MADDOG

MADDOG (feat. Teezo Touchdown)

Jace’s phone number might have an Atlanta area code, but his sound is untraceable. You may recognize him from the influential collective Two-9 or the duo RetroSushi, but it’s time to throw away any prior expectations. Jace has always operated in his own lane—psychedelic, moody, Southern but universal. Now, after years of evolution, he returns with a powerful new chapter: a collaboration with DJ Drama and Gangsta Grillz, dropping 10/31.

This project is more than a mixtape—it’s a statement. The story of a kid who grew up on one side of town and what that feels like, what that sounds like. It's about repping that section loudly, proudly, and honestly. “It’s such a big part of my identity when you come from here. I want to share that with the world,” Jace says. That authenticity shows up in every song.

After coming up as part of Two-9 and making waves with The Jace Tape, this project marks a reintroduction. It's a long time coming—and a big look. No features. Just Jace. Fully in his element, fully in control.

While the focus is squarely on Jace, the tape also weaves in some standout collaborations behind the boards and behind the scenes. Actor Woody McClain (Power) taps into his musical side on “Wild Ones” and “Let It,” while Iceberg Beatz sets the tone on “Rocafella.” And of course, there's something special from longtime collaborator Stoop Lauren—keeping it all in the family.

Jace’s music is a mix of contradictions—gritty and vulnerable, trippy and grounded, emotional and raw. His early influences stretch from New York lyricism (Rakim, Pete Rock & CL Smooth) to punk energy (The Ramones), filtered through the melodic experimentation of artists like Kanye, Chance, and early Drake.

“I feel like I’m a combination of all the different subgenres people listen to right now,” Jace says. “I can do melodic, trap-related, emotional, autobiographical—everything people want.”
That versatility shines here. It’s the culmination of years finding his voice outside the group, and now, he’s using it louder than ever. This isn’t just music—it’s representation, it’s identity, and it’s freedom. Welcome to EASTSIDE JACE. No skips. No features. Just bars.

Might Let It

THERE’S A GHOST IN MY HOUSE.

FLASHMOB. II

BIGGER PERSON.

POST MODERN.

PHANTM.

Say Ya Grace

NO DELUXE

SOMETIMES (feat. millkzy, Ovrkast.)

i smoke a blunt bymyself so i dont go insane oh

im tryna fuck ona bitch today so imma laylow

yeah imma crush her and thats cause she said we can hangout

i wouldve loved but the love aint never been 2 ways tho


i never really ever paid attention to your sin

i had to learn how to love the things i love again

i only ever really wanted your attention










i hope my absence could give you the peace my love didnt.








i smoke a blunt bymyself so i dont go insane oh

im tryna fuck ona bitch today so imma laylow

yeah imma crush her and thats cause she said we can hangout

i wouldve loved but the love aint never been 2 ways tho



you so fucking scary

is the way you acting just hereditary

shouldve known the devils smile but im swearing

i saw an angel that just needed saving


venom seeping from your words
 
you forgot thru all your fire 

my remains remember

you got me used to feeling hurt

i know you did evil things for my life to better

this is my letter 

rain on the embers 

her name is 

her name is 

her name is :̸̢̡͚̣̬͈̦͔̦̞̣͚̪̹̮͌̆͘̚͝͝"̷̡̗̩̞̬͇̊̉̚͝>̵̠̳͋̄̆̅̄͋̿̕?̵͍̼̫̦̮̻͙͈̫͙̞̒͂͑͑͊̐

4-50_m3rcuryr3trgvd3

Hurt Me More

We all start somewhere, right_

FLASHMOB. II

Armani White

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