Starjunk es una de mis favoritas! Que agradable escuchar esta nueva versión :D

The Highway in Space

Hello everyone, back again after a while (sorry, life has been hectic atm), but I'm back with a new song. This is also an entry for BOTB Summer Chip XV. This one is one of my longest songs and the first non-looping song in a while. I hope you enjoy it!

Tranquility

Technological Ruins "Type G" from my upcoming album "Symphony of Hunted Truths: Redux"  There are two arrangements of this song. This is the slower, more groovy one.

Mechanical Ruins_Type-G

I'm not sure if this'll end up being the final rendition of this, but I figured I'd share just in case it is. This'll be on my upcoming album "Hunted Truths: Redux"

Crossroads-Grave

Back when Elancia was going to be a game, it was going to have minigames. This song languished off and on every time the game was cancelled, uncancelled, re-cancelled, and turned into a book series.  This is the first time I've touched it since about 2009. Was fun to bring it back to life.

MINIGAME-1

was always a sort of bucket list dream of mine to do a racing game soundtrack entirely with super mario kart instruments. alas, convincing racing game developers to let me do this proved to not really be feasible. so i just did this song for fun instead.

pineapple upside-down car [SPC700]

SECOND SENSE

What's up everyone! I recently got to make some music to promote the comic book "Endless Fantasia" by Daniel Barnes (IDW Sonic, Black Mage etc)

Check it out here!
https://www.kickstarter.com/projects/206565177/endless-fantasia



"The City of EverAfter" - Endless Fantasia

Hell Yeah's lovingly curated Buena Onda series is back with a new edition that focuses on Adriatic Beats & Beyond. It has been assembled by label head Marco Gallerani and features four exclusive new tunes that reflect his summer residences at a cosy beach bar on Italy's Eastern and Adriatic coast.

Marco moved back to his hometown of Ferrara after the pandemic and began spending more time at the local seaside, the famous Lidi Ferraresi. It's there, at Lido di Spina, that a friend runs Kai Beach Bar, a small spot where, every Thursday throughout August for the last three years, he has soundtracked afternoons and sunsets under the Buena Onda banner, more than a decade after the party first started in Berlin.

"The beat has become less Balearic, more Adriatic," he explains of the sounds that can be heard up and down the coastline. "There’s no sunset culture yet, but they like a groove for aperitivo. This selection reflects the music I propose there, a kinda sunrise to sunset trip."

The 13-track selection includes four exclusives: the first is Blende's 'Amor,' which is forthcoming on the label. Johan Blende is a Swedish producer, songwriter and DJ who weaves together modern dance with retro sounds of the 70s and 80s and debuts on the label this summer with his Recess EP. 'Amor' is a bubbly groove with a New Age wash and lo-fi pads full of charm.

Hell Yeah regular and Italian magic man Walter Del Vecchio aka Quiroga also offers a new Baia Club Ambient Version of 'French Kiss' which has a lazy acid line worming its way through dubby kicks and tabla drums, and his dreamy electro soother 'Cala Ventosa' also features. Secret Soul Society, aka South Wales's Cal Gibson, also tests a new EP with his 'Orange Surprise' blending off-balance rhythmic shuffles with starry cosmic melodies. The final exclusive is from Balearic Gabba Sound System, who flip The Vendetta Suite aka the legendary Gary Irwin's 'Della Notte' into a quietly epic cinematic closer with icy analogue beats and a warped bassline for dubbed out late night escape. His 'Island Hill Microdot' also offers some warped cosmic ambient house introspection.

Elsewhere, Michele Mininni features twice - once with Gallo's Tropical Hinterhof Remix of the suspensory ambient lushness pop 'Carousel of Tears' and once with the original percussive pressure and hip-house fusion of 'Urban Voodoo' from his Pop Archetypes LP. Buena Onda veteran Feel Fly comes through with an Estatico Danzante Remix of Pedro Bertho's 'Tornei' feat Mariana Gehring and takes us to the stars on twinkling keys, dusty breakbeats and steamy vocals that glow as warm as a setting sun.

Add in further groovy gems such as Bonnie and Klein's synth and vibes laced 'Horizon Avenue,' dreamy, breaks-driven downtempo brilliance from pub wave innovator Dawn Again, hints of Ibiza cool from Willie Graff's remix of Aura Safari & Jimi Tenor and some upbeat synth-laced house from label stalwart Luminodisco and you have a faultless collection of grooves for grown up dance floors. 

Compiled by Marco Gallerani
Artwork by Matteo Gallerani

Thanks to Everyone at Kai Beach Bar - Lido di Spina (FE)

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The Vendetta Suite - Della_Notte (Balearic Gabba Sound System Remix)

FE012

You gently yawned and stacked clouds. You are the view beneath the clover, miniscule enough to see her veins in the summer sun. You are the end of a sigh, the basement of the lungs. You are the golden hour whom erst you knew. You, in all of your wicked and kind facets, are the red stroke across a blank canvas. You bragged about the tiny spine in your palm, and told stories about the shapes it used to take. You cracked open and told me your name.

orico is a sunset for 15 soundtracks, a diadem of human proclivities. Peach fuzz of harmony hums, the TV’s fur at your fingertips, the dog between your legs awaiting whistles, pacing around the room while the idea rubs against bedroom walls. A parochial friend once implied the sunset is the same every day. “I’ve never had someone make me question all the rules,” once said. It’s hard not to agree with something so foolish.

"I recorded this in the midst of hurricane season 2024. Helene hit us pretty hard and left me feeling even more isolated as a trans person in an area that is already pretty much detached from most everything (northwesternmost tip of south carolina). I found myself looking toward the coast, some 5 hours away, and toward soraweb's approach to "electronic bossa nova" alongside the works of Arto Lindsay and Masakatsu Takagi. Nearly every track here was improvised in single takes (no outstanding cuts or overdubs, if it could be helped) with a mixture of live instrumentation and electronics, including some sounds produced by an old homebrew sequencer for the Nintendo DSi, if you can believe that. the DSi usage is best heard in the electronic voices on "upsets" and "caowu". Various sounds were provided by trans and nonbinary friends who wish to remain anonymous, many of whom are in constant search of an aquatic vessel, one for us to ride into the sunset on, in hopes of escaping this horrible storm."
- e.m.butler 

orico/e.m.butler - Mixing, Mastering, Production
Gabriel Good - Cover Art, Packaging
Glos - Additional artwork, Packaging

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odoma

It hurts, doesn’t it?

Composer for Star Buster, Miasma Caves, Leilani's Island, Freedom Planet 1 and 2, HardSpeed and tons more.
Freelance game composer, author and semi-professional race car driver from the west coast. I've been in the game music business for around 10 years.  I have two major projects (HardSpeed: Synthpop/80s) and Elancia (JRPG styled music.)

Mechanical Ruins_Type-G

Leilani Wilson

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