JAM-A-LAMA-DANGUS

This one takes me straight to the Mission, every time I hear it. This one is live from the HeadCount Benefit at the Brooklyn Bowl 6/4/2014.

Buy it now!

Misson In The Rain

Here is a sample track from one of the Dead's EPIC shows in 1974, when Bear's Wall of Sound was fully operational and audiences were being blown away by the colossal sound waves emanating from its many towering speakers. But the Wall wasn't made simply to blow the roof off a joint; the Dead's most delicate and sublime musical moments could now be heard in all their acoustical glory, filling the room for people even in the back row to be able to hear and dance on every graceful note. Bold and courageous tapers, like Jerry Moore, were determined to get these legendary sounds on tape, and the glittering sonicscapes they captured was no simple task. / The fruits of Moore's labors can be heard here in a symbiotic relationship with the well-balanced soundboard recording, which together produce a unique aural experience that cannot be derived from either of the recordings alone. By being mixed together in a very specific way, a sonic chemical reaction occurs that produces a new aural creature to be reckoned with. This new audio form - the matrix - contains a heightened level of acoustical energy and resonance that reveals a depth and power to the live sound that was not quite experienced before, except perhaps if one was actually at the show. The matrix is thus a more accurate musical portrait of the band/audience relationship that was so integral to the life of a Grateful Dead concert event, where both parties literally fed off the energy of the other. This acoustical feeding frenzy, in relation to the sound dimensions of the actual room or space, is what the matrix seeks to embody and reproduce, and it touches more decisively on a sustained kind of ecstasy that would occur at a show between the Dead and their fans. / The track presented here, which is Robert Hunter and Jerry Garcia's "Ship of Fools" (on Hunter's birthday, no less), is unique in that it is preceded by a soft and lyrical "jam" that reflects the tones and textures of "Ship of Fools", but it is not a formal part of the song. This exquisite musical interlude, skillfully placed after Phil Lesh and Ned Lagin's otherworldly "Seastones" debut, has been quite appropriately called "Setting Sail". The jam, which is really more of a song in itself, conveys a languid feeling of casting off into gentle and cool waters at dawn, only to be met by a cautionary tale of paying allegiance to the wrong kinds of ships at sea.

Setting Sail -> Ship of Fools - 6/23/74 Jai-Alai Fronton - Miami, FL

While it's soul and hip-hop backbone is cohesive with Menert's existing catalogue, this new LP is a standing testament to it's creator's musical prowess and ability to seamlessly incorporate a variety of influences. Without regard to custom or trends, Michal Menert shows us what new realms of possibilities open up when we reach for the stars. See more at: http://menertmusic.com

Asteroids

Moon Light (ft. JK Soul, Matt van den Heuvel, & Marcelo Moxy)

Another World (ft. Will Glazier, Colby Buckler, & Dan de Lisle)

A psychedelic rock fusion instrumental album. Composed, performed, played, recorded and mixed by© David Taylor Hughes. All tracks are 100% improvised.

SCAMPER

In a Silent Way / It's About That Time

Estimated Prophet ft. John Reuter (10/31/19 | The Van Buren | Phoenix, AZ)

Contagious (Live)

Track Description: ShwizZ transports listeners back to the golden era of 70s psychedelic jazz-rock in “Hit the Deck.” The band laid the pavement with a hard-driving, technical bass line at the forefront which is a defining characteristic of fusion music. Each piece of the puzzle sprouted from that with garnishes of Rhodes chords, a striking guitar melody, and a tight drum groove to tie it together. After catching word of Color Red by chatting with Freekbass at a festival in upstate New York, it seemed like a perfect fit to capture “Hit the Deck” with straight-to-tape recording methods and Eddie Roberts taking the wheel on production. “Hit the Deck” will be followed up by a full-length album with a full-bodied roster of guests to be released spring 2020.

Artist Quote: We we're all quite pleased with the outcome of the track.  Recording directly to tape really captured the vibe we had set out to create.  The whole process, from reaching out to CR to going to the studio, tracking and mixing, was completely flawless.  Eddie was super easy to work with and provided the perfect amount of producing tips to keep us on track with what he needed, but still be free to make our musical vision come to life.  , "Hit The Deck" came out amazingly.  It was a very fitting song for the production style that Color Red has been doing.  The use of recording to tape, old school mic'ing techniques and having to perform and nail the track live really helped get us a quality recording.  Eddie was extremely professional and sat back and let us do our thing, while also providing his production expertise when necessary. The overall experience was a delight from start to finish and the process was professional and rewarding.

Produced by Eddie Roberts

Credits:
Ryan Liatsis - Keyboard, Guitar (Electric), Synthesizer
Andy Boxer - Andy Boxer
Chris Duffy - Bass

Videographer - Jack Gould
Ninja Video Production

Tracking Engineer - Eddie Roberts
Color Red Studios

Mixing Engineer - Eddie Roberts
Color Red Studios

Mastering Engineer - Doug Krebs
Doug Krebs Mastering

Hit the Deck

Color Red Music

Shwizz - "Hit The Deck" | Color Red Music

Outta Here

The Dump

Squadlive

Back in Effect

Twisted

The Flu

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The Flu

Lettuce

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