you have my attention!  this unpredictable and delightful

Wath wonderful song. Amazing. 😃 😃 🤗

I feel the depth from the chaotic performance ✨🎶 And it's wonderful 🎶❕

E.M.C. is really glad to present you the next guest of our atmospheres playlist: Logic Moon

Originally from Mainz, Germany, Tobias Lorsbach has a broad music background as a guitar player in a metal band. He also started embracing electronic music since the early 2000s. With the Logic Moon project, Tobias embraced the ambient sounds making converge his music knowledge and taste, with his works being released on labels such as Archives, Archipel, and  spontanMusik, the label he founded.

Join us in this musical journey! Enjoy! 
 
Tracklist
1. @bobby94 Robert Farrugia - Sycamore [@archives-5]
2. Logic Moon - Arcturus
3. @christopherbissonnette - Tragedy, Ecstasy, Doom  [@dronarivm]
4. @phillipwilkerson - The Mirror of God
5. @powlos - Salomé [@faint-faint-music]
6. @soloandata - Diffused [@12k]
7. @w_a_r_m_t_h - Safe [@archives-5]
8. @hilyard - Limbs (Atmøsphäre Recycle) [@ambientologist]
9. @poryahatami - @aaron-martin - @robertoattanasio - Xakelêwe [@dronarivm]
10. @neglectsound - Kayenta

Soundcloud: https://soundcloud.com/logic-moon
Bandcamp: https://logicmoon.bandcamp.com/
Website: https://logic-moon.de/
Facebook: https://www.facebook.com/logicmoonmusic/

spontanMusik: https://soundcloud.com/spontanmusik
Discogs: https://www.discogs.com/label/144509-spontanMusik
Facebook: https://www.facebook.com/spontanmusik/

E.M.C. atmospheres - Logic Moon

Presentar la ficción sonora NAKED BODY ON DEMAND sobre el uso del cuerpo como aparato de proposiciones de nuevos cuerpos y en la autoexposición de este cuerpo para el mantenimiento del capitalismo digital a través de la esclavitud de los algoritmos. "Nuevos modelos de negocio: ¿nos convertimos en esclavos del entretenimiento o sucumbimos a la marginalidad de los algoritmos?" La ficción se estructura con un anuncio repetitivo que lleva la euforia al borde del declive y el borrado del Self.

NAKED BODY ON DEMAND - La Ficción [Festiva TSONAMI de Arte Sonora]

Pluvia (Meditation on the sonification of Brazilian precipitation and temperature data from 1901 to 2020)


Pluvia was created from the analysis of data on precipitation and average annual temperature in Brazil from the period 1901 to 2020 using data available on the Climate Change Knowledge Portal processed with MusicAlgorythm. The work proposes a meditation guided by the variability of average rainfall over 120 years, which brings a reflection on an experience through time. The data was used for the sonification of two melodic sequences. The main one, with high variability that represents the volume of rain. The second sequence, obtained from the temperature, was processed with effects, creating a sound that sometimes refers to alarms, sometimes refers to a car racing from severe to more acute regions, representing the increase in temperature during the monitored period. . Also, the artist/scientist used sounds from his personal bank. Conceptual map 1: the path of rainwater Rain in its plurality of meanings can represent fecundity and fertility, in its natural aspect. more mystical and ancestral, as well as, in all its power, it can represent calamity. And in this variability of meanings and propositions, the graphic analysis under a poetic bias indicated the path that the composition should follow. It was defined that for this data set, the concept of sonification would be manifested in an objective way, which is to communicate numerical behavior through sound in the clearest possible way. To do this, the data was fitted to a range of 88 notes so that the graphically displayed variability could be felt through the sound. Feel the sound, both in the perception of the pitch of the notes and in the sensation that the high and low notes give due to different durations and intensities, added to the timbre of a virtual synthesizer. So this melodic line would be the erratic guide for a time travel feeling the various slightly scary technological changes. Concept Map 2: The Warming Path It was defined that for this temperature dataset, sonification would manifest itself in more artistic ways. The data was adjusted for a range of 88 notes, forming a melody that, as can be seen graphically in the temperature graph, would have an ascending profile, that is, the melody would go from the low to the high regions. However, we chose timbres and a chain-based effects track with different delays out of a reflection on consequence, impact on time and posterity. The duration of the notes was adjusted through a Fibonacci sequence so that the higher notes had a longer duration creating sustained sounds so that the warmer temperatures felt more present. Data references: climateknowledgeportal.worldbank.org/country/brazil/climate-data-historical

