Realms Ambient 2

'DRIVING ON ACID', out now on Brainfeeder: https://littlesnake.lnk.to/drivingSo

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DRIVING ON ACID

LAUNDRYPLEX TEKK (2Ci MIX)

CFVA01

Jalan

Jalan [CFVA01]

Eaten

Written, Produced & Mixed by @thysbe-official
Mastered by @nuansonar
Cover art by Wytai

Buy Digital & Vinyl

Thysbe - A1

SERA027: Satellite Era presents “Dissociated Mutant Subculture EP” - an analysis of thoughtful experiments by Uge Ortiz, best known as AZ-Rotator (@solomute-labs)

Out now on all major platforms: https://ffm.to/sera027

The world begins to surround us in its warmth for yet another summer that is certain to be abundant of fresh music. Five lengthy years since our label’s conception, we find ourselves returning to our experimental roots again and again. This time around, we circle back with a familiar face and household name in the cyberspace we occupy.

20 years have gone by since the release of “Science of Chance,” the debut album of our longtime friend AZ-Rotator. Over the last two decades, the Madrid based producer has undergone a series of stylistic mutations that only continue to feed his curiosity for sonic studies. The foundational ‘germ’ of his origins still withholds its essence, meaningfully scribbled into his lab notes - yet his latest experiment “Dissociated Mutant Subculture EP” is a promising turn of the page. It builds on the idea of using randomness as a principle while still feeling full of intent - a clear mutation rather than ripping the journal in half. We begin the deep-dive with “Escal” and are immediately met with metallic percussion and eerie synths painting the soundscape. “Imstra” increases the energy further than the intro and flexes his masterful drum programming while welcoming a distorted, hardcore-like kick. Hidden beneath the clever progression and shuffling rhythm of “Sundmirex” is a tribute to oddball footwork; this Madrid-to-Chicago connection is only made possible by the power of our niche on the web. “Masthenod” explores the depths of frantic, high-octane breakcore with a weary tone throughout the track. “Elunnomticom” pulls the observer back into a warmer setting while still displaying an array of modular and generative sounds. The project is concluded with “Artificialle,” a track that not only stands out due to its freeform jazz-influenced nature, but also as an intriguing and potential preview of what the future may suggest for the fabled scientist.

With formative releases on some of our favorite offbeat imprints such as Ad Noiseam, Evel, and Detroit Underground, AZ-Rotator’s sonic spacecraft has returned to the Satellite Era universe. His latest offering “Dissociated Mutant Subculture EP” is a delightfully twisted contribution to our core collection of experimental electronic music, while leaving space for listener interpretation. It serves as a forward-thinking testament to the longevity and continuous improvement of his artistry. 

Written & produced by Uge Ortiz
Mixed at Paranoise Gallery
Mastered by Amir Mashayekhi
Designed by marutonkun

www.instagram.com/marutonkun

BUY / STREAM

AZ-Rotator - Imstra

been a minute

couple new old tunes, some deep, dubbed out steppers

free/pay what you want dl available on bandcamp:
https://shutinrecordings.bandcamp.com/album/last-stop-rhodes-meditation

Pay What You Want DL

Last Stop

A cloudy romance of life.
---
credits:
Written & Produced by: Nthr1
Mixed & Mastered by: teádor monk
Artwork by: thanakí

PANOPTICON x LEZVANI

Take

Nthr1 - 4AM

This album unfolds as a sonic journey that blends electronic landscapes with experimental and atmospheric nuances, offering an immersive experience that moves between contemplation and rhythmic energy. Each track functions as an independent chapter, yet together they build a coherent narrative that reflects an emotional passage: from dawn to night, from stillness to expansion, from the intimate to the expansive.

The opening piece, **“Solitary Sequence,”** opens the door to an introspective world. Its minimalist and repetitive structure conveys the sensation of a pattern unfolding slowly, like a thought repeating in the mind until it becomes a landscape. It is a track that invites solitary reflection, where time seems to stretch and the sonic texture becomes almost tangible.

In contrast, **“Twilight Mosaic”** proposes a tapestry of richer and more colorful sounds, evoking the hues of twilight. The melodic layers overlap like pieces of a mosaic that shimmer differently depending on perspective. There is a play of light and shadow that adds dynamism while maintaining a meditative air.

With **“Winding Harmony,”** the album flows toward a more organic exploration. Its progressions recall winding paths that are never linear, generating a sense of continuous, shifting movement. The harmony twists and unfolds in new directions, reinforcing the idea of a journey in constant evolution.

**“Resonant Dawn”** offers a luminous respite, as if the listener awakens to a newly lit horizon. The resonance of the title is reflected in the spaciousness of the sound, which seems to vibrate in an open, hopeful space. It is a piece that balances delicacy with expansion, transmitting renewal and clarity.

Finally, **“Rising Syncopation”** introduces a stronger and more rhythmic pulse, closing the album with energy and vitality. The syncopation creates a constant tension that pushes forward, like a heart beating powerfully after an emotional journey. This piece elevates the ending, offering a vibrant and dynamic conclusion.

Taken as a whole, the album is an exploration of moods and soundscapes that shift between the intimate and the expansive. It flows seamlessly between meditative calm and rhythmic drive, constructing a narrative arc that reflects both introspection and vital impulse. Its richness lies in the ability of each track to stand on its own while simultaneously contributing to a greater story. In essence, it is a work that invites both attentive listening and full sensory immersion.



Euphoric Echoes (1)

The Second EP by Wendy Adams, featuring the Variations of Leaves and Release Me

Release Me VIP

raincloud

write us: cartel@lezvani.com
LEZVANI is a Yerevan based record label, founded in MMXVIII, by an Armenian artist teádor monk.
The label itself is a new platform for non-formal artists with the potential to prosper in their fields.
The word “lézvání” is an Armenian word translated as “talkative,” meaning that the label itself has many topics to cover. Thus, the main message is the platform for talkative music. 
LEZVANI brings together artists from all over the world, regardless of their nation and musical genre. 
Except for music distribution, lézvání is a media platform with the aim of providing a proper understanding of music itself, including podcasts and interviews with DJs and other artists to educate the public.

Nthr1 - 4AM

LEZVANI

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