and at sunrise, dreamlike reveries would bring them gently back to Earth. For those who dropped acid, this seems especially appropriate.
By his own estimate, Laurent played around 10,000 different tracks during his years in Goa. It's not entirely clear why, by 1994, he had quit DJing. The changing nature of the music may have contributed to it: Goa had coalesced into its own musical style by then, one that had been streamlined into a fast techno/trance hybrid. Full moon parties, trance dances, or just Goa parties were the terms before then, but now artists were making "Goa Trance" with its own particular motifs and aesthetic. This was incredible music, it brought much-needed colour, nuance and experimentation to a techno that too often limited itself to dystopian gray or was content to pound its listeners into submission. Still, Goa Trance (later called psychedelic trance or just psytrance) was too uniform for some old-schoolers, who missed the days of even wilder experimentalism. LSD was still the drug of choice, but some complained that you just couldn't dance all night to 140 BPM.
Perhaps, though, Laurent had simply done everything he had wanted to do as a DJ and decided that it was time to move on. He remains an enigmatic figure, posting on the occasional forum when it strikes his fancy. In a massive infodump, posted on discogs.com, he revealed 1,000 of the tracks he had used; all commercial releases, ranging from the extremely obscure to the very well known. I learned so, so much from that tracklist: it gave me many happy weeks on Youtube, swelled my record collection, and led to a tribute mix.
Looking at the list, I'm struck by how counter intuitive much of it seems. I picture juxtapositions of the most bizarre kinds... The B-52s and Front 242; Blancmange and Afrika Bambaataa; Thomas Dolby and Italo disco. Laurent's genius, I think, was to identify the shared transcendental impulse behind much contemporary music, and to put that under a sonic magnifying glass for all to hear.
By the late nineties, Goa was a fading scene. I started with the post-Goa psytrance movement, that had its epicenter in Israel and the UK.
in the deserts outside Tel Aviv and the nightclubs of swinging London, not a beach in southern India. From there I worked my way backward to learn the music's history and why India was so damn important, anyway.
Very important, as it turns out. The story of Indians from Goa, some of whom grew up with this music and later became producers of it, is another tale waiting to be told; from what I've heard, Goa is rife with both wonderful examples of coexistence and cross-pollination and less-wonderful examples of conflict and exploitation. But in its heyday, Goa was a case of First World spiritual seekers and party animals living in symbiosis with a newly independent Indian state. It was hot, dusty, and rough, and it created a new musical culture.
The early Goa scene took the artificially imposed distinction between 'head' electronic music and 'body' electronic dance music and took a sledgehammer to it, flattening it out into an open experiential field. It showed that EDM could be as trans formative, complex, and confrontational as a psychedelic trip; that it could provide, not just an escape from reality, but whole new ways of engaging with it.


KGB - Stark

leecfcgoa

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