drumcode

Adam Beyer’s new EP titled ‘Teach Me’ is an accomplished piece of work that highlights Beyer's year thus far. 'Teach Me' starts with some eerie chords before the distinctive vocal kick in and the track drops into a rumbling techno track. ‘Darlek’ uses rhythmic beeps and huge synth stab to create a funky rhythm before the atmospheric pads create a beautiful setting for this incredible techno track. ‘Stop Talking’ is a deeper offering from Beyer using weird and unusual noises to create and interesting piece of work that is helped along by the throbbing bass underlying in the track. ‘Spaceman’ uses a rhythmic vocal, percussion and sub bass to turn this track into a funky techno piece.

Adam Beyer - Teach Me - Drumcode - DC132

Faki and Heil team up again for the third installment in their collaboration series. Well known for their high production values and unique ability to capture the kind of intense energy needed on the dancefloor, Vol. III sees the two masters on top form again.

A devilish combination of weighty break-beats, clattering old-school snares and static electricity, ‘Perception’ takes a spoken word sound-byte and twists it into a monstrous beast, filtering and snaking over 7 minutes. Perhaps their most intense club moment crafted together so far, Faki and Heil bring all their years of experience and love for their art to the table. A useful acapella version is included here too, for DJs who know!

A welcome return to some of the pair’s classic studio hardware, ‘Happy 808’ shows off masterful drum programming, coupled with a super-spacey mixdown, that elevates the 808 to new extremes. Using beautifully crafted distortion and reverb spaces, and coupled with a constantly moving arrangement, its hard to put this one down.

Happy 808 SNIPPET

Perception Acapella SNIPPET

As Figure begins to move into the next chapter of its label history, label founder Len Faki has teamed up with young French talent Roman Poncet for the 54th release. Poncet's debut on the label dropped last year with the excellent 'Cerate' cutting a clear path for his precisely executed modern techno sound. 

Teaming up in the studio, Faki and Poncet have crafted 'Asua' - a mesmerising display of production skill and a testament to the duo's true understanding of hypnosis. Pushing from the start with its urgent bassline the track builds and morphs its intertwining elements, introducing subtle textures and suggestions of melody - a classic Figure late night ritual. 

Alongside, we have original tracks from both Len Faki and Roman themselves. Faki's thunderous and aptly titled 'Stripped' works his powerhouse percussion along with a textured dub-stab in this straight up club trip. 

Finally with 'Truck' Roman Poncet completes the EP, his rough synth stabs and metallic percussion driving this moody tension builder ever forward.

Stripped SNIPPET

As Figure begins to move into the next chapter of its label history, label founder Len Faki has teamed up with young French talent Roman Poncet for the 54th release. Poncet's debut on the label dropped last year with the excellent 'Cerate' cutting a clear path for his precisely executed modern techno sound. 

Teaming up in the studio, Faki and Poncet have crafted 'Asua' - a mesmerising display of production skill and a testament to the duo's true understanding of hypnosis. Pushing from the start with its urgent bassline the track builds and morphs its intertwining elements, introducing subtle textures and suggestions of melody - a classic Figure late night ritual. 

Alongside, we have original tracks from both Len Faki and Roman themselves. Faki's thunderous and aptly titled 'Stripped' works his powerhouse percussion along with a textured dub-stab in this straight up club trip. 

Finally with 'Truck' Roman Poncet completes the EP, his rough synth stabs and metallic percussion driving this moody tension builder ever forward.


Len Faki & Roman Poncet - Asua SNIPPET

Ben Klock & Fadi Mohem announce debut collaborative album featuring Coby Sey and Flowdan on new label LAYER

Ben Klock and Fadi Mohem present their first collaborative album on their new label LAYER. The ten-track full length project titled Layer One follows the hypnotic EP Klockworks 34 that set the stage in 2022. In a bold departure from the techno roots that have defined and nurtured their careers, Klock and Mohem are now pushing genre boundaries, exploring IDM, ambient and experimental electronic music while still retaining the brilliance that characterised their earlier work.

