Legend speaks about a duo of warriors called Pierre Blanche came to prevent the Collision between an asteroid and the planet Earth thanks to their Pythonic force in order to save all the earthlings.

Beatport : 23 September
Worldwide : 07 October

Legend By Gabriel Meynadier.

Pierre Blanche - Collision " EP " Legend LGD033

Beatport : 23 September
Worldwide : 07 October

Legend By Gabriel Meynadier.

Pierre Blanche - Pythonic (Original Mix) Preview LGD033

Pierre Blanche - Collision (Original Mix) Preview LGD033

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Weska - Kobra Killer

Dynamo

Strange Dreamz

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Wehbba - Strange Dreamz

Club Furies Premiere #1515

Artist: Kaize
Title: Travesia Sonora EP
Label: Despair Scape Records
Catalogue: DSRM064
Format: Digital
Genre: Techno
Style: Raw/Deep/Hypnotic
Country: Colombia
Mastered by: Despair Scape Records
Artwork by: Despair Scape Records

Release date: September 5th. 2025
Support & Buy: https://www.beatport.com/es/release/travesia-sonora/5178139

Tracklist
1. Singularidad
2. Travesia Sonora
3. Pulso Hipnotico
4. Universo Paralelo

Kaize
https://soundcloud.com/david-caicedo-94
https://www.instagram.com/kaize_zk
https://www.beatport.com/es/artist/kaize/1034499
https://linktr.ee/kaize_zk

Despair Scape Records
https://www.instagram.com/despair_scape_records
www.facebook.com/Despairscape
https://www.beatport.com/label/despair-scape-records/103440

Club Furies
@clubfuriess
https://clubfuries.com.mx
www.instagram.com/clubfuriess
www.facebook.com/clubfuries
https://www.threads.net/@clubfuriess
https://bandcamp.com/erick_cf
https://clubfuries.substack.com
linktr.ee/clubfuries

Travesia Sonora

FULL REVIEW

CF Premiere: Kaize - Travesia Sonora [Despair Scape Records]

✨ ELYSIUM by DJ MANE ✨

Tauche ein in die Welt von ELYSIUM 🎇 – futuristische Flächen, sphärische Synth-Sounds und ein treibender Beat 🔊 verschmelzen zu einem Sound, der dich direkt in eine digitale Dimension katapultiert. ⚡️

Ein Track, der nicht nur die Tanzfläche zum Glühen bringt 💃🕺, sondern auch wie ein episches Abenteuer durch Neonlichter und endlose Klangwelten klingt. 🚀🌌

👉 Verpasse nichts und folge mir auf meinen Kanälen:
📀 SoundCloud: https://soundcloud.com/the_dj_mane
🎥 YouTube: https://www.youtube.com/@DJ_MANE
📘 Facebook: https://www.facebook.com/profile.php?id=100063737344706

Let’s enter ELYSIUM 🔥

Elysium

My new track "Hydro" features crazy dance energy with some techno vibes.

Hydro

Already downloaded by Luigi Madonna, Joseph Capriati, Richie Hawtin, Dr. Motte, Marco Carola, Timmo, Spartaque, Filterheadz, Dandi & Ugo and many more..

Wet Feather

Pappenheimer & Felix Bernhardt - Wet Feather (Superstrobe Remix)

Metodi Hristov feat. Juliet Fox - Just Breathe (Original Mix) [OCTOPUS REC.]

A testament to the growth of Adam Beyer’s scene-leading label, Drumcode annual A-Sides Vol.8 is the brand’s biggest yet.

The 25-track strong compilation features standout cuts Beyer has received over the last 12 months, but been unable to find room for in Drumcode’s regular release schedule, such is the volume and high standard of music that’s submitted.

The highlight-rich compilation includes Jamie Jones & Darius Syrossian’s buzzy Drumcode debut ‘Eyes of the Night’, Nicole Moudaber’s first DC release in 5 years with the mesmerizing ‘This Is Us’, Will Clarke’s bass-drenched re-work of Adam Beyer & Bart Skils ‘Your Mind’ and Joey Beltram’s first Drumcode release in 11 years with the retro-tinged ‘Can You Feel It’. 

The beloved Alan Fitzpatrick returns to the fold with the searing ‘Heiße Rakete’, alongside label mainstays Layton Giordani, who drops the stirring chord-driven ‘Chrome’ and Wehbba with ‘Mantra’, combining techno classicism with future-focused groove.

There’s a troupe of debutants donning the Drumcode jersey for the first time, including BEC, Shelley Johannson, Anthony Castaldo, Avision, Zimmz, Woo York, SAMA (in a terrific collaboration with Secret Cinema) and Ilija Djokovic, who delivers a shimmering highlight with ‘Aura’, a particular favourite of Beyer’s over the last year. Raxon also debuts on the label after a couple of quality additions to the Truesoul back catalogue.

Exciting young guns Weska and Juliet Fox bring heat to the compilation, while Veerus and Timmo follow up strong DC releases with a repeat dose. Elsewhere faithful contributors Ramon Tapia, Jay Lumen, Luca Agnelli, Marco Bailey and Mark Reeve craft powerful dancefloor weapons.

