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Gary Beck - Before The Crash

Buy here: Pan-Pot.fanlink.to/voodoo-signs

Digital release: 25th June 2021
Vinyl release: September 2021

A1: Voodoo
B1: Signs

Pan-Pot return to their Second State imprint to serve up the label's sixth release this year. The illustrious Second State has been fostering the sound of some of techno’s biggest tastemakers and emerging artists for several years, with releases throughout 2021 so far being some of their strongest ones to date. "Voodoo Signs" EP however, is a shift from their usual productions, incorporating a breakbeat sound throughout the record, a step away from the duo’s familiar straight ahead techno weapons.

Hugely atmospheric and packed with conflicting elements, “Voodoo” is the punchier cut of the two tracks on the record. A palpitating muffled kick launches and is quickly joined by rapid percussion and dancing hi-hats that weave throughout the heaviness. As things develop, these turbulent elements are smoothly subdued to let doomy wails echo and build to a crescendo. The main vocal sample meshes with several other voices that ominously quaver over the original. A stabbing melody is then introduced, skittering over the foundations with broken beat drum hooks moving in unison.

On the flip side is “Signs”, a peak time fast paced club track with a driving beat. A stifled kickdrum and a singular bleating tone start things off, before the full weight of the drum is unleashed. A dark looming bass builds on top of cracking percussion and claps until it’s replaced by a distorted male vocal sample crying out “searching, searching”. In the second half, the bleating tone is pushed into the minor key and the bass looms, menacingly. The kick drum returns while the vocal sample becomes increasingly distorted until it fades out. A breakbeat cuts through the noise, switching up the energy and reinstating the hectic, club atmosphere.

@secondstateaudio

Premiere: Pan-Pot - Signs [Second State]

Regal - Pulzar

Alan Fitzpatrick is back with a three-track EP that encapsulates what Alan’s Drumcode sound is all about. Hard-hitting drums that fire down onto the dance floor like cannon balls. Check! Intense key patterns that are as twisted as they are uplifting. Check! Beautiful melodies that seamlessly interlock with each element. Check! Big-sounding, infectious grooves and killer hooks generously sprinkled with the infamous Fitzpatrick magic over the top. CHECK! In short, this EP is everything we have come to expect from Alan over his long history with Drumcode (this is his 10th EP as a solo artist!), but still his sound remains fresh and super-charged for 2014.

Alan Fitzpatrick
Turn Down The Lights
Drumcode
Released: 27.10.14

(contains a sample from "The Revolution" by Superchumbo, courtesy of TWISTED Records Inc. (www.twistedrecords.com)

Alan Fitzpatrick - The Catalyst - Drumcode - DC134

Ringing In The Ears (James Hopkins Remix) - Locarini (SHADOW MUSIC RECORDINGS)

Dirty



A great philosopher (Samuel Johnson, not Ebeneezer Goode) once wrote… “our brightest blazes of gladness are commonly kindled by unexpected sparks”. While it would be a stretch to suggest the Drumcode artist roster are closet philosophy fans, once one begins to unravel the tale that led to Jel Ford remixing the 2012 Alan Fitzpatrick hit ‘For An Endless Night’ and it is impossible to escape the unexpected enterprise and spirit of surprise that are at the heart of this exciting collaboration.

As fans of Adam Beyer’s label will testify, the two Drumcode names have more in common than just a label stable, they also share common ground with the peak-time melodic sound that has delivered many of the labels most memorable output. Ford being a much more recent addition than Fitzpatrick, whose history with the seminal Swedish imprint stretches back to 2009, however Ford’s history within techno goes back even further having released multiple EP’s through the early noughties on vintage UK techno labels including Dave Angel’s Rotation Records, Billy Nasty’s Tortured Records, Primate Recordings and Ford’s own Jericho imprint.

It is within this shared passion for uplifting synths and big room melodies that the ‘unexpected spark’ of creativity that led to Ford remixing Fitzpatrick can be found. An long-time admirer of Fitzpatrick’s work, Ford had developed an idea for his alternative version and secretly worked on the remix long before any discussion of the project had taken place. Once given the draft version, Fitzpatrick immediately endorsed the remix, excited to have an updated version to breath new life into what had become a familiar staple of his sets for the past two years. Parts were swapped and the end result being the barnstorming end-of-night monster presented here. A track that will be familiar with many having been the subject of much social-media furor since it first surfaced back in Autumn 2014.


