Techno

Johannes Heil & Len Faki - Karter Bachnabel ( Original Mix )

Figure Records 2013
V2 E.P
FIGURE49



Johannes Heil & Len Faki - Maniac

INTEC CELEBRATES 50TH RELEASE WITH
CARL COX – ‘KOMMEN ZUSAMMEN’
Inc. JOSEPH CAPRIATI REMIX
OUT 5 MARCH 2014
 
On March 5th 2014, the seminal Techno imprint Intec will celebrate its milestone 50th release in the form of ‘Kommen Zusammen’ from none other than the label’s creator himself, the legendary Carl Cox. 
‘Kommen Zusammen’ is a well selected offering to mark this monumental occasion and a great representation of the Intec. The track first featured on Carl’s acclaimed artist album ‘All Roads Lead To The Dancefloor’ and now boasts an exclusive re-rub from the very in-demand Joseph Capriati.

Carl Cox: “It’s fantastic Intec has reached its 50th landmark release and we’re eternally grateful for the praise the label frequently receives. Jon has done an amazing job handling A&R with me and we’ve worked very hard to build the great roster of talent that we are very proud to represent. We are very pleased that Joseph could do this mix for us, we could not of asked for more from him.”
Intec’s dedication to quality has been paramount to its success, which has remained consistent throughout its first inception and its re-birth in 2010, and has enabled it to rise to the forefront of the global dance music scene. Jon Rundell says “We just want to put out reliable and solid releases in a good way. We have had some really memorable releases and moments already so far and we will continue to work hard to keep creating them for people.”
Throughout the years, Intec has prided itself on releasing music from a diverse array of talented producers, with EPs from the likes of Daryl Stay, Pirupa, Dosem, Nicole Moudaber, The Junkies, Mark Reeve, Marco Bailey & Filterheadz, Tomy DeClerque, Carlo Lio and Project AKC plus the label bosses themselves.

The last 12 months have proved particularly significant for Intec, with two major developments under their belt. First, the re-birth of their ‘Pure Intec’ compilation series and second, the conception of their highly successful globetrotting ‘Pure Intec’ club night, which has taken over some of the world’s best clubs and, returns to London’s Fabric for the second time on April 3rd. 
‘Kommen Zusammen’ is available on Beatport exclusively from March 5th and the rest of the world a few weeks later.  Please preview the release HERE.
For all up-to-date information on Intec’s forthcoming releases please visit:
https://www.facebook.com/IntecDigital
https://soundcloud.com/intec-digital
www.intecdigital.com 
www.carlcox.com 
www.jospehcapriati.com
www.jonrundell.com

For more information please contact Steve Rose steve@emmspublicity.com
or Paul Barker paul@emmspublicity.com
0207 607 5765
www.emmspublicity.com

Buy on Beatport!

Carl Cox - Kommen Zusammen - Joseph Capriati Remix - Intec

Gary Beck - Egoist (Original)

Johannes Heil - Transition Two (Original Mix)

Paul Ritch is back on Drumcode with his astounding new single ‘Brainwash’. Perfectly capturing the energetic, driving techno sound that Paul is capable of, ‘Brainwash’ delivers something that really engrains into the memory and leaves the dancefloor filled with vitality. On the flip side, ‘Inside Me’ is a heavily percussive rolling track that uses interesting synth hooks and stabs to create a rocking groove that creates vigour and depth that Paul’s techno represents.

Paul Ritch - Brainwash - Drumcode - DC130

Petter B delivers an outstanding new EP on Drumcode proving that Swedish techno is thriving! The first track which, is a collaboration between Petter B, John H & M.E.E.O, uses an arpegiated synth before storming to the main section of the track and breaking down the doors. The gliding synth  sounds really fire with all guns blazing to produce a techno monster that growls. Petter B’s next two tracks involve two solo offerings that are heavily techno based. ‘Voltage Controlled Time’ uses raw distorted drums and a catchy synth line to really give the track a lot of energy and power. ‘Loggbay Session B’ incorporates a cool percussion element to the track to add rhythm and funk to the straight chunky drums.

