<3 @les-enfants-terribles-2 do you release this one?

Field Records is to release a two-CD compilation and three vinyl samplers of music from the label's artists old and new entitled simply, Collection.

This second sampler pulls together three tracks of deep, dubby and ambient music from French producer duo Polar Inertia, Remote_ and Sweden's Varg. His track 'Ohns Odegard' is a serene and autumnal bit of ambient with swollen pads and incidental synths making for a soothing atmosphere. Remote_'s 'Echo Of You' is just as wide open and serene but has a warm, rubbery pulse driving it along and finally Polar Inertia gets a little frazzled and intense with their loopy slow techno roller 'Sonic Outlaws'.

Polar Inertia - Sonic Outlaws

Responsible for organizing the Moments event series throughout Berlin, I/Y is releasing an EP celebrating their collaboration with all the artists who performed and adhered to the Moment’s concept in the last few years. Releasing music from everyone was impossible, but the 4 tracks produced by Voiski, Blind Observatory, Schloss Mirabell, and I/Y give a solid idea of what Moments is about.

IYMOM001 - A1 - Blind Observatory - Scanning

AZ-5

Dasha Rush - Ocean Shy - Timid Ocean Drawings (Les Enfants Beat Edit)

NEWS > inverted-audio.com/premiere-limo-fluid-identity-edit-select-remix

Italian techno producer Alessandro 'Buck' Stefanio's newborn label Substrato is set to release its debut instalment, courtesy of fellow compatriot and Transition Lab Recordings' label head Limo. 'Fluid Identity' will hit the shelves on 17th February 2016.

Fluid Identity

Limo - Fluid Identity (Edit Select Remix) [Substrato]

Buy on Juno: 
http://www.juno.co.uk/products/wa-wu-we-travellers/611085-01/

Sebastian Mullaert and Kontra-Musik have been involved in a love affair for quite some time – an affair that even resulted in an offspring called The Dance that came out on Kontra-Musik last year. Sebastian Mullaert is of course first of all known as half of Minilogue, a duo so influential in the hypnotic field of techno that Korg recently named a synthesizer after them. Lately, Sebastian has focused on his solo path under the Wa Wu We moniker, releasing stripped back and personal music on his own Wa Wu We label, the cryptic S.E.L.F label and now on Kontra-Musik.

On the title track Travellers, Sebastian Mullaert uses a straight up techno formula that may surprise listeners who haven’t followed his move into Wa Wu We territory. You almost get the impression Sebastian buried a recording destined for a rigid techno label in a deep forest back in the 90’s and has now decided to uncover it again, finding that the track has matured under the black soil. The sharp edges are now covered in smooth moss and the soundscape is immensely deep and moist. But it’s still a vibrant and very much effective track. Above all, it has loads of free space to let the listeners make up their own journeys as travellers into the world of sound created by Mullaert.

We float, on the flip side, is a beautiful and meditative ambient piece. It’s also the fastest way for the urban dweller to find him or herself floating in a serene lake surrounded by strong, green trees instead of floating in a sea of stress and anxiety. A set of headphones and this new release from Kontra-Musik and you’re there.

Wa Wu We - Travellers [Kontra Musik]

From Our Minds to Yours

HYPER OPAL MANTIS

The tension between the natural and artificial, the body and mind, are central themes in electronic music in general, and Techno in particular, as the means of creation, focused around technology and interactions with machines, contrast with the emotional response to sound, the mystical ritual of collective dancing, and the ethos of liberation and tolerance embedded in the culture it produced.

We’re navigating a world of engineered pleasures, big data monitoring of movements and consumption habits, and falsely objective representations of reality, further blurred by a reduced attention span and several opaque layers of cultural interpretation and political manipulation.

Manichean simplifications are used to create hate and fear in order to achieve domination and impose limits on freedom, and the irrational belief in endless growth, increasingly disconnected from nature, led to massive environmental destructions and waves of unprecedented extinctions of species.

Our primal sensuous perception, vastly more abstract, emotional and sensual, make us feel the world as an ambiguous realm we are part of, but not in control of ; a complex network of interacting forces and enigmatic patterns, a matrix of overlapping desires. Rebuilding our bonds with nature, Reconnecting with our senses, and spreading love in the process becomes an essential act of resistance.

Hyper Opal Mantis is a triptych on 3 states of desire, and the first long player of Kangding Ray for Stroboscopic Artefacts.
HYPER is the primal, sensual lust, OPAL is the emotional catharsis, a blissful desire for love. MANTIS, like the insect it refers to, is the destructive, fatal attraction.

HYPER OPAL MANTIS

B2 - Kangding Ray - EPSILON [SALP005/SACD008]

http://www.discogs.com/Various-Sandwell-District-Sampler-Single-One/release/2304939

Function - Untitled (AA)

Acid Friend

Depthy Acid (Foreign Material Remix)

Tin Man - Depthy Acid (Foreign Material Remix)

Stroboscopic Artefacts returns with another strong addition to its Totem series, a unique set of releases pressed on transparent 10” vinyl, capturing the essence and effusiveness of multidimensionality of club culture. Bridging the gap between the worlds of sound and material objects, Totem is a series that aims to meld the artistic resonance of each forthcoming release into an emblematic representation of the sounds that are to be presented, clearly within the grooves seen and heard on the 10”. Stepping up for the third release in the series is Berlin legend Efdemin — bringing a three-track journey that is unequivocally enduring and flexible for journeys on-and-off the dancefloor.

While each track shares the same title, the textures and traits are different — with the A1, “Circles” setting things up with pertinent percussion and staccato synth lines; as Efdemin sways towards another side with “Left” — a heady, hedonistic thumper with exuberant melodic bursts; followed by a therapeutic sequel with “Right” — closing out the release with a melange of spacious efficacy, something the Berlin-based producer has been known for throughout his near-two-decade career. Between releasing for the likes of Ostgut Ton, Curle, Dial, and his own imprint Naïf; Efdemin takes on the challenge of Totem’s conceptual subjugation and subverts it with his emotionally honest take on a stimulating and subdural sonic experience within three parts. Narratively dense and expertly-paced, the Totem series carries on with another outer-worldly insertion to its catalog. 

All tracks (w)&(p) by Phillip Sollmann
Graphic concept by Ignazio Mortellaro [OA]
℗ & © Stroboscopic Artefacts 2018
Cat. No SATOTEM003 – all rights reserved
www.stroboscopicartefacts.com
info@stroboscopicartefacts.com

Pre-order

A1 - Efdemin - Wrong Movements (Circles) [SATOTEM003]

L'enfant terrible
A successful "genius" who is very unorthodox, striking, and in some cases, offensive, or rebellious.

Coming from various musical backgrounds and having experimented with many genres, upcoming duo brings together house and techno elements to share an emotional electronic journey. 



Dasha Rush - Ocean Shy - Timid Ocean Drawings (Les Enfants Beat Edit)

Les enfants terribles

Recent comments

M Ѧ R ї

Lasha Gigoidze

Gramofonowa.

carlacaetano

Related tracks