Original Mocambo 7inch release.
The 45 opens with a killer breakbeat that leads into an awesome rendition of the Meters standard (the title track of their second Josie album) with the themes being played in the street carnival sound of the West Indies, to “ease back” just a little on the flip side.
Both sides were remixed by Hawkeye and re-released on MPM 7".

Bacao Rhythm & Steel Band: Look-Ka Py Py

Release Date: 06/23/2015

iTunes: http://radi.al/EditSeriesVol8
Amazon: http://amzn.to/1HNDNIg
Spotify: http://spoti.fi/1JASE96

Volume 8 of our ongoing Luv N’Haight Edit Series is our biggest one yet! Featuring another helping of Kon with co-headliner Ohmega Watts, taking turns remixing and reimagining another Twilight classic.

Tracklist
01. Play My Game Dub Kon Remix (Caserta Mixdown)
02. Play My Game Kon Remix (Caserta Mixdown)
03. Play My Game Ohmega Watts 1990 Mix
04. Play My Game Ohmega Watts 1990 Mix Instrumental

Buy on Bandcamp

Luv N' Haight Edit Series Vol.8 : Twilight feat. Kon and Ohmega Watts

http://www.mrbongo.com/product/a-night-at-the-jazz-rooms-compiled-by-russ-dewbury-cd-1236

21 years after starting what is the world’s longest running consecutive club session – the Brighton Jazz Rooms – comes this celebratory compilation album on Mr Bongo Records presented by its founder Russ Dewbury.

Musically the Jazz Rooms did not follow any fad or fashion. Rather it created its own and this has been the key to its success and is reflected in the album's track selection. If it's good, it gets played at the Jazz Rooms.

Over the years, just about everybody in the scene has manned the decks at the night. Luminaries include Gilles Peterson, Baz Fe Jazz, Paul Murphy and guests from all over the world such as Rainer Truby, Kyoto Jazz Massive, Espen Horne and many more. Legendary US keyboardist Weldon Irvine described it as "an international brotherhood" while Straight No Chaser Magazine called it "a legendary affair that all should attend."

Originally signed to BGP Records as A+R chief, Dewbury was instrumental in the rediscovery of artists including Jean Jacques Perrey and Terry Callier, who he subsequently managed. His own albums include the compilations Africa Funkand Club Africa on Strut Records and Freedom Time and Jazz Bizniz on Counterpoint Records. His last compilation Pulp Fusion/Africa Funk released on Harmless Records achieved significant sales around the globe.


Karl Denson ft. Andy Bey - Bougainvillea

Buy via iTunes / Google Play: geni.us/DeepTenorCityOba

With the release of “Oba”, BBE has uncovered a rare gem. Production duo Dan Stillit and Oli Savill (collectively, Deep Tenor City) bringing together a wide group of the most accomplished (some Grammy- nominated) artists from the worlds of Jazz, Latin. Fusion, Funk and Afro-beat. “Oba”, recorded in the winter months of 2003, is a complex and percussion-rich slice of glorious afro-cuban jazz fusion, is only now seeing the light of day, having this year been given serious underground airtime and club play.

The EP also features an infectious and distinctive and remix from the mighty Opolopo and a vocal-rich deep house remix from AriesAudio (Josh Emman). Again, both tracks have been had strong early reception in the underground scene.


Deep Tenor City - Oba (Opolopo Remix) [Radio Edit]

Rivalling their legendary output from the 70’s onwards, Brazilian jazz-funk pioneers Azymuth’s latest album Fênix saw the band on top form, with their trademark samba doido (crazy samba) sounding as slick as ever. Since then, Far Out Recordings has comissioned a special one-off remix for the project, from Chicago deep-house legend Ron Trent, who has long cited Azymuth as musical heroes and one of his biggest influences. With a toughened groove and gorgeous swirls of synth and pad embelishments, Ron’s remix takes Azymuth’s futurist disco even deeper.

Fenix- Azymuth (Album Version)

Artist: Web Web
Title: Kings Of Forbidden Lands
Release: Oracle
Cat.-No.: CPT 499-1/-2/-3
Format: LP / CD / Digital
Release: 1st September 2017

Tracklisting:
Side A
A1. Kings Of Forbidden Lands 
A2. Journey To No End
A3. The Ring Of - Part One 
A4. Unreal Prediction
A5. The Ring Of - Part Two

Side B
B1. The Oracle
B2. Red Sunrise
B3. The Ring Of - Part Three
B4. Nonviolent Constellations
B5. The Ring Of - Part Four
B6. The Ring Of - Part Five *VINYL BONUS*

The first album of Web Web is very uncut, raw, live and direct. „Oracle“ is the first output of a German Supergroup. Check the musician credits below and you’ll get the score. The initial idea was to record a spiritual- jazz type of album, with all its imperfection as far as intonation, sound, influences of tunes... just like from their big jazz-heroes in the 70ies (e.g. Strata East, Black Jazz).
Web Web’s idea was to record a jazz jam session while to found and proclaim being a fictive band, a formation, which did not exist, while telling people, it would be a secret jam session recording of the Seventies. The prompt problem they were facing: Oh, we never would be able to play concerts, doing interviews, or placing photos on sleeves or post likeness images online. So they decided to reveal their real identities:
Web Web are: 
Roberto Di Gioia (Piano, Synth, Percussion), Tony Lakatos (Tenor- and Sopranosaxophone), Christian von Kaphengst (Upright Bass) and Peter Gall (Drums).

Roberto Di Gioia (Mastermind of Web Web): „The four of us set up very close in a big room, so we could hear and feel each other the best way. The music became more intensive, improvisations became more dynamic and it was impulsive.“

The album „Oracle“ was recorded on one day, only first takes were used!

We want to keep the burning spirit and the loose vibe we had during the recording session. And we play concerts the wild and free way we recorded this album. Web Web will be on tour 2018, but playing a few concerts in 2017. Furthermore, one main decision to blab their real identities was: The second Web Web album is recorded in June (with guests like the famous and unique Gembri-player and multiinstrumentalist and singer Majid Bekkas from Morocco).
Both albums were engineered, recorded and mixed by Jan Krause (Beanfield, Poets Of Rhythm).

Roberto Di Gioia: „Tony was tuning his Soprano too high, and his (overdubbed) tenor way too flat!

My synthesizers were somewhere in between...HA! We exactly had the sound we had in our minds, we had it exactly there were we wanted it: a bit of Sun Ra here, a bit of Horace Tapscott there.
On some tunes Tony’s soprano just sounds like a trumpet, since due to his weird tuning the soprano develops different frequencies in relation to other instruments.“

„Oracle“ is the first live jazz release on Compost. Produced by Roberto Di Gioia and Michael Reinboth.

God Is Real (Instrumental)

Lee Fields & The Expressions

Recent comments

Maura Micheletti

Related tracks