Live recording of my set at a very special evening in a former bahnhof close to Dessau, organized by the wonderful Scott Carver and co.

Expressions in Mother Tongues (Live in Roßlau, July 31 2021)

Tes Bras

Scratch (demo version)

Bulles 2

Antoine Héraly et Simon Guélat partent collecter des récits de vivant·e·s à travers la France. Un podcast où il est question de fantômes, et où le grave et le dérisoire se côtoient.

Compositeur du générique : Pierre Desprat

Podcast PHANTÔMES - Épisode 2 Helena : hantise et dépendance

Safety Trance & Brodinski - Da Igual ft. Yung Beef

Critique littéraire par François Bégaudeau du roman "Le vingtième siècle" d'Aurélien Bellanger.

Peu après le suicide du poète François Messigné, des férus de son œuvre et de l’intellectuel allemand Walter Benjamin partent à la recherche d’un tapuscrit dissimulé par Méssigné. A travers ce récit polyphonique, épistolaire, se situant en partie au XXIème, en partie au début du XXème siècle, où se mêlent notes, lettres, et textes inédits de contemporains à Benjamin, Aurélien Bellanger recompose une biographie du penseur allemand, par fragments.

Date de sortie : 5 janvier 2023
© 2023 – Editions Gallimard
Claude Debussy - Danse sacrée
Creative Commons Attribution-NonCommercial 3.0 Unported License
Musopen Materials

Episode 51 : Le vingtième siècle

Out on Lexidisc mid-february 2015
http://www.lexidisques.net/
Mastering by Fred Alstadt
***
Available digitally; high quality download on Bandcamp / https://lachimie.bandcamp.com/album/triste-zoo-f-rie-bis

Èlg -Triste Zoo - Lexidisc 7" - 2015

Stine Janvin — Fake Synthetic Music
Format: Digital (vinyl out November)
Cat.No. PAN 84
Release Date: 12 October 2018 
Buy digital: https://bit.ly/2OjxCLs / https://bit.ly/2Cb1guQ

Vocalist, performer and sound artist Stine Janvin works with the extensive flexibility of her instrument of the voice, and the ways in which it can be disconnected from its natural, human connotations. Created for variable spaces from theatres, to clubs and galleries, the backbone of Janvin’s projects focus on the physical aspects of sound, and potential dualities of the natural versus artificial, organic/synthetic, and minimal/dramatic. 

Fake Synthetic Music is Stine Janvin’s latest live performance for voice, echo, lights and spatial distribution. The concept was created to present a full-body physical and ambient experience with the frequency range of her voice. Inspired by past and present producers of architectural electronic music, Janvin presents a new take on 'deconstructed rave' by exploring both sonic and optical illusions, otoacoustic emissions and minimal melodic sequences in reference to pop, techno and trance. 

The release introduces a recorded version of her ‘fake synthetic material’, and through her ongoing live performances, she continues to work between the music and art scenes, developing further her methodology of imitation and resonance through audio visual concepts. 

The tracks on Fake Synthetic Music reflect the concept of sonic illusions and Janvin's use of the voice as a sound source. “…I wanted to explore how I could vocalise in a way that would combine architectural sound with dance floor sequences.” she says. Each track is based on a different take on these ideas, some being pure studio production, using only her vocal archive of sustained notes, chopped up into innumerable pieces of different lengths, and re-attached. Tracks, such as ‘Like Right Now’ and ‘Like Last Night’ are examples of live material converted to a recorded format, keeping the simplicity of the direct voice signal through a digital delay effect with no post-production processing.

The album is mastered by Rashad Becker, featuring photography by Camille Blake and artwork by Bill Kouligas.

@stinejanvin
http://p-a-n.org

Fake Synthetic Music

Stine Janvin - MOOD (PAN 84)

extrait live: vimeo.com/302594323
Matthieu Guillin : composition, électronique
Loïc Varanguien de Villepin : performance vocale

enregistré au studio eOle
photo © Solène Arbel
Design graphique : Nicolas Maureau

https://lacopule.bandcamp.com/

La Copule - mouvement 1

Critique cinéma par François Bégaudeau du film "Tenet" réalisé par Christopher Nolan.

Tenet nous propose de suivre un espion appelé « Le Protagoniste ». Sa mission : éviter une 3ème guerre mondiale nucléaire. Ce film d’espion et d’action spectaculaire multiplie les strates narratives qui justifient, entre autre, l’utilisation d’une toute nouvelle technique de cinéma : des images montrant une rétro-temporalité tournées en format Imax. 

Date de sortie : 26 août 2020
© 2020 – Warner Bros. France
Musique : © Ludwig Göransson - Freeport

Episode 16 : Tenet

Èlg et La Chimie (Èlg - M. Nachury - J. Mazé) 
booking  - francois.muraillesmusic@gmail.com

Èlg -Triste Zoo - Lexidisc 7" - 2015

Èlg

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