"Memory Rot" is a virtual process piece that achieves harmonic layering by even-ordered speed radios. Form is determined by time, which can be visualized -- as typical in Western understandings of musical form -- on a vertical axis: harmony shifts on a glacial scale as the various tracks resolve themselves over a predetermined period. 

The result is the effect of melting or "rotting" away which occurs at a slow and primarily felt (as opposed to overtly heard) rate as the layering between the simultaneously playing audio glacially shifts.

The jazz-inspired electric keyboard palette is treated with ambient procedures so as to intertwine two temporally and functionally akin genres so often considered to be culturally considered distinct. 

Roll up time & burn slow. 

A 2013 GATE Production. 
Composed and produced by Kara-Lis Coverdale in Montreal, Quebec. 

Kara-Lis Coverdale - Memory Rot

Live performance by the Jon Hassell Performance Group, Avignon, France, June 1982. John Hassell: trumpet; Michael Brook: processing, kalimba; J. A. Dino Dean: log drum, percussion; Miguel Frasconi: udu, glass, keyboard (Casio 202).

Hassell in Avignon 1982_2

Nuclaps

From the forthcoming 12" by Joel Graham 2015 © Music From Memory

"An obscure tape release discovery by Red Light Radio founder and close friend of the label, Orpheu de Jong, led to Music From Memory’s latest release. This two track 12” highlights the work of electronic music pioneer Joel Graham, a San Francisco based artist who self released two cassettes in 1984/85.  

Originally recorded and performed live on pre-MIDI analogue equipment in 1982 as an outline for a live performance, these visionary tracks provoke much of the same sensibilities found in both contemporary dance music as well as in works of more established vanguard artists of the time. Slowly unravelling and deeply hypnotic, Joel Graham’s music seems to manifest a doorway to a profound new world and can be seen as a forerunner of what was to come in electronic music."

Joel Graham - Night (15:11)

Myra Davies: Do Ya (Götterdämmerung)
written b Myra Davies/ Gudrun Gut
taken from the album "Myra Davies: Sirens" 
music by Gudrun Gut and Beate Bartel
Moabit 21
CD (moa21) and Instrumental LP (moa20) will be release 27th of January 2017

Myra Davies: Do Ya

Sylvia Monnier - "Dennis Hopper"

The Digging Remedy

Held

permvac163-1 Carl Gari "Shipster" EP out now @carl-gari

Carl Gari - Treasure Island Sunset

Like the wings Daedalus crafted for his son Icarus, John Gilbert Colman’s score for sampler, voice and chamber orchestra almost melted away completely, disappearing into the tides of time. The album originally served as the score to an avant-garde production of the Greek myth that toured the Belgian theatre circuit in 1986. Director Guy Cassiers cast the play with 45 developmentally disabled actors enrolled at the Krauwelenhof school in Antwerp, working for six months with the young actors (aged 12-17) to discover and develop their talents, creating (by all accounts) a deeply moving piece of visual theatre.

https://soundcloud.com/user-488382410

reelase date : Mid-august 2018

LISTEN ON YOUTUBE

PREMIERE : Colman - Empty Sky

Carter Tutti Void - V2 (Edit)  (Transverse)

Pre-order now available from Imprec.com

Harry Bertoia's Glowing Sounds LP contains three versions of the same composition, each transferred at different tape speeds in accordance with the artist's instructions. This is the third LP to be released from Bertoia's extensive tape archive and it's the first, of many, to be released using instructions left behind by the artist himself.

Bertoia wrote the concept for this Glowing Sounds LP on a note in 1975 and slipped it into the master tape case where it sat unread for 45 years. The idea was simple, transfer the original recording at its original speed and two slower speeds. Bertoia noticed that the results, however, were profound. 

Recorded on January 20, 1975 using two large gongs, Glowing Sounds is one of the most powerfully minimal recordings yet discovered in Bertoia's collection. The artist's note left with the tape indicated that it was recorded at a speed of 15 IPS (inches per second) but slowing it down to speeds of 7.5 IPS and 3.25 IPS were quite effective for enhanced playback. Side A features the original 15 IPS recording and the 50% slower 7.5 IPS recording. Side B features a 20 minute, ultra-slow version at 3.25 IPS. 

Long, deep drones and powerful overtones define the sound of this recording. Comparison of the three speeds provides a revealing magnification of Bertoia's gongs, overtones and the artist's inventive approach to performance, composition and recording. 



Bio: 

Harry Bertoia first gained some artistic visibility in the early 1940s, then came into prominence with his sculptural, ergonomic chairs, produced by Knoll Furniture beginning in 1952, which quickly became classics of modernist furniture. Inspired by the resonant sounds emanating from metals as he worked them and encouraged by his brother Oreste, whose passion was music, Harry restored a fieldstone "Pennsylvania Dutch" barn as the home for this experiment in sounding sculptures which he had begun in the late 1950s. Bertoia was an obsessive composer and relentless experimenter, often working late into the night and accumulating hundreds of tapes of his best performances; Oreste, too, would explore and record the sculptures' sounds during his annual visits to his brother's home in rural Pennsylvania.

