Music From Memory [Label]

Solar Funk

Tibetian Serenity

Welsh producer and bassist Huw Marc Bennett is set to release his beautiful new
album 'Days Like Now'. Steeped in organic sounds of jazz, folk, soul, dub and the
earthy, psychedelic roots of his homeland; the music has history but also harmonises with the new world around it, understanding the changing landscape.

"I feel as if this is both a step back and forward with my identity, piecing together what I like about Welsh and Celtic music and feelings", says Bennett.

"Trying to move forward with a modern approach and bravery in that I may not understand everything but this is mine to use and be proud of".

His last album, 2020's 'Tresilian Bay', was widely supported on BBC radio by 6
Music's Cerys Matthews, Gideon Coe, Gilles Peterson, Huey Morgan, Lauren Laverne, Stuart Maconie, Tom Ravenscroft and BBC Wales' Adam Walton and Huw Stephens.

The Vinyl Factory said it “Melds south London electronica and Welsh psychedelia,
along with elements of Afrobeat and highlife” while Electronic Sound said Bennett is "Another name to add to the growing list of UK new jazz talents".

'Days Like Now' started as a continuation of the worldly-funk sound of 'Tresilian
Bay' before morphing inwards to become a more personal reflection of Bennett's
connection with living in, leaving, and revisiting Wales from his now home in south
London. Playing bass, guitar and synths, the tracks were written, performed and
recorded by Bennett and as the writing progressed, he became more influenced by
thoughts of home and melodies from Wales' extensive cannon of beautiful songs.

"Now I am older, home means more to me than ever", says Bennett.

"I look back at what I took from there. Being brought up in a quiet Welsh coastal setting gives you a sense of community but also a longing for the bigger world. I like to think this record is exploring a lot of those outside influences I've been exposed to, but following my journey back to where I started, and even deeper in to the destination where perceive my identity".

On ‘Y Gwydd’, Bennett takes direct inspiration from the music of Wales, offering his
version of the popular folk tune ‘Y Gwydd’ (The Loom), first collected by Maria Jane Williams. The original words of the tune, compares the threads of life, to the threads of the loom.

'Red Valley' refers to the Welsh who left their homes between 1936 and 1939 to fight in the Spanish civil war against Franco and the rise of facism. Bennett says,

"It's just my little nod to the humble people who saw themselves as global citizens and the responsibility that comes with that, and that their individual actions truly mattered".

Featuring the voices of Angela Christofilou, Cleo Savva and Bennett himself, the
beautifully serene 'Pinc Sunset' captures that moment when it's hard not to stop and recognise the beauty of nature.

"Whether on a busy main street or streaming in through the window in your small room, it makes you stop and have a moment of clarity and peace. To look at yourself, who you are, where you are going, and where you have come from. And whatever that is, you own it".

Days Like Now

Huw Marc Bennett - Y Gwydd

Legendary Indian vocalist Asha Puthli’s seminal hits get revamped by 6 electronic innovators for a new release on @nayabeatrecords

More info: https://djmag.com/listen/premiere-asha-putli-space-talk-maurice-fulton-remix

Disco Mystic - Select Remixes Volume 1

Premiere: Asha Puthli ‘Space Talk (Maurice Fulton Remix)’