Petter B Feat. John H & M.E.E.O - Bergsjön Eternal - Drumcode - DC131

Foremost international techno outlet Drumcode is delighted to announce the release of its next full-length album, ‘Satellite’, by enduring Italian techno talent Sam Paganini.

Though he has been active since the mid nineties, recent years have been hugely successful for Sam, with searing techno EPs coming on revered labels such as Riche Hawtin’s Plus8, Sven Vath’s Cocoon and of course, Adam Beyer’s Drumcode. In his time he has been responsible for underground hits like ‘Zoe’, ‘Polyester’ and ‘Fire In My Arms’, all of which demonstrate his dynamic understanding of sexy, dark and hypnotic techno grooves and at the same time have earned him plenty of great Beatport chart positions as well as respect from the best in the game.

Incredibly, ‘Satellite’ is Sam’s first full-length album. Informed by his DJ gigs at legendary places like Berghain in Berlin and Cielo in New York, the album starts with a dystopian bit of sonic scene setting, as if a space ship is charging up ready to take off.

From there it’s a case of getting straight down to business. ‘Another Chance’ is a spacey bit of cantering techno and ‘White’ is rooted in devastating kick drums and is riddled with serrated synth lines that build lots of great techno pressure. ‘Down’ is an undulating bit of funky techno complete with choice vocal flourishes and tracks like ‘Lotus’ are prime offerings from the deeper end of the scale.

No two tracks sound the same on Satellite: Sam is always teasing out a new bit of texture, nailing a slightly different vibe or exploring different amounts of light and dark throughout the course of this most excellent album. This is evidenced by diverse cuts like ‘Dusty’, ‘Toxic’ and ‘Rave’.

Despite ‘Satellite’ being Sam’s debut album, it showcases his seductive style in all its glory across 12 fantastic tracks that will leave you begging for more.

Sam Paganini - Another Chance - Drumcode - DCCD10

Luigi Madonna returns to Drumcode a year after his superb single ‘Primo’ using familiar hooks, huge stabs and monstrous drums that storm across the dance floor which, are common with Mr Madonna. The hard hitting raw vibe of this EP gives Luigi an edge, with fluttering high’s and saturated lows, Luigi’s tracks are a mainstay in all DJ sets. The EP encompasses different emotions throughout that can be felt within the track ‘Singer One’, offering a more mellow side to Luigi’s already expansive catalogue.

Luigi Madonna - Unconditional Beauty - Drumcode - DC135

We are happy to welcome Maceo Plex to Drumcode with the fourth instalment of his Conjure series, ‘Conjure Infinity’. Featuring two tracks ‘Conjure Dreams’ and ‘Conjure Floyd’, both are peak time monsters that introduce two very different elements. ‘Conjure Dreams’ utilises a groovy, melodic bass that is reinforced using tight thumping drums to shatter any dance floor into the universe. ‘Conjure Floyd’ builds into a more ‘heads down’ techno vibe with a very interesting breakdown. Two sure fire tracks to ignite the floor.

Maceo Plex - Conjure Dreams - Drumcode - DC136

A great philosopher (Samuel Johnson, not Ebeneezer Goode) once wrote… “our brightest blazes of gladness are commonly kindled by unexpected sparks”. While it would be a stretch to suggest the Drumcode artist roster are closet philosophy fans, once one begins to unravel the tale that led to Jel Ford remixing the 2012 Alan Fitzpatrick hit ‘For An Endless Night’ and it is impossible to escape the unexpected enterprise and spirit of surprise that are at the heart of this exciting collaboration. 

As fans of Adam Beyer’s label will testify, the two Drumcode names have more in common than just a label stable, they also share common ground with the peak-time melodic sound that has delivered many of the labels most memorable output. Ford being a much more recent addition than Fitzpatrick, whose history with the seminal Swedish imprint stretches back to 2009, however Ford’s history within techno goes back even further having released multiple EP’s through the early noughties on vintage UK techno labels including Dave Angel’s Rotation Records, Billy Nasty’s Tortured Records, Primate Recordings and Ford’s own Jericho imprint. 

