My Soundcloud Playlist - Part 1

Tracklist:

Renick Bell & Fis – Gila’s Cactus Breakthrough
bestiesmusic – Donne Moi Ton Coeur
Oscar Mulero – Asteroidal Dust
Psipiralife – Liquid Nails (Mosscilator Remix)
Keiera Meier – Paradox
Southside Spinners – Luvstruck
Voyager Solar System – Fire (Edit)
Vel – You Taste Like Zaatar
DJ Bazootka – Dangerous
Kuss – Sense
ABSL & Anetha – Boa Dormant
LuneCell – Lords Of Kobol
Baraka – Word Of Content (Vel Remix)
Voyager Solar System – ça c’est pure
Young Wolf – Kabuki (Siu Mata Edit)
La Femme – ssd
u.r.trax – Hippie Chic
Vel – Do You Pseetrance
Bootee – Metanoia feat. Sienna Sleep & Julien Andreas
zn - TekToNik
As’teka Nahuatl – Shaman Children
Loek Frey – Heana
Jeans – Tinkerhatfield
My Gander – Dead Wood
Modern Collapse – Vague

TMS. 491 VEL

Next up is Copenhaguen-based @oscano, with an hour of bouncy goa gems and progressive trance to get your bodies moving.

EVOLVE #008 - SCANO

TAO NONSTOP- COSMIC ENTERPRISES

The acclaimed British singer-songwriter takes over for an hour, sharing musical selections that have influenced her own songwriting and vocal tone. Featuring sounds from Black Sabbath, Donovan, King Crimson and more. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/guests/episodes/beth-gibbons-16th-may-2024

BETH GIBBONS 160524

Buy on iTunes

Klubbhopping (1996)

Ending 2024 with Volume VIII after a couple year hiatus. This one is a dream recovery mix for me-beautiful to know above all else we can always come back to ourselves. As always, songs I love mixed with soul for you, me and the clouds. 

xxo,
Devcloud

1. FKA Lany (Kito Jempere Mix): Kito Jempere
2. Lullaby For Robert (Bogdan Irkuk Remix): AI Usher
3. Crockett's Theme: DJ Turmix
4. As the Light Breaks In: Groove Armada
5. Violet Morning Moon (Dr. Dunks Remix): Bubble Club
6. The Way It Is: Psychemagik
7. Black Coffee: All Saints
8. Strings of Eden: Alex Kassian
9. Halcyon And On And On: Orbital
10. Major Spam (Almunia Remix): I-BOAT CAPTAIN
11. Zen Cowboy (Extended Mix): Anabel Englund
12. Techno Power: Longhair
13. Breathe: Wallace
14. Prospect Theory: mpeg
15. We Are Connected: Jondi & Spesh
16. BRTHDTT: Joy Orbison
17. Rozie Ramati- Drown in the Clouds of Dew: Karma Kid
18. I've Got the Real Feel: Ramos, Supreme & Sun
19. Abendtarif: Das Wettburo
20. Madder Red: Yeasayer

Cover Photo: Kyle Goldberg
Mastering: Matt Ossentjuk

Private Collection Vol VIII

Thanks Un:seen for inviting me and thanks to all the amazing producers <3

Alleged Witches - Frío de Muerte
ophélie - Baby Steps
Leese - Power
Blâme - Pink Noise
Ehua - Vola
Sheefit - Janete Inspirada
Silent Era - Opal
Aloka x Dave N.A. - BBQ & Vodka
Tearz - OSPC
DJ Sosa RD - Mami QTQ
Rayo - ruido
marco ono - Dust It Off
Arfa - Adapted
HEDDA & JCow - AIAIAI
Kessler - Aspect
MM - 9th Ritual
Neana - Destiny Dub (DEM 2)
Anunaku & DJ Plead - Clap Clap
amuwa - Mentalwave
Bapari - Fusion
BADSISTA - COSMOVISION BASS
Burna - Top
Baby G - Dream Routine
Impurity - See Inside
Viiaan - Staccato
Morayy - Snake Chalmers
Inskape - Urban Exploration
Kessler - Kwaku

unseen w/Ká @ Cashmere Radio 09.11.2024

Tema Trance

https://youtu.be/0w5CRnUNVVc


Todos los derechos reservados para la creación original por DILAZAmusic.
Soundpools proporcionados por MAGIX y Producer Loops, bajo licencia comercial.

To Fly

Mixman .wav

A standout cut from the Ballroom Records catalogue, Infinite by NEWVOID is now featured in TEN: The Archive Series, Pt. 5 — a chapter celebrating the more melodic and house-driven side of our sound.

Defined by warm grooves and emotive atmospheres, the track highlights the refined, melo side of Ballroom’s Melodic House & Techno identity.

Enjoy listening!!!

