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1 (NEW ALBUM OUT NOW)

Forever & Ever

Somebody Please

Devourer

Dark Star

Loose Cliffs Edge is the final single from Eades upcoming EP ‘Fight Or Flight' coming out on the 14th August.  It was recorded and mixed by the bands frontman Harry at his residential studio Bam Bam Studios. It’s the most emotive track on the album referring to frontman Harry’s past struggles with anxiety and how with the help of his now fiancé he was able to take back control off his mental health. The Loose Cliffs Edge is a metaphor for the place he found himself in on a daily basis whilst the ‘girl with grey in her eyes’ refers to his partner who helped turn his life around. The song builds from a simple guitar and vocal arrangement, slowly evolving throughout the song into the euphoric full band final refrain. 

Experimental guitar tunings and left-field recording techniques all add to the vibe of the track.

Loose Cliffs Edge

The Only One

The radio's playin' a classic tune
and you swear nothing sounds quite as good as it used to sound
back when
you were younger
The years fly by like classic cars
as fast and bright as a shooting star
I'm left behind
on the sidewalk

It's rainin' so hard I can barely see
but "if its good for the grass, then its good for me"
I tell myself
bitterly
I'm a vine tangled up in a thousand weeds
I'll spend a lifetime lookin' for that golden tree
I know it's there
waiting for me

Makin' money only to survive
And I know you'll get your's before I get mine
get mine

In the weeds

Soft Power

City Glitter

Planet Popstar

Stay

Diving For A Prize

Sunken Cost

manny

First Day

Antique Mall

I Got That History

Becoming your true self is a game often played in inches. Pockets of discovery and growth can appear behind the obscurity of frustration, leading to stretches of brilliance. It’s a visual Evan Brock ties to his latest project. Speaking about the records in its canon (debut Slowly Spiraling Towards the Light and the forthcoming I can feel an ending), “moments of Laika Songs are supposed to sound like when you look up through the trees and can see a little sky peeking through, and the light hits the leaves just right.”

The intersection of the natural and the artificial is where Laika Songs gains most of its inertia. Fragmented synth lines intermingle with everything from lumbering acoustic guitars to luxurious saxophones, bridging the gap between environmental zen and digital confusion. I can feel an ending expands the search for meaning first dispatched on the first LP by collaborating with a wide variety of musicians and friends to divine some clearer answers.

Emboldened by post-pandemic connectivity and the power of letting control fall to chance, Evan reached out to potential players with nothing but demos and deep knowledge of their musical histories. Stems would serve as signposts, but finished products diverged from original designs. The result accidentally mirrors Evan’s...  more
credits
released December 5, 2025

Laika Songs is…
— Evan Brock - songs, vocals, guitars, piano, synths, mellotron, harmonica, sampler, percussion

Additional musicians…
— Dominic Angelella - bass (1-11)
— Dan Bailey - drums, percussion (1-11)
— Meg Duffy - guitars (1-6, 8, 10, 11)
— Abby Gundersen - violin, viola (4, 5)
— Kris Hayes - guitars (7, 9)
— Chanele McGuinness - vocals (1, 3, 6, 10)
— Heaven Schmitt - vocals (2, 5)
— Joseph Shabason - saxophone (6, 10), flute (10)

Produced by Evan Brock

Engineered by Dominic Angelella, Evan Brock, Dan Bailey, Meg Duffy, Abby Gundersen, Kris Hayes, Chanele McGuinness, Sean McVerry, Heaven Schmitt, Joseph Shabason,

Mixed by Philip Weinrobe

Mastered by Josh Bonati

Cover painting by Pat Perry
Design, layout, and self-portrait by Evan

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Arpeggiator

In the weeds

Drench Fries

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