Harry Bertoia's recently dismantled Sonambient barn collection was an attentive listener's paradise full of warm, expressive instruments that were gorgeous visually and audibly. Nothing could prepare you, even on return visits, for the overwhelming experience of entering the spacious wood and plaster interior where gongs, some of them giant, hung among the ranks of standing sculptures of various metals. Over nearly twenty years of adding, culling and rearranging, Bertoia carefully selected nearly 100 harmonious pieces ranging in height from under a foot to more than fifteen feet. He considered this barn a full experience, sights and sounds comprising not a collection of works, but one piece unto itself. It was here, deep in the woods, that his Sonambient recording work took place.

Learning by experimentation was common for Bertoia and he mastered the art of tape recording, turning the Sonambient barn into a sound studio with four overhead microphones hanging from the rafters in a square formation. He would experiment with overdubbing by performing along to previous recordings, sometimes backwards, constantly improving his methods while also honing his performance skills. Bertoia was a careful editor of his own work and only chosen recordings remained, each with a date and carefully considered observations written on a note included with each tape. Through these pieces of paper a the artist's logic can be uncovered, a careful approach to composition, ideas, feelings and forms. The story of Sonambient barn collection will slowly be told through the release of recordings from the archive as well as installations and performances built from Bertoia's own recordings, lectures and a book.

Glowing Sounds

Harry Bertoia - Glowing Sounds (slowest) - LP -  Pre-Order

Dj Booking & Inquiries : lesyeuxorange@gmail.com

Next ==>

28/01/2023 @ La Rotonde Stalingrad LYO / 10 Years Party! w/ Lauer, Younger Than Me, Lydia Vilas etc...
04/02/2023 @ La Péniche Mécanique, Strasbourg
10/02/2023 @ Control Club, Bucarest (Rumania) 🇷🇴
18/02/2023 @ La Rotonde Stalingrad
24/02/2023 @ Selecto, Paris
03/03/2023 @ Casa Pompi, Merida (Mexico) 🇲🇽
04/03/2023 @ Vagalume, Tulum (Mexico) 🇲🇽
05/03/2023 @ SundaySunday, Mexico City (Mexico) 🇲🇽
11/03/2023 @ Bar Oriente, Mexico City (Mexico) 🇲🇽
12/03/2023 @ SundaySunday, Guadalajara (Mexico) 🇲🇽
17/03/2023 @ Sai-ko, San Miguel (Mexico) 🇲🇽
18/03/2023 @ Zodiac Festival, Leon (Mexico) 🇲🇽
19/03/2023 @ Kokoro, Queretaro (Mexico) 🇲🇽
24/03/2023 @ La Rotonde Stalingrad
31/03/2023 @ Petit Prince, Paris
07/04/2023 @ Minus Eden, Skopje (Macedonia) 🇲🇰
15/04/2023 @ L'International
29/04/2023 @ La Rotonde Stalingrad
30/04/2023 @ Disco Disco, Paris
06/05/2023 @ Mazette, Paris
13/05/2023 @ Sakral Festival, Kilowatt, France
19/05/2023 @ La Rotonde Stalingrad
28/05/2023 @ Athens (Greece) TBC 🇬🇷
03/06/2023 @ KulturA, Liège (Belgique) 🇧🇪
16/06/2023 @ Insula Festival, France
17/06/2023 @ La Marbrerie, Montreuil
30/06/2023 @ Sacré, Paris
15/07/2023 @ Terrazza, Barcelona 🇪🇸
22/07/2023 @ La Rotonde Stalingrad
20/08/2023 @ Mazette, Paris / Amour sur Seine 
23/09/2023 @ La Rotonde Stalingrad
28/10/2023 @ La Rotonde Stalingrad
25/11/2023 @ La Rotonde Stalingrad Grand Format + Guests
15/12/2023 @ La Rotonde Stalingrad


Past Gigs : 
Paris => Cabaret Sauvage, Trabendo, Rex Club, Badaboum, La Java, Mazette, La Machine du Moulin Rouge, La Prairie Du Canal, Petit Bain, Nexus, La Madrague Festival, Palais de Tokyo, La Rotonde Stalingrad, Silencio, ZigZag, La Clairiere, Wanderlust, Nuits Fauves, Double Vie, Pamela, Virage,  Le Monseigneur etc...

France => Calvi On The Rocks, Cabourg Mon Amour, We Love Green, Sarcus Festival, Tres cool Festival-Deauville, Highfive Festival-Annecy, Briques Rouges Festival-Lille, Bains Numeriques Festival-Enghien, Macadam Nantes x2, Lieu Unique Nantes, Le Sucre Lyon x3, Le Terminal Lyon, Le Petit Salon Lyon, Iboat Bordeaux x3, Chapiteau Marseille, 1988 Live Club Rennes, Gare Saint Sauveur Lille x2, Ostra Nancy, Grenoble Campus, La Bobine Grenoble, Angers, Nuit Blanche Saint Denis etcetc...

Europe => London x4 , Manchester x3, Leeds x2, Edinburgh, Berlin x3, Hamburg, Freiburg, Amsterdam, Helsinki, Stockholm x2, Copenhagen, Geneve x4, Lausanne, Neuchatel, Zurich x4, Bern, Lucern, Madrid x2, Ronda, Barcelona, Porto, Prague, Budapest, Sofia, Vilnius x2, Palanga, Belgrade, Zagreb, Warsaw, Saint Petersburg, Moscow etc...

PREMIERE : Colman - Empty Sky

Les Yeux Orange

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