Name: Stardiver - Lifetime Mission (10 Minutes Of Stardiving) by leecfcgoa in trance
Duration: 10 min 11 s
Description: THESE TRACKS WERE PLAYED IN FULL OR PART OF AT PARTY'S IN GOA,INDIA DURING THE 1983/94 PERIOD. LEGENDARY GOA DJ'S LAURENT AND SWISS RUDI AMONG OTHERS PLAYED THESE TRACKS AT PARTY VENUES LIKE BAMBOO FOREST IN ANJUNA & DISCO VALLEY IN VAGATOR.

What a track, heard this first at a massive party in vagator

trance

Modern Slavery is a 4-track EP including two original tracks and two remixes. Aurum delivers two slow-moving tracks driven with dark atmospheric sound design with obscure programmed female vocals layered with energetic basslines.

The second track ‘Vicious dreams' takes a groovy twist. With a consistant looping bassline pattern which forms the primal pace for the piece. Relative to it’s sister track ‘Modern Slavery’ Aurum keeps the continuity of mysterious vocals to couinside the intrusive rolling basslines. Complemented with upbeat old school lead sounds and crisp percussion.

https://soundcloud.com/aurummiles
https://soundcloud.com/inflectrecords

Premiere : Aurum Miles - Viscous Dream [Inflect Records]

Lethal Aid - Various Artists [X-IMG32] 

https://soundcloud.com/adrian_marth
https://soundcloud.com/X-IMG

PREMIERE : Adrian Marth - Future Lies

The new instance of the Kaputt's Dance series delivers four dance tracks from every corner of the wide club spectrum, each with its driving force. 

The first track comes from Mystery Affair, who has teamed up with Leonor for Get Fckd, a hypnotic bassline, swinged spaced elements, and vocals which make this song a never-ending trance. For the second instalment, the mysterious duo from Miami called Legs Benedict delivers a mushroom indie anthem called “Pele Mele”, great for a mindfulness dance. Straight from Europe, the mastermind Franz Scala hands over an italo disco dreamy force for the comp the way only he can do it. Last but not least, Peters & Pujol's debut on the label enchants us by middle eastern elements and invites us to indulge in an expansive ritual which rounds this third volume up nicely for the dancefloor. 

PREMIERE: Franz Scala -  Mida

For its third release, French Epicure Records imprint welcomes the Athens based producer, Kay-Chi.

Kay-Chi continues to craft quality tunes while exploring the sounds of Synthwave, Italo and dark disco. He hits the mark once again with an EP that should be played as loud as possible as often as possible !

"Technology 3.0" is the title track of the new EP and projects you in the future instantaneously. Just hit the Play button and you will find yourself in the middle of an uplifting club-ready tune rich in sparkling synth stabs. The result is a melody-rich, synth-driven beauty, in a late ’80s romance dream.

Second track "Parallel Circuits" is a collaboration between Kay-Chi and his best friend Keymon also from Greece.  This one is a blend of vibrant synths and arpeggiators leading to a sublime and addictive groover with electro-tinged beats. Please fasten your seatbelt, lift-off to another dimension is imminent.

This EP is an ode to the next evolution of music through the use of new technological tools in combination with old ones.

Epicurious from everywhere, let's take a ride all together !

Follow Epicure Records :
soundcloud.com/epicure-rec
www.instagram.com/epicurerecords/

Follow Kay-chi :
soundcloud.com/kay_chi
www.Instagram.com/kaychi__

Follow Keymon :
www.instagram.com/keymon_fishladder/
soundcloud.com/keymonfishladder  

Mastering : instagram.com/keymon_fishladder
Artwork : instagram.com/philibert_lp

PREMIERE: Kay - Chi - Technology 3.0. [EPICURE]

New single from upcoming LP by Indonesian duo 'Camlann'. Pop, dark and cabaret vibes with social lyrics about this fckn world. EP included synthpop remix by Gegen Mann and hip–hop punch by Vic Rippa. This track already available at Bandcamp!

Bandcamp

Camlann — This World Is Ugly (Gegen Mann Remix)

https://soundcloud.com/cursesforever
https://soundcloud.com/keyimagazine
🛒 https://keyirecords.bandcamp.com
🔊 https://youtu.be/PcVWJRIi8II

KEYI MAGAZINE is proud to present a groundbreaking charity compilation that unites a diverse array of Berlin-based and international artists, each a visionary in their own right. With an impressive collection of 44(!) tracks, this extraordinary release serves as a sonic testament to the forefront of Techno and adjacent genres, showcasing the bleeding-edge sounds that define contemporary club sounds.

Immerse yourself in this meticulously curated compilation, spanning over 4 hours of music, as you embark on a sonic journey unlike any other. But this isn't just about the music—it's about making a difference. By participating in this musical odyssey, you have the opportunity to contribute to the greater good. Every penny raised through the sales of this compilation will be donated in full to two remarkable organizations: The White Helmets, who tirelessly strive to provide aid and assistance in conflict zones, and Germany's Welthungerhilfe organization, dedicated to combating hunger and poverty worldwide.

Now more than ever, the world needs the solidarity and support of its creative communities. The challenges we face are vast and varied, from the harrowing events of the Ukraine war to the devastating impact of the recent earthquake in Turkey and the ongoing crisis in Syria. It is in times like these that artist, musicians, and the wider nightlife community must stand together, utilizing their platforms to promote positive change.

Through "Sonic Reflections," we invite you to not only revel in the cutting-edge sounds of the underground but also to make a tangible impact on the lives of those in need. By joining this sonic movement, you become part of a collective force that transcends borders and genres, leveraging the universal language of music to bring hope, support, and compassion to those who need it most.