Sonoridades Cósmicas Latino​-​Americanas

Pluvia (Meditation on Brazilian precipitation and temperature data from 1901 to 2020)

Threads* hosts the 38th "Tea-Snuggery Show" (09-Mar-2022 – starting 22:00 CET) from*Brazil showcasing doom-noise/experimental project by Verjault.
listen to Threads Radio: https://threadsradio.com/
https://www.mixcloud.com/ThreadsRadio/tea-snuggery-show-w-verjault-threadsbrazil-09-mar-22/
Verjault é um projeto de doom-noise/experimental criado em 2009. A maior parte de sua discografia conta com o uso de baixo elétrico com distorção e elementos eletrônicos diversos, experimentando com nuances do noise, drone, ambient, industrial. Seus temas abordam o isolamento e o fim do mundo, assim como o erotismo e a morte.
Verjault já se apresentou em diversos lugares como a Biblioteca Mário de Andrade e o espaço Ibrasotope em São Paulo, Audio Rebel e Fosso no Rio de Janeiro e em outras cidades como Belo Horizonte e Porto Alegre. Também já tocou na galeria Zaratan em Lisboa.
Fez parcerias com projetos da cena experimental como Teratosphonia, God Pussy, 4zero4, o dançarino Alan Athayde e Corda e Corte, duo com a poeta e artista sonora Gabriela Nobre.
Também masterizou álbums de artistas da cena como b-Aluria, Gimu e Verónica Cerrota, bem como coletâneas do selo Música Insólita.

https://www.instagram.com/verjault/
https://soundcloud.com/verjault
https://verjault.bandcamp.com/
https://www.instagram.com/threadsradiobr/
https://soundcloud.com/tea-snuggery

Verjault is a doom-noise/experimental project created in 2009. Most of his discography relies on the use of electric bass with distortion and diverse electronic elements, experimenting with nuances of noise, drone, ambient, industrial. Its themes address isolation and the end of the world, as well as eroticism and death.

Verjault has performed in several places such as the Mário de Andrade Library and the Ibrasotope space in São Paulo, Audio Rebel and Fosso in Rio de Janeiro and in other cities such as Belo Horizonte and Porto Alegre. He has also played at the Zaratan gallery in Lisbon.

He partnered with projects from the experimental scene such as Teratosphonia, God Pussy, 4zero4, dancer Alan Athayde and Corda e Corte, a duo with poet and sound artist Gabriela Nobre. He also mastered albums by artists from the scene such as b-Aluria, Gimu and Verónica Cerrota, as well as compilations from the Música Insólita label.

Tea-Snuggery Show #38w_Verjault (Threads Brazi)-09-Mar-22

Buy or stream 'War Drum Riddim' here: https://degsxhughhardie.ffm.to/wardrumriddim.PBT

None other than Degs and Hugh Hardie have teamed up for the very first time - and this one is a straight heater. ‘War Drum Riddim’ is a gritty jungle-infused cut which sees Degs’ moody flows and killer wordplay sit perfectly atop Hugh Hardie’s deep and dangerous production. With the pair jumping in the studio and switching it up sonically, this collaboration is on its way to lighting up dance floors worldwide.

Vibes are in abundance from the off, as crunchy Think breaks and spooky synth plucks set the tone for Degs to bounce in with unifying lyricism and untestable rhythmic execution. With this being the first ever link up between Degs and Hugh Hardie, ‘War Drum Riddim’ is a remarkable debut collaboration from the pairing as they fuse together their wide array of styles and influences.

Both Degs and Hugh Hardie continue to bounce from strength to strength as their musical journeys unfold. No doubt having one of the most instantly recognisable voices within drum & bass, Degs has had an incredible year seeing the release of ‘Still Messed Up’, ‘Nothing To Lose’ with Unglued, ‘Self’ with Hologram on René LaVice’s DeVice imprint, plus loads more. Hugh Hardie has recently announced his highly anticipated third studio album which will be landing on the mighty Soulvent Records later this year. Be sure to check out his recently released ‘Blush’ with Zara Kershaw.

