Kate Wolf and Medaya Ocher are joined by the art critic and historian Hal Foster to speak about his latest book, "Fail Better: Reckonings with Artists and Critics." A collection of essays that brings together over three decades of Foster’s work, the book exhibits a rigorous philosophical and political engagement with a celebrated group of critics and artists who span the 1960s to the present. Foster digs deep into the work of Pop masters, Minimalists, and the Pictures Generation, as well as contemporary artists, always splaying open the vein of his critique to make it resonant beyond the confines of the art world, and in broader conversation with history and culture. In addition to writers like TJ Clark and Rosalind Kraus, in "Fail Better" he also reflects on his own work as a critic, and the changes that have occurred in the landscape between his emergence in the 1980s and now. 

Hal Foster's "Fail Better: Reckonings with Artists and Critics"

In this special episode, host Eric Newman joins LARB senior editor Paul Thompson and Film Comment co-editors Devika Girish and Clinton Krute for a look at this year’s Oscar nominees ahead of this weekend’s award ceremony. Surveying this rather strange year in film, the gang discusses the gory camp of The Substance, the omnipresence of Wicked, the multi-genre madness of Emilia Pérez, and much more. 

LARB Radio Hour x Film Comment 2025 Oscars Preview

Kate Wolf and Medaya Ocher speak to writer Haley Mlotek about "No Fault: A Memoir of Divorce and Romance." The book blends the history of divorce law and custom in North America over the last century with cultural criticism on the way divorce has been portrayed in literature, film, and online. Mlotek also records her own experience of ending a marriage, and the front row seat she had growing up to the dissolution of many other unions through her mother’s work as a divorce mediator. At a time when it’s easier than ever before to access divorce, "No Fault" looks at the many questions that still persist around “what divorce should be, who it is for, and why the institution of marriage maintains its power.”

Haley Mlotek's "No Fault: A Memoir of Divorce and Romance"

Eric Newman speaks with Torrey Peters about her new story collection, "Stag Dance," which spans genre, time, and place to explore the shifting sands of gender, sex, desire, and identity. From a post-apocalyptic world in which everyone is trans to a pirate logging camp in the early 1900s where desire and gender explode in surprising ways, the stories in "Stag Dance" plumb the murky and often ugly feelings that contradict the “good politics” narrative of the transgender experience. Eric and Torrey discuss how our desires and identities often remain unintelligible to us, how the materialist force of capitalism shapes those desires and our relationships with others, and what history might tell us about today’s unprecedented assault on trans rights and lives.

Torrey Peters' "Stag Dance"

Eric Newman speaks with Bruce Robbins about his latest book, "Atrocity: A Literary History," which explores how literary accounts of mass killing came to shape our collective moral indignation against such violence. Moving from the pre-modern era to the twentieth century, Robbins's book wrestles with how texts from the Bible to Kurt Vonnegut's "Slaughterhouse-Five" reckon–or fail to reckon–with atrocity, drawing out the risks of representing such violence, namely forgetting it altogether or normalizing its horrors.

Bruce Robbins's "Atrocity: A Literary History"

The writer Pankaj Mishra joins Kate Wolf and Medaya Ocher to discuss his new book, "The World After Gaza: A History." It probes how the legacy of the Holocaust has shaped the contemporary world order, including how it has shaped the government of Israel, and the current war in Gaza. The book grapples with how, within the relentless violence of the 20th century, trauma can lead to nationalism, and also how one genocide can lead to another.

Pankaj Mishra's "The World After Gaza: A History"

Kate Wolf and Medaya Ocher speak to Lynne Tillman about her latest book, "Thrilled to Death," a collection of short stories selected from over four decades of her work. The stories in "Thrilled to Death" attest to Tillman’s range as a writer and stylist, showcasing her frenetic humor, deep psychological insight, and her innovation of the form. Ever playful and perverse, these stories cover terrains of urban existence, romantic obsession, familial entanglement, the interplay between culture—particularly film—and experience, along with the carnivalesque of American life in all of its absurdity.

Lynne Tillman's "Thrilled to Death"

Eric Newman and Medaya Ocher speak with Andrea Long Chu about "Authority," a collection of previously published and new essays and criticism. "Authority" interrogates what it means to be a critic today, analyzing the work that the critic does in interpreting a book, film, or TV show for us as well as how the status of the critic has developed from antiquity to the present. Andrea, Medaya, and Eric talk about finding one's voice as a critic, how the critic approaches an object of analysis, and the increasingly siloed role of the full-time critic in an era of tectonic shifts in the media landscape. 

Andrea Long Chu's "Authority"

Eric Newman and Medaya Ocher speak with writer Katie Kitamura about her recent novel, "Audition," which explores a tense, complex relationship between a middle-aged actress and a young man who may or may not be her son. The book raises questions about the roles we play, the stories we inhabit, and the many choices we make. “Audition” is  LARB’s Book Club pick this month. Join in on the conversation at https://lareviewofbooks.org/event/larb-book-club-discussion-audition-by-katie-kitamura/

Katie Kitamura's "Audition"

Maggie Nelson joins Kate Wolf to discuss her new book "Pathemata, Or, The Story of My Mouth." It is at once a compressed record of her long struggle with chronic pain and a document of the boundless blur of the pandemic era. It combines vignettes of daily life and doctor’s visits with dreams and memories, pushing at the partition between interior and exterior, symptom and experience, containment and surrender. Nelson depicts the mysteries of pain and the vulnerability of the human body with both humor and pathos, as well as the connections that are possible even in a moment of extreme isolation.

Maggie Nelson's ""Pathemata, Or, The Story of My Mouth"

Nuestro número de diciembre lleva por título "Morelos, fundador de México". 
La trayectoria militar de José María Morelos lo colocó en el centro del movimiento por la Independencia, pero no fueron sus batallas sino sus argumentos ideológicos a favor de la revolución insurgente los que lo situaron como “fundador de la Patria”. Un retrato de cuerpo entero del Siervo de la Nación exige entender su radical ruptura con la estructura jurídica de la monarquía española. 
Brian Hammet sondea “Las ambigüedades de Morelos”. Catherine Andrews indaga en “Un proyecto alternativo de gobierno”: el del decreto constitucional de Apatzingán de 1814. Carlos Herrejón busca pistas sobre la autenticidad de “La supuesta retractación” de Morelos. 

Compra la versión para iPad de Letras Libres en iTunes Store: https://itunes.apple.com/mx/app/letras-libres-mexico+espana/id776202381?l=en&mt=8

Música: "Pop Brasilia", de Podington Bear, www.freemusicarchive.com

Introducción

Letras Libres

Related tracks