Dive into the sonic abyss of "Sonic Reflections: A Charity Compilation" and let the power of music inspire you to create a brighter future for all. Together, we can make a difference, one beat at a time.

PREMIERE: Curses - 2 Much Power [KEYI Records]

THESE TRACKS WERE PLAYED IN FULL OR PART OF AT PARTY'S IN GOA,INDIA DURING THE 1983/94 PERIOD. LEGENDARY GOA DJ'S LAURENT AND SWISS RUDI AMONG OTHERS PLAYED THESE TRACKS AT PARTY VENUES LIKE BAMBOO FOREST IN ANJUNA & DISCO VALLEY IN VAGATOR.

Stardiver - Lifetime Mission (10 Minutes Of Stardiving)

Freaks- DANCE TO TRANCE

Time Of War (A.C. Mix)- METROPOLIS

KGB - Stark

Ausstieg

Ausstieg (Radondo Remix)

Stream/Download

18. Noah Neiman - They Have Laser Eyes

Lotus Furnace

Eternity 1992 Germany
http://www.discogs.com/Transform-Transformation/release/85857

Transform - transformation (club mix)

Astrodance

Astrodance (Tribal Mix)

GOA PARTY MUSIC FROM 1984 TO 1993.
ANYONE INTERESTED IN MUSIC FROM THIS ERA PLEASE FEEL FREE TO DOWNLOAD.
A LOT OF THESE TRACKS WERE PLAYED BY DJ LAURENT AT THE PARTY'S DURING THIS PERIOD.

A musical role model of mine, little known outside of the psytrance scene, is Laurent, the French DJ who introduced electronic music to the beaches of Goa, India and played there regularly during the years of 1983-1993.

Part of the hippie traveler wave that flocked to Goa beginning in the 60s and 70s, Laurent took the early sounds of electronic dance music and, through a combination of clever track selection and customized digital tape edits, turned it into a futuristic form of sixties psychedelia. The extended edit wasn't a new thing (it had been done back in the days of disco), but he realized that by cutting out vocals and extending passages with nothing but synthesizers and drum machines you could create a ritualistic atmosphere, one especially suited to the Goa environment. An environment that was awash with acid and chillums, shot through with mystical trappings, and set outdoors in beautiful nature. As well as his editing skills, his collection and knowledge of music was beyond extensive, tapping a global network of friends for music that came from everywhere and every style. He drew from rock, dub, electrofunk, disco, new wave, industrial, house, experimental art-pop, and American techno from Chicago and Detroit. He would also incorporate European forms of techno like trance, the genre he helped create and in doing so, he eventually became part of a feedback loop going from Goa DJs to studio musicians and back again.

By the beginning of the nineties, artists were traveling to Goa, hearing Laurent and DJs influenced by Laurent, coming home, and making music based on what they had heard. Trance, and what would become psytrance, owe much to his expansive attitude. He was a pioneer of the 'party as a journey' concept... dark, inward,focused music at night would fuck with the dancers' heads, and at sunrise, dreamlike reveries would bring them gently back to Earth. For those who dropped acid, this seems especially appropriate.
By his own estimate, Laurent played around 10,000 different tracks during his years in Goa. It's not entirely clear why, by 1994, he had quit DJing. The changing nature of the music may have contributed to it: Goa had coalesced into its own musical style by then, one that had been streamlined into a fast techno/trance hybrid. Full moon parties, trance dances, or just Goa parties were the terms before then, but now artists were making "Goa Trance" with its own particular motifs and aesthetic. This was incredible music, it brought much-needed colour, nuance and experimentation to a techno that too often limited itself to dystopian gray or was content to pound its listeners into submission. Still, Goa Trance (later called psychedelic trance or just psytrance) was too uniform for some old-schoolers, who missed the days of even wilder experimentalism. LSD was still the drug of choice, but some complained that you just couldn't dance all night to 140 BPM.
Perhaps, though, Laurent had simply done everything he had wanted to do as a DJ and decided that it was time to move on. He remains an enigmatic figure, posting on the occasional forum when it strikes his fancy. In a massive infodump, posted on discogs.com, he revealed 1,000 of the tracks he had used; all commercial releases, ranging from the extremely obscure to the very well known. I learned so, so much from that tracklist: it gave me many happy weeks on Youtube, swelled my record collection, and led to a tribute mix.
Looking at the list, I'm struck by how counter intuitive much of it seems. I picture juxtapositions of the most bizarre kinds... The B-52s and Front 242; Blancmange and Afrika Bambaataa; Thomas Dolby and Italo disco. Laurent's genius, I think, was to identify the shared transcendental impulse behind much contemporary music, and to put that under a sonic magnifying glass for all to hear.
By the late nineties, Goa was a fading scene. I started with the post-Goa psytrance movement, that had its epicenter in Israel and the UK.
in the deserts outside Tel Aviv and the nightclubs of swinging London, not a beach in southern India. From there I worked my way backward to learn the music's history and why India was so damn important, anyway.
Very important, as it turns out. The story of Indians from Goa, some of whom grew up with this music and later became producers of it, is another tale waiting to be told; from what I've heard, Goa is rife with both wonderful examples of coexistence and cross-pollination and less-wonderful examples of conflict and exploitation. But in its heyday, Goa was a case of First World spiritual seekers and party animals living in symbiosis with a newly independent Indian state. It was hot, dusty, and rough, and it created a new musical culture.
The early Goa scene took the artificially imposed distinction between 'head' electronic music and 'body' electronic dance music and took a sledgehammer to it, flattening it out into an open experiential field. It showed that EDM could be as trans formative, complex, and confrontational as a psychedelic trip; that it could provide, not just an escape from reality, but whole new ways of engaging with it.


Stardiver - Lifetime Mission (10 Minutes Of Stardiving)

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