It is within this shared passion for uplifting synths and big room melodies that the ‘unexpected spark’ of creativity that led to Ford remixing Fitzpatrick can be found. An long-time admirer of Fitzpatrick’s work, Ford had developed an idea for his alternative version and secretly worked on the remix long before any discussion of the project had taken place. Once given the draft version, Fitzpatrick immediately endorsed the remix, excited to have an updated version to breath new life into what had become a familiar staple of his sets for the past two years. Parts were swapped and the end result being the barnstorming end-of-night monster presented here. A track that will be familiar with many having been the subject of much social-media furor since it first surfaced back in Autumn 2014. 

Alan Fitzpatrick - For An Endless Night (Jel Ford Remix) - Drumcode - DC140

Chambray - Untitled (Len Faki Remix)

Mines Of Mars

The Drumcode A-Sides compilation is quickly becoming synonymous within the techno world as a go to compilation for the hottest tracks that are deservedly A-side material in their own right. Each specific track has it own unique character that brings an outstanding and electrifying aspect to the compilation that as a whole makes it something extremely special. Mixing both highly experienced and new artists has helped to bring a new dimension to the compilation that makes it such a special array of tracks.

Stephan Hinz - Breakout - Drumcode - DC142

Alan Fitzpatrick makes a triumphant return to the scene-leading imprint this August. The typically bombastic three-tracker of explosive, crowd-moving techno opens with ‘Love Siren’ packed with all the power and punch required to knock over festival crowds as it systematically builds and drops, this is one for the big open air stages. ‘U Said U’ is a massively hyped track that has been the subject of huge fan-demand since it first featured on Beyer’s Drumcode Radio in January. ‘Rumours’ wraps things up in slightly more understated but non-the-less effective fashion with its drawn out, tension building intro mushrooming into a crescendo of sleazy chords and sparking melodies.

Alan Fitzpatrick - Love Siren - Drumcode - DC144

Jel Ford returns to Drumcode after his highly anticipated remix of Alan Fitzpatrick’s ‘For An Endless Night’. Ford laces his three electrifying, new original tracks with a high energy that are guaranteed to get any dance floor rocking. Heavily featuring on Adam Beyer’s Drumcode radio both ‘Red Mist’ and ‘Overcast’ have gained heavy support from DJ’s and fans alike. ‘Ode To Basement’ is an end of night smasher that will make everyone melt into the ground as it is caressed out of the sound system.

Jel Ford - Ode To Basement - Drumcode - DC145

Storming his way back onto Drumcode Luigi Madonna closes off the Summer with a four track smasher that will see him welcome in Autumn with a bang. Each track contains the solid, raw drums that are the backbone to each track Luigi has conjured up. With a brooding undertone, the simplicity found in each track gives the lead lines and ideas more space to breath, which overall creates a unique and charismatic submission that can only be found from the Italian.

Luigi Madonna - Spacecode  - Drumcode - DC146

Luigi Madonna - Le Ly Land - Drumcode - DC146

British producer wAFF has been making waves in recent years, reflecting on a diligent 2015 spent playing across the likes of Europe, Africa, Asia and the States, when not making routine appearances at Paradise, Ibiza. As a producer he’s dropped several lauded releases on Jamie Jones’ Hot Creations imprint, not to mention Matthias Tanzmann’s Moon Harbour and Sven Väth’s Cocoon, with his next outing landing on renowned Swedish label Drumcode run by techno titan Adam Beyer.

Laying down hard hitting kicks from the off, ‘Holographic’ churns out an undulating synth combined with shuffling hats and a cavernous low-end, before ‘VibrationZ’ employs a low-slung groove fashioned from a sultry bassline, floating chords and sinister vocal. Tying it together, ‘Syncronistic’ is on a more heads down tip with whirring atmospherics, crunchy snares and subtle 303 squelches for a lengthy and mesmerising piece of production.

Techno

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