Strange Weather

Artist: Froid Dub
Track: Iguana Style
Label: https://soundcloud.com/delodio-label
Format: 12" Vinyl, Digital, EP
Release date: 15/3/21
Purchase: https://delodiolabel.bandcamp.com/album/del08-froid-dub-an-iceberg-crusing-the-jamaican-coastline

Swaying & icy ELECTRONIC DUB straight from DELODIO STUDIO SESSIONS. 
Available on SPLATTER VINYL, 300 copies only.
Programmed and produced by F.M.
Cut and compiled by Fa_Fane
Mastering by Krikor Kouchian
Graphic design by Sylvia Tournerie

YouTube

PREMIERE | Froid Dub - Iguana Style [Delodio] 2021

>> BANDCAMP : https://nzenze.bandcamp.com/album/adzi-akal

At the crossroads of ritual, industrial and electronic musics, there is a niche where many experimenters are clearing the edges of genres. The three members of Nze Nze (UVB76 and Sacred Lodge) are among these: summoning sequenced machines, digital samplers and multi-effects. They’re making the instrumentals telescope guttural vocals, war stories from Fang mythologies (vernacular language of Central Africa) and arrange everything to create hybrid, unclassifiable and disconcerting pieces.
The fundamentals of radical electronic musics are there, but the production, close to the great free-jazz records, lets claim a heritage far from obvious current proposals.

Nze Nze - 01 - Odzamboga

From the album EVICTED IN THE MORNING [DISC19] disciples.ffm.to/evictedinthemorning

A unique dialogue between the electronic textures of brothers Mohammad and Mehdi Mehrabani-Yeganeh with the live drums of Jason Nazary (Anteloper).

Cover painting by Parham Ghalamdar

Saint Abdullah & Jason Nazary - Mirror Of Infinity (ft. NAPPYNAPPA)

KREIDLER Alphabet [Single Edit]

*Posted with the blessing of Peter Westheimer himself.

Len Leise 33rpm (half speed) edit of Peter Westheimer – Tin Drum. Off the Laminex Lovers 7"

www.peterwestheimer.com

Peter Westheimer – Tin Drum (Len Leise, 33rpm Edit)

Ruf Dug # Joanna

3 Fire Alarm

Let It Drift Away

from " ILS" soundtrack ( 1970 )
A film by Jean-Daniel Simon
UNissued ost : RELEASE FOR DISQUAIRE DAY 2016
more infos : www.bornbadrecords.net

Pierre Vassiliu  - OST" Ils" - GENERIQUE DEBUT ( UNISSUED - 1970)

Odyssey - Who

From the Near Negative EP available December 15th, 2017 from Western Vinyl

"Monday Give Me Monday" showcases Art Feynman's signature grooves, krautrock slink, and staccato bounce, all captured on his trusty four-track cassette recorder.

Earlier this summer, Art Feynman released his debut full-length album Blast Off Through the Wicker and toured the US with Stereolab's Laetitia Sadier. Pitchfork describes him as "a cool purveyor of coked-out dub-kraut." Consequence of Sound calls his debut a "funky, psychedelic slice of afro-pop" and Tiny Mix Tapes regards it as an "analog masterpiece."

In 2018 Art Feynman will return with his sophomore LP that takes us even further into his motorik and afrobeat inspired world of sound.

Near Negative

Art Feynman - "Shelter"

Charlotte Adigéry - 1,618

twin peaks, angelo badalamenti, david lynch

Angelo Badalamenti - Conversation On Twin Peaks

Order Vinyl & Digital:
https://antinoterecordings.bandcamp.com/album/miniatures-de-auto-rhythm

August 2018: It’s already been three years since Domenique Dumont made its entrance in the music world with a debut EP named Comme Ca. Despite a seemingly very quiet musical activity (the opening song to Antinote’s compilation Five Years Of Loving Notes was the only song released by the band in 3 years) a few things have changed in-between these two summers: Domenique Dumont is no more the mysterious lone French producer we introduced last time but a Latvian duo, Arturs Liepins and Anete Stuce, which has been collaborating with “an enigmatic French artist whose existence cannot be confirmed nor denied” (sorry, but it sounds like there’s still some mystery in the air, and, again, we’re just as clueless as you might be), the duo have been touring live and, most importantly, they kept on broadening their musical palette experimenting in a definitely pop field. Eight of these experiments are now tied together in Miniatures de Auto Rhythm.

The record probably begins where Comme Ca ended: frantic but light drum programing backbones a solar and slightly melancholic melody on Le Début De La Fin (“the beginning of the end”). However, the scope gets enlarged as soon as one reaches the second tune, Quasi Quasi, or Quand, on the flip side, perhaps the most overtly pop-rock oriented song on the record with its Mediterranean guitar and emotional bridge.

The road towards the apex of the record, Le Soleil Dans Le Monde, is a narrow and windy one, punctuated by toy instrumentals like Ono Mambo Haiku or the Donkey Kong Country-friendly Message Of The Diving Bird; however it never departs from its original tongue-in-cheek attitude. It’s quite pleasant to imagine these eight “miniatures” as field recordings from an enchanted world of pop music designed by some Pierre & Gilles’ disciples – or are there
musical interpretations of half-mechanical, half-organic creations from a certain Otto Rhiesem (who might have inhabited the Locus Solus villa)? There might be no definitive answers to this second set of riddles by Domenique Dumont.

Bandcamp

DOMENIQUE DUMONT - LE SOLEIL DANS LE MONDE

Sillyboy’s Ghost Relatives can proudly claim to be “Greek radio’s favourite soft rock band”. The Athens-based quartet – fronted by bass-wielding former TV commercial composer turned Balearic popster Charalambos Kourtaras – are rising stars in their home country, with listeners warming to their distinctive blend of atmospheric guitars, retro-pop synths and head-in-the-clouds grooves.

So far, international stardom has passed them by, though their distinctive songs have caught the ear of a range of DJs across the globe. One was Claremont 56 founder Paul ‘Mudd’ Murphy, who has worked his magic on one of the band’s previously unreleased gems, “In A Small Place”.

Perfectly capturing the claustrophobic reality of life in a small, remote town or village where everyone knows everyone else’s business, the song sees Sillyboy plan his escape over a mesmerizing backing track rich in ghostly synthesizers, chunky bass guitar, spacey electronics and a shuffling groove that sits somewhere between pitched-down dub disco and early ‘80s West Coast AOR.

Murphy’s “Extended Version” allows the track room to breathe, teasing out the clandestine and atmospheric instrumentation – eyes-closed guitar solos included – before introducing Sillyboy’s rueful and paranoid vocals. You’ll find the Greek band’s slimmed-down – and arguably even more trippy – original version on the B-side, completing a fittingly high quality musical package to kick-start Claremont 56’s 2019 release schedule.

Peter Westheimer – Tin Drum (Len Leise, 33rpm Edit)

Len Leise

Recent comments

EDDO

dreammmr

süns

Cat Mahler

Related tracks