La flemme

Suivre le soleil

Suivre le soleil (Monte Fino Remix)

Woop Baby (Extended Version)

https://soundcloud.com/susannesundfor’s intonation of being in touch with and having ownership of a very strong and present spirit is represented in every tone, word and undercurrent she unleashes through her singing… A

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Add 'Let Me In' to your Spotify playlists: 
http://smarturl.it/LetMeIn?IQid=soundcloud
 
Pre-order the mini-album + download 'Let Me In': 
http://smarturl.it/Kleerup-preorder?IQid=soundcloud

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Kleerup had spent the early part of 2014 experimenting on new ideas and technology, and had begun to sketch out some basic ideas. But then tragedy stuck with the death of his mentor Christian Falk. “He really was like family, friend and mentor – he was everything,” sighs Kleerup. A year prior, Kleerup had hit upon the sort of bouncing, insistent bass groove that Falk himself had mastered so well. Perhaps as a subliminal way of addressing his loss, Kleerup revisited the idea and soon had something strong enough to share with kindred spirit Susanne Sundfør (Björk, Röyksopp, M83) who added the mesmeric topline. And so the upcoming single “Let Me” In was born – a song which captures the adventurous spirit of Kleerup’s earlier work while pushing the Eighties influence to a new level.

“Let Me In” will be impossible to evade in the coming months as it leads a global H&M campaign which is complemented by visuals directed by the legendary Jonas Åkerlund (Lady Gaga, Madonna, Beyoncé, to name but a few). Again inspired by his prior work with Falk, Kleerup is using the exposure to reintroduce himself to the world just as he did when he was a rising talent: “Let Me In” previews the release of the new mini-album entitled “As If We Never Won “(the title track of which features Maja Ivarsson from The Sounds), and a second mini-album will follow early next year ahead of a new full-length record.

The new material is the result of Kleerup’s continuing self-discovery. “My first album was about relationships that didn’t work out, the Me and My Army album was about good versus bad, and “Aniara” was all about confronting mortality,” he explains. “As an artist, a lot of stuff has happened in my life since the last album, but everything’s a bit easier now, thank God. Along the way, I’ve learned two things: 1) everything that  happens in the world is not my fault and 2) other people may have a point!”

Once more, it seems that Kleerup’s most personal songs will be the work that connects with the public on a global scale.




As If We Never Won

Let Me In

The Beginning

New Talking EP!
Itunes - http://apple.co/2w2uTsV
Spotify - http://spoti.fi/2wocZ6h

New Single Good Times: 
Spotify - http://spoti.fi/2eH0nh6 
Itunes- http://apple.co/2gsAuFv

New single Woman: 
iTunes http://apple.co/2u44ngn 
Spotify http://spoti.fi/2vdflFI

Tickets on sale now for Elderbrook's upcoming Headline UK Tour:
http://gigst.rs/EB

Respected producer, singer-songwriter and multi-instrumentalist Elderbrook has rounded off the summer with his biggest body of original work to date; the 7 track ‘Talking’ EP.  

The deluxe EP is a culmination of the many styles that have influenced Alexander Kotz over the course of his career. Moving through various moods and subgenres, it still contains his inimitable vocals and overarching sense of feeling that have come to characterise the Elderbrook sound. 

The first single to come from the full-length production, ‘Woman’, was separately released on the 28th July. The laid back pace is matched with pitched-down chopped vocals, contrasting with the wistful lyrics. It’s produced by Craven J, but exemplifies Kotz’s unique approach to being a singer and a producer; “phonetics are as important as lyrics. My voice adds another percussive element to the sounds.”

‘Good Times’ followed 'Woman' on the 30th of August ahead of the full EP release. A collaboration with multi-platinum selling British producer and songwriter Starsmith, it’s one of the more feelgood moments of the EP thanks to the upbeat keys and catchy vocal chorus. Likewise, title track ‘Talking’’s descending chords and gentle bassline is a summery piece of indie-electronica, whilst the chunky house stabs in ‘Let Go’, with Nicky Nighttime of NAATIONS on the production, make it one of the most dancefloor-orientated tracks out of the release.

In contrast, ‘Put Down’’s breakdown hints at Elderbrook’s roots creating hiphop and trap, as does the fuzzy bassline and juddering bass riffs of ‘IOU’. The EP closes off with the aptly titled ‘Feels Like A Sunday’, a laid back ode to the weekend showcasing Kotz’s vocal layering skills.

Packed full of material that will please both existing Elderbrook fans and convert the uninitiated, each track on the EP feels strong enough to be a standalone single in its own right. Despite the diversity of styles on show, the EP also works as a body of work overall thanks to the distinctive, ever evolving ‘Elderbrook sound’ that ties each track together. ‘Talking’ cements Kotz’ status as one of the most innovative, undeniably multitalented young producers on the rise right now.

Feels Like A Sunday

Beauty Mark (feat. Anduze)

Beauty Mark (feat. Anduze) (Radio Edit)

Brown Lounge, Vol. 4

Woop Baby

Watch the official music video we shot in Brazil! https://www.youtube.com/watch?v=X8aSeaPAX5c

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New York Narcotic

The Knocks - Brazilian Soul (feat. Sofi Tukker)

Solchi

How About U (feat. Davide Shorty)

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contact: letherettes@gmail.com

Woop Baby (Extended Version)

Letherette

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