I'm a big fan of your poetic approach to hip hop, it's a refreshing flow to hear

nice on your track and cool vocals.. very nice

nice poetry ur spanish softens your approach well done

produced by kid otari
written & all keyboards by guillaume pearson
geetarz by naldo

Recorded at the Laundry Room, Oakland California
1947 Estey upright piano, 8-channel 1/2" Otari MX5050
remastered by richard at blitz recording

https://soundcloud.com/naldeau/tracks
https://soundcloud.com/guillaumelecompositeur/tracks
https://soundcloud.com/richard-livoni/tracks

Blooz for Estey

should i say "i love you"? i don't know 
do i give you power over me? 
build me up like the snow,
know i'll be gone by the spring 

how much longer til' you leave? 
how many more tears will i cry? 
how much longer til' you leave? 
how many more tears will i cry?

should have let it alone, 
who would known you were so unhealthy. 
i thought i could change the worst in you, 
instead you brought out the worst in me. 

how much longer til' you leave? 
how many more tears will i cry? 
how much longer til' you leave? 
how many more tears will i cry?

pawn of a narcissist by my own volition

complicating 

contemplating
 the interaction 

always ningING; AI'ING BEING; CREATING 
became hooked 2 # stimulation

consistanCy over intensity 
d@'s # hierarchy 

sed volume
importanter
than Quality

WHEN YO sparring partner
BECOMES # Op'; next belt contender
 
will thy dare
why despair
d@'s what they wan'

d extreme NOT 4 ALL 
shout OUT # ninja THenx
thanks 4 insighT # uTube guidez 

Proffesor sed
one does not get less afraid 
one gets courager
teach d 'bout friction 
between shadow & conscious
whats # secret payoff
complex intricate thought

SEE AY DIFFERENT PICTURE MAITE
FUDGE YO discipline i'LL JUS' x-ercise

truth or dare

 ai quit quire; switched ay class 
2 get closer 2 an ex crush

ded cold approAch; fuk it
zo thirsty no water left in # bucket 


got hur'; razor went in 
on # tip of middle finger 
made me appreciate # numbniz 


why d make society # villain 
& not d shAItty attitude 

only thing iN MAI CABEZA 



[nx part]
# pRIORITY 2 make SOME MUSICA
ay new fresh track 
  
ma ninja; wherez it @
where # canabis 
give yo' woo something
not jus' aY thank U 
thank me later or now
iz whatever 

tHiS FEELING AMAZING; NO SHAWTY
SO I' SPENDING oN GAZ
no presents or gas money 4 trips 

GO SOMEWHERE FEW DARE 2 GO 
tOKE AY PEARL THEN AI MOVE ON 
HOUR 9 BE PRIME TIME. JUS' LIKE 5 

 AI GAVE D YO' WISH 
WHY D NOT ENJOYING X-PERIENCE
2 MUCH MUNDANE DAYS
don' TURNED d INTO AY GREAT DANE

Great Dane

reefers, rails & psychedelic tales

Part of the Toxic Kajati project. see: https://soundcloud.com/politricked
The song was written by my musical colleague Matt Toxic. 
Matt Toxic: Guitars & vocals
San Kajati: fretless bass, backing vocals, production and mixing.

Lost In Space

Vincent's words:
'This work is a revision of a collaboration between Italian poet & sound artist https://soundcloud.com/ilaria_boffa and Italian-American Composer https://soundcloud.com/vincent-eoppolo/. Morirà Il Sole? (When Will the Sun Die) is a poem from Ilaria Boffa's 2016 collection of of poems The Bliss of Hush and Wires. www.samueleeditore.it/periferie-the-…laria-boffa-2/ ©2016

Will the Sun Die?
When will it die? This sun,
oblique.
It’s temperate in the neighbourhood, and not for long.
Immaterial the future of the insurgents
the ones who calm winter.
We don’t sleep, the collapse is near.
So virtual any step toward and outward the centre.
Neglected in the static village
dogs move unsettled, they smell the reversal.
Mowing grass in the fields will be pointless soon
as the aseptic film packs on the leaf and the brick.
Give us green clay to cover our skins, our hair.
Give us one more tomorrow.

Morirà il Sole?
Quando morirà? Questo sole
obliquo.
È mite il tempo nel quartiere e non per molto.
Immateriale il futuro di chi insorge
di coloro che calmano l’inverno.
Non dormiamo, il crollo è vicino.
Così virtuale ogni passo da e per il centro.
Dimenticati nel paese statico
i cani si muovono irrequieti, annusano l’inversione.
Falciare l’erba dei prati sarà presto inutile
come porre una pellicola asettica sulla foglia e il mattone.
Dateci argilla verde per coprire pelli, capelli.
Dateci ancora un domani. Ilaria Boffa © 2016
@ilaria_boffa

Morirà Il Sole/Will the Sun die? Eoppolo-Boffa (alternate version)

Inspired, not so much by Pieter Bruegel's wonderful painting, as by the idea of living within it. Andrew Caldecott's strange book, Momenticom, is brimming with such ideas...
When Breugel painted this, Europe was in the grip of a mini-ice age and times were very hard. One art historian (I forget who) suggests that the hunters and their dogs were returning from the hunt unsuccessful and disconsolate. Despite the challenges, other locals take the opportunity to skate on the ice.

Hunters In The Snow

Still Stoned While They Dance

ABANDONED   GARDEN     2

Mister Mister

'TIMELINE'
Written, Performed & Produced
by Andrew Borderick copyright 2017.
Mastered by Andrew Borderick

THERE'S ALWAYS SOMETIMES IN YOUR LIFE
YOU'RE TAKEN AWAY FORGETTING TIME
YOUR FEELING ALIVE OR IN THE CLOUDS
WE ALWAYS NEED SOMETIME TO YOURSELF

CAN'T EVER SEE YOURSELF GETTING OLD
ONE DAY IN SCHOOL THEN FEELING RETIRED
YOU'RE HEARING A SOUND, REMEMBER SOME TIME
WE SING A SONG SOMETIMES TO YOURSELF

(chorus 1)
WHEN A FAVORITE SONG COMES TRUE
WHEN IT TOOK THIS WORLD APART
AND IT TAKES ME BACK TO YOU
CAUSE THE MUSIC NEVER STOPS
WHEN MY TIMELINE CHANGED WITH YOU

WE CELEBRATE EVERY YEAR OF OUR LIVES
FORGETTING TIME AS THE MUSIC GO'S BYE
THE DAYS WILL COME AND LEAVE US BEHIND
AS FAST AS LIGHT YOU COULD BE BY YOURSELF

(chorus 2)
WHEN A LOVE SONG RUNS FROM YOU
YOU CAN CHANGE THAT LONELY HEART
AND IT TAKES ME BACK TO YOU
CAUSE THE MUSIC NEVER STOPS
WHEN MY TIMELINE CHANGED WITH YOU

(break)
(repeat chorus 1 & 2)

Timeline

TIMELINE

dm on IG if thy wan' collab'
also manager/mentor would be stellar

Great Dane

Lenny Stellarman

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