Name: My Table demo by Leon_heart
Duration: 4 min 46 s
Description: "It’s time to find ways to bring back the big tables." Track inspired by David Brooks - writer at The Atlantic in particular his article "The Nuclear Family Was a Mistake" (March 2020)

Beautiful playing, beautiful singing, beautiful song.

Hania Rani Live At Invalides, In Paris, France For Cercle

Full credit to Cercle music

Hania Rani Live At Invalides, In Paris, France For Cercle

I mean I really just uploaded this so I could use it but if anyone else out there wants to go right ahead

Cloud Atlas - 23 - Cloud Atlas End Title

This week on Talk World Radio, we're discussing the prosecution of Israel for genocide at the International Court of Justice. Our guest is the independent journalist Sam Husseini.

You can find his writing at https://husseini.substack.com


To take action online and learn more on this topic visit https://worldbeyondwar.org/gaza-genocide

Talk World Radio: Sam Husseini on Prosecuting Israel for Genocide

It was a joy to play the warm up set at Optimo's New Year's Day party in The Berkeley Suite earlier this month. The night started at 8pm (until 4am...so a long night) and the room took a while to get busy so I felt it was completely acceptable to veer into the stranger atmospheric territories of my record collection. By half an hour or so in, people had started arriving and dancing so things pick up around halfway through but I still keep the tempo down for a leisurely build. Artists featured include: Beige, Mauoq, Peter Power, C.P.I., Renaldo & The Loaf, Alek Lee, James Holden & Maalem Houssam Guinia, Froid Dub, Olta Karawane, Killing Joke, Mugwump, Girls Chat Room, CatCat, Alterleo, Lust Pattern, Ballistic Mystic, La Bottine Souriante & Legion Of Green Men, Siouxsie & The Banshees, Aiku. If you can't ID anything leave a comment and I'll answer asap. Peace! x

GK Machine @ Optimo, The Berkeley Suite, Glasgow (01.01.24)

Participants: John Steppling, Max Parry, Dennis Riches, Hiroyuki Hamada, and George McIntyre. Topics discussed: Exploding pagers in Lebanon, Democratic Party corruption of the presidential candidates’ debates, the apparent return of CIA mind control operatives in the recent Trump assassination attempts (similarities to the strange wanderings of Lee Harvey Oswald, James Earl Ray, Mark David Chapman and Charles Manson), Vietnam 1973-75/Ukraine 2022-2024, a culture of departure: the dream of colonizing Mars. Music track “Take the Wind” by Jack Littman, used with permission.

PODCAST #128

It took me quite a while to find the right plant to take as the starting point for my contribution to the Transplanted project. I needed to find something with which I could make an emotional as well as a purely intellectual or aesthetical connection. I had been thinking about Dandelions in general for a few reasons –childhood memories of course, the incredible transformation that occurs during their life cycle and also the fact that they have often been considered rather plain and even ugly. Quite by chance, I came across an article relating to the discovery of the Taraxacum Pankhurstianum; a unique species of Dandelion found on the remote island of Hirta, part of the St. Kilda archipelago. I was immediately struck by the idea of its existence in this apparently inhospitable environment (there are no trees on Hirta) and was reminded of the strong impression this unique place made on me when I briefly visited there a few years ago. One theory suggests that the flower may have been brought to Hirta by the Vikings and I couldn’t help but be impressed by how this resilient plant has survived on a rock in the middle of the ocean and outlasted the human inhabitants there who have come and gone.

The music I have composed no doubt reflects something of the remoteness of St. Kilda and is characterised by a very exposed use of airy natural harmonics and open strings throughout. My intention was to keep things as simple and unadorned as possible. I was attracted by the economy of means in the Oswald Airs and surprised at how substantial pieces of music could be squashed onto a single page of manuscript. This has been translated, or transplanted if you like, into my score by the use of tiny repeated cells which in my mind, have also taken on some of the physical characteristics of the fabulously delicate and complex seed head of the humble Dandelion.

The title comes from a chapter 'The changeless and the changed' in the book The Life and Death of St. Kilda by Tom Steel.
David Fennessy

Recorded at the RCS studio by Bob Whitney

Image © Laurie Campbell


The Changeless and the Changed - David Fennessy

Blow the Man Down (BTMD) - Empire Depths (prelude) taken from the new Blow the Man Down EP available 11 November 2016.

Facebook:  https://www.facebook.com/blowthemandown/  
Instagram: https://www.instagram.com/blowthemandown/

Animated videoclip realized by Etienne Caroff: https: https://www.facebook.com/Caroff.Etienne/?fref=ts

Full EP links:
iTunes: https://itunes.apple.com/fr/album/blow-the-man-down/id1170260784
Deezer: http://www.deezer.com/album/14425242?utm_source=deezer&utm_content=album-14425242&utm_term=1235428902_1478866085&utm_medium=web
Spotify: https://open.spotify.com/album/6SRww1hnLNPCabA9YlgnzQ

Blow The Man Down

Empire Depths

Blues Gumbo YaYa Vol.1

The Childcatcher

"It’s time to find ways to bring back the big tables." Track inspired by David Brooks - writer at The Atlantic in particular his article "The Nuclear Family Was a Mistake" (March 2020)

My Table demo

A tribute to our fearless, genuine and competent leaders during these challenging times. They deserve their place in the anals in history for their tireless commitment to unity and the daily personal and party sacrifices they make for the people they represent. Courtesy of Martha Wainwright. #electoralreform #parliamentaryreform #failingdemocracy #systemchange #nonpartisandemocracy #noneoftheabove #stampingfeettoadifferentbeat #bloodymotherfuckingarseholes #marthawainwright

Bloody Mo Fo A Holes

Improvisation in Warsaw Poland 2013.
  
Neil Loughran - Rhodes and myriad of fx + PolyEvolver.
Chris Sobolewski - bass/synth pedal
Greg Jakubowski - drums
Łukasz Woncisz - gtr

Seven Worlds- Warsaw 2013

lover/ fighter / art therapist / anti-theist / immigrant / musician / artist / lover of evolutionary sciences, monkey magic, red tents  and culture jamming
Instagram: leonheartmusic
Twitter: Leonheart_music

My Table demo

Leon_heart

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