Dark Entries and Honey Soundsystem Records have teamed up again to release another volume of gay porn soundtracks by San Francisco-based musician and producer, Patrick Cowley. Perhaps one of the most revolutionary and influential people in the cannon of disco music, Cowley created his own brand of Hi-NRG dance music coined "The San Francisco Sound." Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco at the age of 21. He studied at the City College of San Francisco where he founded the Electronic Music Lab. During this time Patrick, along with his classmates Maurice Tani and Art Adcock, would create radio jingles and electronic pieces using the school's equipment, first a Putney, then an E-MU System and finally a Serge synthesizer. He would make experimental instrumental songs by blending various types of music and adapting them to the synthesizer. 
By the mid-70's, Patrick's synthesizer skills landed him a job composing and producing songs for disco superstar Sylvester such as “You Make Me Feel (Mighty Real)”, “Dance Disco Heat” and "Stars." This helped Patrick obtain more work as a remixer and producer. By 1981 Patrick released a string of dance 12" singles, like “Menergy” and “Megatron Man”, creating the soundtrack for a generation. Also that year, he founded Megatone Records and released his debut album. Around this time Patrick was hospitalized and diagnosed with a then-unknown illness: that would later be called AIDS. Prior to his passing on November 12, 1982, he recorded two more Hi-NRG hits, “Do You Wanna Funk” for Sylvester and "Right On Target" for Paul Parker as well as a second solo album “Mind Warp”.
In 1979 Patrick was contacted by John Coletti, owner of famed gay porn company Fox Studio in Los Angeles. John had heard about Patrick's music from the legendary Sylvester and proposed he write music for his films. Patrick jumped on this offer and sent reels of his college compositions from the 70s to John in LA. Coletti then used a variable speed oscillator to adjust the pitch and speed of Patrick's songs in-sync with the film scene.  “Muscle Up" is a collection of Cowley's instrumental songs recorded between 1973 and 1980 found in the Fox Studio vaults. This compilation also includes bonus compositions found in the basement of Megatone Records owner John Hedges and the attic of former bandmate Maurice Tani. Influenced by Tomita, Wendy Carlos and Giorgio Moroder, Patrick forged an electronic sound from his collection of synthesizers, percussion, modified guitars and self-constructed equipment. The listener enters a world of dark forbidden vices, introspective and reflective of Patrick's time spent in the bathhouses of San Francisco. The songs on “Muscle Up” are divided into four sides, from the ambient, jungle journey of side one to the instrumental demo version of “Somebody to Love Tonight” on side two, to the space-funk of side three and finally the interstellar workouts of side four, that further reveal the depth of Cowley's unique talent.  
Featuring 75 minutes of music, this compilation contains soundtrack music from two Fox Studio films, "Muscle Up" and "School Daze", plus additional songs from the same era, never before released on vinyl. The tapes were restored and transferred using the same speed and pitch settings, then remastered for vinyl by George Horn at Fantasy Studios in Berkeley, CA.  The vinyl comes housed in a extra wide spine jacket and giant fold-out poster featuring a handmade collage using photography and xerox graphics of classic gay porn imagery from the Fox Studio vaults by Berlin-based artist Gwenael Rattke. Each double album also contains a 8x11 glossy promotional “Muscle Up” replica poster with original VHS artwork plus an essay from Maurice Tani. For Patrick's 65th birthday, Dark Entries and Honey Soundsystem Records present a glimpse into the futuristic world of a young genius.

Somebody To Love Tonight

Trucido

Liquid Diamonds

Liquid Diamonds (Original)

Morning Song (Original)

Open (Original)

Narrow River (Original)

Friends (Original)

Bumpin' On Sunset (Original)

I Was Crossing A Bridge

I'm At That Party Right Now (Original Mix)

(BMM#037) The Natural Yogurt Band - Braille, Slate & Stylus
https://bmm.lnk.to/NYB-BrailleSlateStylus

@thenaturalyogurtband
@miles-newbold

After two albums on Jazzman and Stones Throw subsidiary Now-Again Records, and two EPs since their arrival on Black Milky-way Music, The Natural Yogurt Band strikes again but this time with a third full-length album. Those classy, groovy melodies coming out of Miles Newbold's mind ride along with both Neil Tolliday's drumsticks. Halfway between their studio in UK and a distant galaxy, sounds from Braille, Slate & Stylus are echoing, resonating, creating a highly psychedelic soundscape. This album slowly fades from funky tunes, African-oriented grooves and smooth library music to a more absurd, free and contemporary vision of jazz. The last four tracks consist of drum breaks that set a sudden ending point to this long yet too short journey in outer-space.

Music by Miles Newbold
Drums by Neil Tolliday
Artwork by Corentin Ohmann & Samy Abboud
Mastered by Vincent Debast at Sonar Studio

Liquid Diamonds (Original)

Leon Lowman

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