Buy all

Zimmz — Console — A-Sides Vol. 8 — Drumcode — DC211

Stream FULL album: fanlink.to/LitAoM
Picking up where 2018's debut album left off, Pleasurekraft continue their foray into the Cosmic Techno sub-genre they ushered into the dance music lexicon, with their new LP "Love in the Age of Machines."
Arriving exclusively on Spotify initially on April 10, with other streaming platforms to follow a week later, Pleasurekraft had one of the biggest tracks last year on Drumcode with their remix for Adam Beyer's 'Space Date,' always bring forward thinking grooves embellished with astral melodies and spaced out synths that make for emotional as well as physical experiences.
"Love in the Age of Machines" is in no short supply of the sonic signatures the production duo have become known for, and there is a clear maturation at work here. The album's non-techno tracks showcase an artistry rarely seen in conventional dance music and techno in particular. From the gritty dystopian future that establishes the album's themes at the onset in "Last Sapien", to the dark, rainy, urban-lit textures that form the spine of "Nostalgic for the Future", there is a sense of impending self-wrought catastrophe, tempered with a sense of wonder of all that is, and all that could be if humanity somehow overcomes its hubris.
Things get more intense and turbulent on "Panopticon (The Patron Saint of Global Surveillance)" [ft. Thomas Gandey] before the voyage to the edges of our galaxy continues on "I Sing the Body Electric" & "Main Sequence" which keep up the enthralling techno atmospheres with increasing pressure, before the tension is released with the cinematic grandeur of "Novacene." Two more hard hitting bangers in "At the Mountains of Madness" and "Primordial" then rebuild the all consuming techno mood before you're left adrift in the cosmos with the album's swan song "Requiem For the American Dream."
As Kaveh Soroush of Pleasurekraft puts it, "Without sounding too reductionist, humans are simply a bundle of biochemical algorithms with a few holes at either end, who mistake their sensory experiences as objective, and their sense of self as something concrete, when in fact science reveals to us with each new finding that our basic intuitions about reality and the world around us have not evolved much from our first ancestors, who just wanted to make sure not to get eaten for long enough to feed and procreate on the African savannah. While there are certainly wonders about the Cosmos we have discovered given our enlarged frontal lobes, and technologies that we've invented dating back to when the first tool was built thanks to an opposable thumb, we haven't been the best custodians of the only planet that can sustain us, and history makes it abundantly clear that our wisdom lags far behind the technological advancements we develop with each new day."

Despite the overtly pessimistic tone, ultimately there is a sense of potential change on the horizon. That perhaps a species which has come up with abstract ideas of love, justice, liberty, and created works of immense artistic and scientific beauty, might just find a way to correct course before it's too late. This sense of wonder is on full display on "The Occupant" and the potential seed for our enlightenment is planted in "Corpse Reviver Number 3", a track brimming with homages to the love of philosophy and its place in navigating a more examined life.
Ultimately "Love in the Age of Machines" feels like a dystopian sci-fi soundtrack written for optimists who want to change humanity's looming fate. While still firmly rooted in the techno genre, the album evokes themes and ideas that are universal to the human experience and our place in the Cosmos, and it is this aspect of the album that makes "Love in the Age of Machines" such a rewarding musical experience. It's techno that is at once accessible and intelligent, a combination rarely heard in today's endless sea of dance music.

04 - Panopticon (The Patron Saint of Global Surveillance) [ft. Thomas Gandey]

A rare treat for Drumcode faithful: A-Sides Vol.10 is set to drop in December, the second edition of the beloved series to come in 2020.

Fuelled by the extra time and space to be creative during lockdown, Drumcode’s collective of artists have stepped up. Across 17 contributions, the producers have gone deeper into their sonic repertoire, crafting powerful, yet reflective works that capture the range of the label’s sound.

Jay Lumen leads the way with a rousing riff-driven weapon, ‘Galactic Rainbow’, while Ramon Tapia brings us the muscular gem ‘Drum Control’, mixing up ruffneck techno with a barrage of synapse-tickling synths in the second half. Both rousing highlights of the compilation.
Victor Ruiz, Drumcode’s most prolific contributor in 2020, dishes up ‘Love Story’, led by a huge vocal lead. Zimmz also returns with ‘Tension’, which deftly combines deep squelchy grooves with a silky synth interlude. Thomas Hoffknecht follows up his debut on Vol.9 with ‘Escape’, keeping listeners on their toes with dynamic, choppy shifts throughout. Veerus joins with another stirring addition ‘I Know’, reinforcing why Beyer rates him so highly.

Elsewhere a string of debutants feature: buzzy newcomer Lilly Palmer gives us ‘Amnesie’, a brilliantly pummelling and eerie cut; Alex Lentini & Stomp Boxx serve up ‘Expanders’ mixing up drone effects, trippy vocals and an unsettling melody line; and Patrik Berg’s ‘Activated’ is full-bodied techno that drops down into funky rhythms.

Long-time DC family member Bart Skils brings his A-game with the thrilling no-nonsense ‘Solid State’ that hits like a steam train. Likewise, Alan Fitzpatrick who brings a momentous slab of techno energy with ‘Rochus’, while Thomas Schumacher, now feeling like a regular on the imprint, crafts another dark techno opus, this time in collaboration with CAITLIN.

There’s even a special appearance by the chief Adam Beyer, who makes a welcome return with the progressive-tinged ‘Changes’, driven by organic tones and spacey atmospherics. The track stands as his first original contribution to A-Sides since 2017.

Veerus — I Know — Drumcode — DC235

Techno Label by Gabriel Meynadier

Demo (Only soundcloud link & Techno style) : demo@legend-audio.com

Pierre Blanche - Collision (Original Mix) Preview LGD033

LEGEND

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