The conceptual direction of Layer One delves into a post-human world, where humans are close to extinction on Earth, leaving only imprints, traces, and relics behind—digital fossils and machine-generated images capturing fleeting moments of non-human photography, as Artificial Intelligence remains in a world that quietly thrives without us. We do not perceive this as a bleak apocalyptic dystopia, but more a sober and serene reflection of a world that continues to exist and flourish, indifferent to the absence of humanity. Despite this unremitting setting, through this journey we find survivors who signal a remembrance of the human sensibilities.

Elevating this project are two very human and dynamic collaborations featuring the charismatic Coby Sey and the legendary grime MC Flowdan. Sey, a prominent figure in the British music scene known for his work with artists like Tirzah and Mica Levi, injects his music with a mesmerizing emotional depth. Opening the album with the powerful track ‘Ultimately,’ Sey offers spoken-word musings on creativity and life over experimental landscapes meticulously crafted by Klock and Mohem. Nostalgia permeates this opening track, and track 7 ‘Clean Slate’ reinforces this sentiment with Sey’s stream-of-consciousness wordplay.


Written and produced by Ben Klock and Fadi Mohem
Cat. No. LAYER01 – All rights reserved
℗ & ©️ 2024 LAYER Records

Ben Klock & Fadi Mohem - Layer One

https://lnk.to/CLR125

Shlomi Aber returns to Chris Liebing's CLR. The ‘Limelight’ EP follows up two hugely successful releases on the label and also features a broken Techno mix from Aber.

Shlomi Aber drops his latest ‘Limelight’ EP on CLR this February. He kicks things off with title track,‘Limelight’, a boomy kick drum setting the pace while fizzing synths light up the airwaves, spoken words bringing a sci-fi feel to this strobe-lit classic. Aber then drops a broken mix of ‘Limelight’, scuffing the kicks and bringing a raw funk feel already picked up by the likes of Radio Slave, Josh Wink, Dave Clarke, Alienata, and more. Last is Shlomi Aber’s 'Riot,' an earth-shattering, pure techno sound with rolling drums and sustained chords that will lock dancers in the groove and
slowly melt their minds.

Active since 1994, Be As One boss Shlomi Aber has brought his unique style of Techno to esteemed imprints such as Cocoon, Ovum, Nonplus, Figure, and CLR. Returning to Chris Liebing’s imprint, Aber follows his month-long Beatport chart-topping 2022 ‘Can’t Sleep’ EP and subsequent 2023 ‘Remote 101’ EP with ‘Limelight’
, another versatile package of quality Techno cuts.

Founded by influential techno lynchpin Chris Liebing in 1999 and reemerging in 2021 after a five-year hiatus, Create Learn Repeat (CLR) has hosted a range of artists, including Dubfire, Flug, Bjarki, DJ Dextro, and more. It has also focused on developing newer acts in the scene, such as Risa Taniguchi, The Southern, and Klint.

Shlomi Aber's Limelight comes on CLR on 21st February 2025.

https://chrisliebing.com/

Limelight EP

Limelight (Aber's Broken Mix)

Free EP

Artefacts

Inox Traxx - Artefacts (Original Mix)

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NUDE is a sub-brand of Data Transmission focusing on Techno.

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Piner - Implicit Messages [White Owl]

The needle drops on a groove deep as a grave. A hi-hat flickering at 3 a.m. AgainstMe & Red Rooms don't care if you make it out of this one.

Mastering by Paul Mac @ Hardgroove Mastering.

Vinyl master cut by Simon @ The Exchange.

Buy on Bandcamp

B2 - AgainstMe & Red Rooms - Dungeon's Theme (TAR030)

Artist: Mode_1
Label: Konekt Croatia
Title: Breaking Cycles
CAT: KNKTHR014
Format: Digital
Release Day: 11.04.2025

Buy-Link: https://konektcroatia.bandcamp.com/music

Follow KONEKT CROATIA here:
Facebook: https://www.facebook.com/Konekt.Croatia
Instagram: https://www.instagram.com/konekt_croatia
Soundcloud: https://soundcloud.com/konektcroatia

Follow MODE_1 here: 
Instagram: https://www.instagram.com/mode_1_music
Soundcloud: https://soundcloud.com/mode_1


