Good Stuff

All of Me

All Of Me

UMcast #153 - Brutalize Me With Music

Papadosio took to the main stage at the legendary Red Rocks Ampitheatre for the first time in support of Lotus on 9.19.14.

Listen/Download the entire set here- > https://papadosio.bandcamp.com/album/red-rocks-9914 

The Bionic Man Meets His Past 
Cloud Found 
Cue 
New Love 
Find Your Cloud* 
Paradigm Shift 

* w/ special guest Mike Rempel on guitar from Lotus
credits
released 29 September 2014 

All tracks written, recorded and performed by Papadosio 
© All Rights Reserved 2014 
www.papadosio.com 

Photo by Thank Me Next Time

The Bionic Man Meets His Past | Red Rocks | 9.9.14 | Morrison, CO

Our homie, and NYC based producer Ageless gave us the opportunity to remix one of his tracks. We chose Cold Case! 
FREE DOWNLOAD!

Links to Ageless: 
https://www.facebook.com/ageless84
https://soundcloud.com/ageless84
http://agelessbeats.com/

Ageless - Cold Case (Transfer Station Remix)

While it's soul and hip-hop backbone is cohesive with Menert's existing catalogue, this new LP is a standing testament to it's creator's musical prowess and ability to seamlessly incorporate a variety of influences. Without regard to custom or trends, Michal Menert shows us what new realms of possibilities open up when we reach for the stars. See more at: http://menertmusic.com

Everything Shines

Back to the Groove celebrates the iconic pulse of the 70’s and 80’s: deep basslines, tight drums, shimmering synths, and soulful harmonies that bring back the golden era of rhythm and style.

Midnight Roller

John Legend is an artist mature beyond his years. He is a crooner in the best possible sense of the word — self-assured, gentle and debonair. For Legend’s sophomore album Kanye West resumes his role as executive producer, but Once Again is a mellower affair than Get Lifted. The songs get their gentility from Legend’s low, cocoa-smooth vocals, which never fail to bring a potentially hyper song to a place of calm. Though Once Again features an impressive assembly of producers — including Craig Street, will.i.am and West (all contributed multiple songs) — Legend is wholly in control of the album’s tone and tempo. The hip-hop underpinnings are balanced by the elegant jazz of “Again” and “Maxine.” “Where Did My Baby Go” is so simple that it feels timeless — it could be a piece of an old album by Arthur Alexander or even Joan Baez, made new again by Legend’s warm breath. “Save Room” is a song that glides so sweetly and effortlessly that it challenges every shred of malice that might be lurking within the listener. Even sweeter is “Slow Dance,” a melody as compact and pretty as a jeweled pocketwatch.

Once Again

Each Day Gets Better

Heaven

P.D.A. (We Just Don't Care)

If you've listened to Top 40 radio or flipped through the video channels during the past few years, odds are pretty good you know something about John Legend. He played piano on Lauryn Hill's "Everything Is Everything" and might as well be considered Kanye West's sidekick, having assisted the producer and MC on several sessions — Jay-Z's "Encore" and Slum Village's "Selfish" being two of the more prominent 2004 singles featuring his work. A former choir director, he has also released a handful of energetic live discs, some of which are credited to his less hubristic birth name, John Stephens. And though he claims "I've got something new," you've also heard substantial chunks of Get Lifted in records made decades ago by Sly & the Family Stone, Curtis Mayfield, Quincy Jones, and Bill Withers. This might not be a problem for listeners who crave anything that recalls the music they first heard in their youth, but Legend's over-reliance upon his inspirations is an impediment as much as a slick way to grab attention. That's because he has more than enough talent and charm to get by on his own. His own lyrics and hooks are unique and clever enough to get the point across that he's no everyday R&B artist and, just as importantly, he has a personable and instantly fetching voice you could listen to all day long. However, the association with West — whose Sony-distributed boutique label released the record — is very helpful. Without it, Legend would likely be zoned into neo-soul (2003's Live at SOB's New York City really makes this notion apparent), thereby standing little chance of reaching the ears of anyone younger than 30. The production work supporting his songs strikes a fine balance between soul and hip-hop, allowing him to appeal to those who are coming from either angle. This is a very good record. It's a given that Legend is destined to make at least two others that top it. 

Ordinary People

Larry Fox's top songs from SCI's 2016 Summer Tour. Every show is available for purchase at www.LiveCheese.com.

Summer 2016

"Impressions" - 7/16/16 - Morrison, CO

Recorded live at Purple Hatters Ball - Spirit of the Suwannee - Live Oak, FL - 06/02/17

Full show available at Bandcamp:
https://themalah.bandcamp.com/album/live-purple-hatters-ball-spirit-of-the-suwannee-060217

Pines - Live at Purple Hatters Ball

For Laughing Out Loud

Deluxe EP

Dexter (feat. Nick Gerlach)

Makin' My Way Back Home (feat. Nigel Hall)

By Any Shmeeans Necessary

New Album ‘Cook’ Drops 12.3.25 👨🏽‍🍳🥬 All Singles Streaming Now 💽 Shop CRUSH Wine 🍇 Text Us 720.724.9285 💬 Get Tour Tix 🎫 Pre-Save/Pre-Order COOK ⤵️

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By Any Shmeeans Necessary

Lettuce

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