The prequel to my Album "I don't run away" containing a fresh perspective on electronic music, and video game music.

pumpkin spice

Track 17 from Fruit on the Internet: https://youtu.be/Au98_-B2So0
Written and produced by nobonoko

this song will turn you into a kangaroo that only eats applesauce

Track 9 from Fruit on the Internet: https://youtu.be/Au98_-B2So0
Written and produced by doofusgoofus

RETROGRADE

Track 5 from Fruit on the Internet: https://youtu.be/Au98_-B2So0
Written and produced by nobonoko and scarletarmada

STRAWBERRY_PUNCHER.fla

could you believe this took 2 hours of my life
midi: https://drive.google.com/file/d/1KazMpm6lx9MNQ6IbJ99Pjedxw4WAtEyj

2HR JAMS

WEEK 95 - 20250615 schmoovin

REQUEST: I'm quite old. Please harvest a medium sized bag of apples within the Los-...no....the Xenial Wood. do not be deceived by it's title it is not very friendly. Return the apples to me and i will give you a nice reward

(Bonus: upon completing this quest I will teach you an ancient jig. It may help you on your journey. It may not. It is a pleasant jig.)

submission for BotB's 'Alternate Tunings' Major (was unfinished. finished it and submitted to soundcloud)
16 edo

Request of Elderly Rock: harvest apples for me, please

Track 2 of Musings: https://lentunes.bandcamp.com/track/musings

written 12/18/2025
different timezone blues

Lyrics: 
Good morning
Good morning
It's midnight
And I'm sleeping soon

I hope you're resting well
Sleeping like a babybel
Your time, I can't even tell

Good morning
Good morning
It's much too late
And I'm sleeping soon

I don't know when I'm going to see you
But I hope it's not much time
And I don't know what I'm doing singing
When I could just say hi

credits:
lentunes - vocals, acoustic guitar, steel guitar

Bandcamp

Good Morning

The shift begins with the usual metronomes switched off. In the workshop of “misfit ideas,” a conveyor starts up that assembles not parts but deviations: a slipped stop, a skewed bar, a shifted center of gravity. The author pulls the chaos out of his head, feeds it into the machine, and watches what happens when a standard groove goes under the press.

Each track is its own machine with a distinct temperament: some cut, some drill, some stamp silence to micron tolerances. The speed is pushed into the red, the weight is physically felt, the markings are razor-precise. The motion leans off-axis on purpose yet holds the line—fast, heavy, exact.

ZAVOD is where order is taken apart bolt by bolt and a new kinematics is assembled from the scrap. A full production run—a hand-built album: no safe mode, no familiar controls, only the raw metal of an idea and the cold exactness of execution. It hums, it sparks, it works. Ready for dispatch.

RETROGRADE

lentunes

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doofus goofus

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