Deadline: 6th September

All submissions to Haiku 504:

https://www.naviarrecords.com/2023/08/30/naviarhaiku504-lazing-in-shadows/

To participate:
- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku110)”
To submit your track:
- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz
Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku
Naviar Records store: www.naviarrecords.bandcamp.com
Subscribe/support the project: www.naviarrecords.com/support-us/

haiku 504: Lazing in shadows, / Conceding the drawing room / to moonrays

mountain’s red leaves
the setting sun returns
to the sky

Haiku by Kobayashi Issa https://www.poetryfoundation.org/poets/kobayashi-issa

Picture by Laura Vinck https://unsplash.com/photos/Hyu76loQLdk
Waveform background by Darren Bourne

For more information visit http://www.naviarrecords.com/about/naviar-haiku

more halF unusuaL

halF settinG [naviarhaiku496]

naviarhaiku500 – In The  Orchard
Seven days to make music in response to the assigned haiku: to participate visit www.naviarrecords.com/about/naviar-haiku

As soon as I read this I headed straight for a little apple orchard I know and recorded for several days in the morning, recording additional tracks all in the orchard. Brought back to the studio added two more and here we are. Every sound recorded this week, this was fun. Happy 500th Naviar Records!!! Very proud of you!!! I remember participating in the first 52.

In The Orchard   Naviarhaiku 500

My submission to the Naviar Haiku Challenge #500.

More on Naviar Haiku here: https://www.naviarrecords.com/2023/08/02/naviarhaiku500-morning-solace/

Morning Blossoms

Morning Blossoms - naviarhaiku500

This track was created for the Naviar Haiku group.
504
https://www.naviarrecords.com/2023/08/30/naviarhaiku504-lazing-in-shadows/

2023-08-30

Lazing In Shadows  ( Naviarhaiku 504 )

Lazing in shadows,
Conceding the drawing room
to moonrays

Natsume Seibi (1749-1816) was the son of a wealthy Edo rice broker and was acquainted with a number of other famous poets, including Oshima Ryota and Kobayashi Issa. In addition to his poetry, Seibi left behind a number of fine examples of haikai prose. 

Haiku by Natsume Seibi

Picture by Sebastian Mark https://unsplash.com/photos/L7T7afz-eTc

nawak

Lazing & conceding (naviarhaiku504)

Lazing in shadows,
Conceding the drawing room
to moonrays
-------------------

When I thought about this haiku, the 'drawing room' made me think  about the place I make music, my music room which I call the blue room as its painted blue.  But as it happens I'm shortly leaving this room so my partner can put her easel up in here and paint where the light (south facing room) is better and I'm moving my music stuff to the north facing side of the house - where I can make music in the gloom!    So this haiku to me seems to sum up my move to a different room in the house, perhaps a change of room will hopefully help my creativity!?

More about this haiku.... 

Written by:  Natsume Seibi (1749-1816) was the son of a wealthy Edo rice broker and was acquainted with a number of other famous poets, including Oshima Ryota and Kobayashi Issa. In addition to his poetry, Seibi left behind a number of fine examples of haikai prose. 

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 6th September 2023

Haiku by Natsume Seibi

Picture by Sebastian Mark https://unsplash.com/photos/L7T7afz-eTc

Audio Obscura - Lazing In Shadows (Naviar Haiku #504)

A live electronic com;position created in Pure Data.

Moonrays & Shadows (naviarhaiku504)

1Sep23

My naviarhaiku504 track
https://www.naviarrecords.com/2023/08/30/naviarhaiku504-lazing-in-shadows/
:D

moonrays [naviarhaiku504]

Verrrrrry much looking forward to a couple of October days in Suffolk playing and musicking with two favourite musicians @kate-gallaher and @stellato-strings. I'm mucking around today tapping into the iceberg that is Logic Pro learning how to edit and cut and do effects effectively. Blimey there's so much room in this universe. This is me taking some long notes of @kate-gallaher playing Handel and going wobbly. I'm pleased with this experiment on a train back from Stoke today :))

This is my response to this week's @naviarrecords Haiku prompt. Here's more info about that:

Lazing in shadows,
Conceding the drawing room
to moonrays

Natsume Seibi (1749-1816) was the son of a wealthy Edo rice broker and was acquainted with a number of other famous poets, including Oshima Ryota and Kobayashi Issa. In addition to his poetry, Seibi left behind a number of fine examples of haikai prose. 

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 6th September 2023

Haiku by Natsume Seibi

Picture by Sebastian Mark https://unsplash.com/photos/L7T7afz-eTc

drawing (naviarhaiku504)

This week's haiku, by Natsume Seibi (1749-1816), inspired this improvisation, played on Dune 3 VST synthesizer. Recorded in Reaper, no added effects, mastered with CloudBounce.
Naviar haiku challenge: www.naviarrecords.com/about/naviar-haiku/

Moonrays (naviarhaiku504)

Marco Lucchi : violin, piano, ring modulator and tape

featuring sounds from
https://soundcloud.com/marcolucchi/60-bpm-60-disquiet-0609-speed-limit?in=disquiet/sets/disquiet-junto-project-0609 
and
https://soundcloud.com/user-99036881/speed-limit-p1_disquiet0609?in=disquiet/sets/disquiet-junto-project-0609

for the current Disquiet Junto challenge

Disquiet Junto Project 0610: Speed Limit Pt 2
The Assignment: Combine two or more pre-existing 60 BPM tracks into something new — at half the speed.

Step 1: In the previous Disquiet Junto project, participants recorded a variety of tracks at a standard pace of 60 BPM. Listen to the resulting material on the Lines discussion board and the SoundCloud playlist:

https://llllllll.co/t/disquiet-junto-project-0609-speed-limit-pt-1/

https://soundcloud.com/disquiet/sets/disquiet-junto-project-0609

Step 2: Select two or more tracks from the provided ones, slow them to half their original pace — that is, to 30 BPM — and use editing techniques to combine them into one new piece of music.

8 settembre 2023

30 <---- 60 bpm [disquiet #0610] w/Debroc

Credits to the originators of the tracks being combined here:
@he_nu_ri @Aaron_Taylor-Waldman and @noodletwister

[disquiet0610] Half - Time Triple

Indigo

07 a river in the winter

Necromance is an electronic instrumental concept extended play by Kirsten Chevrolet, telling the story of two troubled teenagers, Manuel Lopez and Antonio Alvarez. In their hometown of Valencia, the two commit a series of crimes in a single night, driven by a need to "feel something."

After their stabbings, they get into an argument. The conflict comes to a crescendo when Manuel is stabbed by Antonio. Alvarez then defiles his corpse as the album comes to a close with the title track.

[Any similarity to actual persons living or dead is purely coincidental]


Wash Away

A short little example of a wild flute sound done with Absynth and a CBX-K1 in 2008. Supermassive was added before uploading it here.

Courtesy

Courtesy ♡ (Absynth + Yamaha CBX-K1, Recorded in 2008)

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

drawing (naviarhaiku504)

Leon Clowes

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