Name: Korg 770 The Arrival by LeSynth in Electronic and Experimental
Duration: 1 min 23 s
Description: My first piece using the 1976 Korg 770 synthesizer. It's a beauty, and I LOVE it! All the sounds except the drums are from this vintage mono synth.

Electronic and Experimental

I feel so lucky to have an Alesis Andromeda A6 in my hands! This beautiful beast feels like an expensive sports car, and it sounds like it too! For this first demo, I decided to honour its name, and play around with BIG reverbs. All the sounds are from the A6, except the drums. 
Here's a trip to the closest galaxy.

2.5 Million Light Years - Alesis Andromeda demo by Ned Bouhalassa

Nadiya means 'hope' in Ukrainian. It is what I have to offer, musically, to those who are suffering. 
All the sounds, excepts the drums, are from the 106. I love its simplicity, and warmth, especially with the lovely chorus!

Nadiya - Roland Juno 106

A quick and simple little jam on my Buchla Music Easel and Moog Matriarch. Video version can be seen here - https://www.youtube.com/watch?v=cRLkQsSfbmg

Buchla Music Easel + Moog Matriarch

Voice Of The People

A first short piece featuring my new baby, the Matrixbrute! What a fine, fine instrument this is. I just love that everything about it screams PLAY ME! This demo features no added FX except for compression/limiting on the master out. The synth's FX section is simply retro-gorgeous.

Taming The Beast - Arturia Matrixbrute Demo

Second official demo from our second Legion release - featuring a true deep-sampled ensemble of 66 Tubas produced by Troels Folmann.

8Dio 66 Tubas "The Longest Night" by Colin E Fisher

Official demo from our second Legion release - featuring a true deep-sampled ensemble of 66 Tubas produced by Troels Folmann.

8Dio 66 Tubas "A Little Bit of A Lot Of Tubas" by Troels Folmann

My first piece using the 1976 Korg 770 synthesizer. It's a beauty, and I LOVE it! All the sounds except the drums are from this vintage mono synth.

Korg 770 The Arrival

EMS synthi improv live acoustic recording 21/3/2013.

EMS# improv 4 april 2011 Middernacht

Romanticissimo

This is my first track using the powerful Quantum synthesizer. There's a lot to explore, so this is just an excuse for me to hear what I can do with it at this point. Really enjoying the fresh sounds coming out of this beast!

Quantum Dreams - Waldorf Quantum Demo by Ned Bouhalassa

My new Korg ARP 2600FS synthesizer. Delay effect from the Make Noise Mimeophon. Video version can be seen here - https://www.youtube.com/watch?v=AvwySjMi-1s&feature=emb_title

Korg ARP 2600FS // A Simple Sequence

Stream / Pre-order: https://lnk.to/firstwave

"First Wave" by Roland Tings, from his EP of the same name, out August 14, 2020 on Cascine. 

Roland Tings —
https://instagram.com/rolandtings/ 
https://facebook.com/heyrolandtings/
https://twitter.com/rolandtings/
http://www.rolandtingsworld.com/

First Wave

Stream / Pre-order

Roland Tings - First Wave

buy there : https://rolandtings.bandcamp.com/album/first-wave

Since 2012, Melbourne’s Rohan Newman has recorded as Roland Tings, bringing his now trademark organic touch to the dance and electronic community. Following last year's sun-soaked album Salt Water, the producer returns with a new EP, First Wave. Rather than following suit of the highly collaborative album that preceded it, First Wave signals a return to Newman’s instinctive and solitary approach to songwriting, the same ethos that guided him while crafting his earliest Roland Tings material.

Drawing inspiration from his coastal surroundings, First Wave is liquid, malleable and oil-slick. Opener “Lights on the Headland” pulses with acid chirps and inky synths. “Down The Line” and “Orange Circle” take a softer focus, their melodies peeking out from a humid haze like sunbursts through the marine layer. The title track captures the essence of the EP — a feeling of euphoric come-up — before the closing track “Leaving” brings the pace down, gently undulating at a slower tempo as if underwater.

The sonic throughlines on First Wave are clear: drum machines and 80s snare, swirling pads with rolls of bass, and glittering arpeggios that channel shimmering sea creatures under the water’s surface. Like liquid, it all seamlessly flows, but it’s an undercurrent of intuition and melody that unites the music as distinctly Roland Tings.

LISTEN ON YOUTUBE

PREMIERE : Roland Tings - Leaving

I've been looking at a bunch of videos of rainy nights in Tokyo, feeling inspired by the relative calm of otherwise busy streets. 
I have only had the Hydrasynth for a short time, but I've managed to squeeze it in as much of my schedule as possible. I've fallen quite hard for this marvellous instrument; it really is a rich, expressive, modern, digital ax for whatever the future has in store.

Tokyo Rain - Hydrasynth Demo by Ned Bouhalassa

Downbeat track for socially-distant dancefloors

Fathoms

LeSynth is a passionate electronic musician who has been composing music for film, TV, concerts, and radio for decades. He learned synthesis on an Aries modular system and sampling on an Akai S900. LeSynth's studio is home to many electronic instruments, and he is currently writing LoFi music.

Korg 770 The Arrival

LeSynth

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