TEN: The Archive Series, Pt. 5

Infinite

Mark Archer - Jack The Box

Richelle Soigni for The Taste of David Vunk & Red Light Radio -

@dannythewolf ft. @lil-skies - Feel The Vibe

Danny Wolf ft. Lil Skies - Feel The Vibe

www.s2sevents.co.uk
www.facebook.com/djleedrake 

instagram - djleedrake
twitter - djleedrake 
snapchat - leedrake

Sunrise 018 - KlubKillaz

Mylo ft Miami Soundmachine - Drop the pressure

GOA PARTY MUSIC FROM 1984 TO 1993.
ANYONE INTERESTED IN MUSIC FROM THIS ERA PLEASE FEEL FREE TO DOWNLOAD.
A LOT OF THESE TRACKS WERE PLAYED BY DJ LAURENT AT THE PARTY'S DURING THIS PERIOD.

A musical role model of mine, little known outside of the psytrance scene, is Laurent, the French DJ who introduced electronic music to the beaches of Goa, India and played there regularly during the years of 1983-1993.

Part of the hippie traveler wave that flocked to Goa beginning in the 60s and 70s, Laurent took the early sounds of electronic dance music and, through a combination of clever track selection and customized digital tape edits, turned it into a futuristic form of sixties psychedelia. The extended edit wasn't a new thing (it had been done back in the days of disco), but he realized that by cutting out vocals and extending passages with nothing but synthesizers and drum machines you could create a ritualistic atmosphere, one especially suited to the Goa environment. An environment that was awash with acid and chillums, shot through with mystical trappings, and set outdoors in beautiful nature. As well as his editing skills, his collection and knowledge of music was beyond extensive, tapping a global network of friends for music that came from everywhere and every style. He drew from rock, dub, electrofunk, disco, new wave, industrial, house, experimental art-pop, and American techno from Chicago and Detroit. He would also incorporate European forms of techno like trance, the genre he helped create and in doing so, he eventually became part of a feedback loop going from Goa DJs to studio musicians and back again.

By the beginning of the nineties, artists were traveling to Goa, hearing Laurent and DJs influenced by Laurent, coming home, and making music based on what they had heard. Trance, and what would become psytrance, owe much to his expansive attitude. He was a pioneer of the 'party as a journey' concept... dark, inward,focused music at night would fuck with the dancers' heads, and at sunrise, dreamlike reveries would bring them gently back to Earth. For those who dropped acid, this seems especially appropriate.
By his own estimate, Laurent played around 10,000 different tracks during his years in Goa. It's not entirely clear why, by 1994, he had quit DJing. The changing nature of the music may have contributed to it: Goa had coalesced into its own musical style by then, one that had been streamlined into a fast techno/trance hybrid. Full moon parties, trance dances, or just Goa parties were the terms before then, but now artists were making "Goa Trance" with its own particular motifs and aesthetic. This was incredible music, it brought much-needed colour, nuance and experimentation to a techno that too often limited itself to dystopian gray or was content to pound its listeners into submission. Still, Goa Trance (later called psychedelic trance or just psytrance) was too uniform for some old-schoolers, who missed the days of even wilder experimentalism. LSD was still the drug of choice, but some complained that you just couldn't dance all night to 140 BPM.
Perhaps, though, Laurent had simply done everything he had wanted to do as a DJ and decided that it was time to move on. He remains an enigmatic figure, posting on the occasional forum when it strikes his fancy. In a massive infodump, posted on discogs.com, he revealed 1,000 of the tracks he had used; all commercial releases, ranging from the extremely obscure to the very well known. I learned so, so much from that tracklist: it gave me many happy weeks on Youtube, swelled my record collection, and led to a tribute mix.
Looking at the list, I'm struck by how counter intuitive much of it seems. I picture juxtapositions of the most bizarre kinds... The B-52s and Front 242; Blancmange and Afrika Bambaataa; Thomas Dolby and Italo disco. Laurent's genius, I think, was to identify the shared transcendental impulse behind much contemporary music, and to put that under a sonic magnifying glass for all to hear.
By the late nineties, Goa was a fading scene. I started with the post-Goa psytrance movement, that had its epicenter in Israel and the UK.
in the deserts outside Tel Aviv and the nightclubs of swinging London, not a beach in southern India. From there I worked my way backward to learn the music's history and why India was so damn important, anyway.
Very important, as it turns out. The story of Indians from Goa, some of whom grew up with this music and later became producers of it, is another tale waiting to be told; from what I've heard, Goa is rife with both wonderful examples of coexistence and cross-pollination and less-wonderful examples of conflict and exploitation. But in its heyday, Goa was a case of First World spiritual seekers and party animals living in symbiosis with a newly independent Indian state. It was hot, dusty, and rough, and it created a new musical culture.
The early Goa scene took the artificially imposed distinction between 'head' electronic music and 'body' electronic dance music and took a sledgehammer to it, flattening it out into an open experiential field. It showed that EDM could be as trans formative, complex, and confrontational as a psychedelic trip; that it could provide, not just an escape from reality, but whole new ways of engaging with it.


TAO NONSTOP- COSMIC ENTERPRISES

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