TC Premiere: Mode_1 - Maker [ KONEKT ]

Release Date VA: 18.04.2025

Support the Artist: 

Soundcloud:
nkx: https://soundcloud.com/nkxaudio
TIKOA: https://soundcloud.com/tikoapnk

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BCCO Premiere: nkx & TIKOA - Ba Boo [SVA001]

Support the label, buy it here: vaultrecords.bandcamp.com/album/vs10yrs

@v35jsprv35

JSPRV35 - Soulsearch [VS10YRS]

With its fourth release, Moving Pressure welcomes its first external artist: young Slovenian producer Obscur. With a signature sound that is driving and subtly psychedelic, his debut on the label doesn’t stray from the core tenets of its sonic ethos. Obscur delivers minimalism with purpose—dynamic, intentional, and wholly physical.

‘F135’ opens the A-side with a sinister tilt—rubbery squeaks stretch and coil around a flickering, synthetic voice. It’s tactile and strange, without losing movement. ‘Soul Eater’ follows with a slow-burn crescendo, nestling psychedelic inflections into a warm low-end. On the flip, ‘Stockholm Syndrome’ pares things back. Dry, stripped rhythms carry an atmospheric tension—it’s austere yet playful, leaving space for darker hues to linger without fully settling. A precise, heads-down statement. ‘Blasphemy’ follows with a tighter percussive grip and Feral-esque, panning modulations. Highs slice through a foundation of finely textured grooves—functional at its core, but laced with enough detail to give the track a sharper, more intricate edge. The digital bonus, ‘Diamond City’, stretches the sonic palette even further. Not through layers, but through tone: steel blues and deep violets bounce off metallic bleeps with cinematic restraint, closing the EP on a reflective note.

RELEASE DATE: June 6th
Vinyl + Digital

A1. F135
A2. Soul Eater
B1. Stockholm Syndrome
B2. Blasphemy 
Digital Bonus: Diamond City

Written, produced & mixed by Tim Guzelj.
Mastered by Conor Dalton.
Words by Costanza Acernese.
Artwork by D'aran.



Moving Pressure 04 - Obscur

Having initially released a pair of collaborative white labels featuring Lucy and Alex.Do over the last couple of years, Rødhåd’s imprint WSNWG notches up the pace with a vengeance in lieu of third instalment, foreshadowing another trio of joint EPs to be released throughout 2020 and including co-ops with Ø [Phase] (June), Daniel Avery (September) and Rene Wise (November). 

This also comes with the opening of a new chapter in Rødhåd’s career, as he will be starting to tour live in addition to his DJ sets, including dates at Berghain, Re-Textured Festival in London, Awakenings in Amsterdam; also joining forces with Sebastian Mullaert’s as part of his Circle Of Live project.

Borderless by essence, WSNWG’s aim is simple: showcase collaborations between Rødhåd and a variety of like-minded artists from various horizons, all recorded in the warm creative environment of his Berlin studio. ‘WSNWG003′ is the result of three sessions French techno stalwart Antigone and Rødhåd had in 2018 and 2019, with each of the tracks’ titles referring to the particular date it was made and recorded – understand ‘180702’ as 2nd of July 2018.

The journey starts off with the nostalgia-soaked, rolling punch of ‘180702.1’ – a number that justly epitomises both artists’ idiosyncrasies through a fine-tuned blender of near-classical emotional stir and gridlocked floor dynamics on a dubby tip. Delving further deep into post-industrial murk, its ‘.2’ counterpart casts a spell of veiled menace upon dancers and ravers through clanky assemblies of rattling drums, mirroring signals and brooding droney flights.
Flip it over and here’s ‘190709’ shifting the focus to breaks-heavy traction in powerful fashion. Riddled with mangled pep-talk samples, raucous machine howling and stuttering junglisms, the track spins in and out of orbit to entice the listener into a much physically demanding workout. Last but not least, no-nonsense floor-shredder ‘190904’ treats us to a brain-melting trip of fast-rotation synth loops, bleepy subs and fevered hi-hats that shall fit just right in the middle of any climactic buildup worthy of the name.

Perception Acapella SNIPPET

Len Faki - Official

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