For An Endless Night (Jel Ford Remix)

DC140 For An Endless Night (Jel Ford Remix)[Drumcode]

Thinking About You (Declan Antonio Redo) (Free DL)

My remix for Joseph Capriati on Drumcode. Out now https://pro.beatport.com/track/this-then-that-coyu-remix/7164910

[Drumcode] Joseph Capriati - This Then That (Coyu Remix) Master

Slam / @paragraph - Clap Your Hands (Soma Track Series Vol 4)

Hot off the heels of their critically acclaimed album Machine Cut Noise, the duo drop another big hitter in their Soma Track Series with the infectious Clap Your Hands. A perfect follow up to their remix of the classic Jack Master track, Bang The Box, Slam's take on a ghetto classic has them merging their modern take on Techno with some vintage vocals

Mastered by Conor Dalton @ Glowcast Mastering

Soma Track Series Vol. 4

Clap Your Hands

Slam - Clap Your Hands (Soma Track Series Vol 4)

Joris Voorn - Mpx 309 (Original Mix)

Drumcode favourite Harvey McKay returns to the label with a darker new sound.

The Glaswegian has been a regular contributor over the years, highlighted by the memorable ‘The Illusion of Control’ EP in 2014 and his newer work with brother Ryan under the Alias moniker. Earlier this year Drumcode released the duo’s ‘Pentatonic’ EP and featured a mix on Adam Beyer’s radio, which included ‘Black Dolphin’, kickstarting the hype on the track.

Named after the infamous Russian prison, the title track is dark, tough, deeply textured brooding affair, with a menacing touch than runs through its core. McKay then brings in a huge synth line and changes up the dynamic of the track, giving it a powerful and driving feel. ‘Retox’ is a dark and twisted heavy-hitting cut, driven by aggressive drums and bassline, while a hypnotic synth line sustains a sense of tension throughout the six-minute track. Concluding the package is ‘Cover Up’, a fantastic stripped back exploration into dark atmospheric techno territory that’s tailor made for the winter warehouse raving season.

Harvey McKay - Black Dolphin - Drumcode - DC182

2pole   Alone Feat Ursula Rucker (Projeto LowCura)

Alan Fitzpatrick’s latest EP is the product of a particularly productive six months of studio time for the Drumcode regular. Containing five tracks that cover a circular range from pre-party ambiance to tripped-out melodic odyssey; vocal laced, chord driven hooks; barnstorming peak-time hammers; and 123bm afterparty grooves; there is more than the ‘usual’ Drumcode fare on offer within the aptly named ‘Life Through Different Eyes’ EP. A significant release for artist and label; the sonic incarnation of Fitzpatrick’s growing maturity as a producer and an indication as to the next evolution of the Drumcode sound. 

DC91 - Alan Fitzpatrick - Prometheus - Drumcode

Out now on Rekids: https://lnk.to/REKIDS145

Radio Slave’s momentous ‘Another Club’ receives two thumping remixes from SRVD and Charlotte de Witte.

‘Another Club’ was the 100th release on Rekids and dropped as the label celebrated a milestone ten years. It unquestionably became one of Techno’s biggest tracks ever made. Two years later, the landmark production receives outstanding remixes from two of the genre’s most salient artists: NovaMute producer Charlotte de Witte, who’s just collaborated with Chris Liebing on her newly launched KNTXT imprint, as well as the ever-impressive Patrick Mason and Radio Slave who team up again as SRVD.

Charlotte de Witte’s remix of ‘Another Club’ marches forward with pounding 909 style kicks, hooking acid hits, fleeting voice samples and haunting pads. SRVD’s remix then uses the vocals as stabs, adding tension with rave inspired synths, buzzing keys and splashing cymbals, while locking it all together with thundering drums and sub frequency rumbles.

Dirty

Len Faki - Official

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