Special thanks to:

Jane Lang for the many hours she spend working on the cover photograph. Luke Painter, our favorite sound guy and recording engineer for his expertise, enthusiasm and patience. David Greely, for taking time out of his busy life to proofread our Cajun French lyrics and translations. Our friends, fans and, especially, the dancers who make it all worthwhile.

Femmes

Blues de Port Arthur

Valse de Grand Mamou

Lache-Pas la Patate

Tes Parents Veulent Plus Me Voir

Eunice Two-Step

Jolie Blonde

Enterre-Moi Pas

Midland Two-Step

J'ai Vu le Loup, le Renard et la Belette

La Valse des Écrevisses

Produced by: Les Femmes d'Enfer
Recorded & mixed at: Gary Shelton Studio, Seattle, WA
Mixed & edited by: Claudia Anastasio, Claudette Boudreaux & Garey Shelton
Cover photo & mixing assistance by: Sam Weis
Graphics by: Michael Gibson & Claudia Anastasio
Art direction by: Laurie Hampton & Julia Henderson

Swing Cat 1613

Bonsoir Moreau

In 1994, amidst the vibrant music scene of Seattle, Les Femmes d'Enfer emerged as the first all-women Cajun band. The band's genesis can be traced back to the living room jam sessions of four friends: Claudia on fiddle; Claudette, a Louisiana native, on accordion; Sandy on bass; and Laurie, the band's creative director and songwriter, on guitar. A few months later, Tami, a skilled fiddle player and Claudette's partner, officially joined. A year later, Julia, a talented trianglist and flutist, completed the lineup.

Known for their festive and colorful outfits, Les Femmes d'Enfer graced stages across Seattle, becoming a beloved fixture at venues and festivals like the renowned NW Folklife Festival. Though they officially retired in 2006, Les Femmes d'Enfer occasionally reunite, bringing their infectious energy back to the stage for lucky fans to enjoy once again. Their legacy lives on, a testament to the enduring power of friendship, the timeless appeal of Cajun music, and the incandescent spirit of Les Femmes d'Enfer.

Bonsoir Moreau

Les Femmes D'Enfer

Related tracks