War Drum Riddim

Out Now!

Degs x Hugh Hardie - War Drum Riddim

cassette rip pedacin

Kombi De Hortifrutigranjeiros

balearica o sombra: saques

Parte da série TOPOGRAFIAS. ‘Topografar’ a música seria vê-la como algo exterior, um sobrevôo de imagens, figuras, trajetórias e lugares virtuais. 
Em lugar deste vôo, A PAISAGEM (1987) expõe uma aterrisagem forçada matéria adentro - uma inútil tentativa de retenção do fluxo temporal. A gravação da soprano Amelita Galli-Curci, feita no início do século XX, presta-se a pesquisas que se iniciam narrativamente, como se a agulha do gramophone penetrasse na massa do suporte de gravação. Debaixo de uma ‘chuva’ de materialidades - que não excluem a da ebonite - passam notas distantes da gravação original, não por acaso da ária ADDIO DEL PASSATO, da TRAVIATA. Disse-me, na época, o Tato Taborda: ‘...estás passando por uma fase muito gótica, meu caro...’. Mas o processo de composição foi pura diversão, quase jazzístico: não muito mais que uma sessão de improvisação em estúdio, em que a maior parte do tempo tinha sido dedicada à montagem de dispositivos no sintetizador (Roland System100), de set-ups nos delays (analógicos), de trechos gravados em fita (dois gravadores Revox bipistas e um Teac 4 pistas), mais um sintetizador DX7. Da mesma época, e como resultado desse mergulho, surgiram (e sumiram) as MINERALOGIAS.

A Paisagem

Colaboração na faixa, tocando o violão preparado. Foi uma tarde bacana de domingo, quando, de passagem por SP, passei no estúdio do meu parça Bernardo em 2018. Comentários dele e da Amanda...

Bernardo Pacheco:
"Domingo a gente reativou o Thee Buttler's Orchestra, projeto de música a jato da Amanda Buttler comigo, e criamos, arranjamos, gravamos em oito canais, mixamos e masterizamos mais uma faixa no espaço de algumas horas (começamos no fim de tarde e estava online na madruga), essa ficou bem doida e chama 'Canela de Velho'. 
Tem a Amanda na voz, o Victor Vieira-Branco na bateria e na escaleta, importamos do Rio o Leo Alves Vieira pra tocar violão processado e eu tô no baixo, 2m30s de algo que não sei o que é"

Amanda Buttler:
"Depois de cinco meses de "Oba, lá vem ele", o Thee Buttler's Orchestra retorna com mais uma doidera, essa intitulada "Canela de Velho", onde finalmente o Victor Vieira-Branco veio a participar, tocando bateria. Teve também o de sempre: eu & Bernardo (eu na voz e ele no baixo + mix e master) e o outro elemento convidado da vez foi o Leo Alves Vieira, diretamente de Niterói com seu violão processado"

https://fabricadesonhos.bandcamp.com/album/canela-de-velho-single

CANELA DE VELHO (single)

Canela de Velho - Thee Buttler's Orchestra feat. Leo Alves

compositor, artista sonoro e pesquisador / composer, sound artist and researcher.
disco novo / last release
https://musicainsolita.bandcamp.com/album/data
"data" w/ Juan Antonio Nieto (Música Insólita - Brasil 2021)

peças instrumentais pra formações diversas, com recursos eletrônicos, performances e instalações / instrumental pieces for diverse formations, with electronic, electroacoustic and acoustic features, performances and installations.

CD's anteriores / previously released CDs:
"sounds of the orange coloured forest" (Pralaya Records, Estados Unidos-2006) https://archive.org/details/LeoAlvesVieiraSoundsOfTheOrangeColoredForest
"rest of forest" (Menthe de Chat, Brasil-2007) https://archive.org/details/chat023
"chamber works" (OFF/BRUMA, França e Portugal-2008) https://astrangerparadise.com/releases/offb006-leo-alves-vieira-chamber-works
"post sleep paths" w/ Juan Antonio Nieto (edições Luscínia Discos, Espanha-2011/12) https://archive.org/details/tlhotra021 (edição THLOTRA, Suécia - 2007)

Canela de Velho - Thee Buttler's Orchestra feat. Leo Alves

Leo Alves Vieira

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