This piece is about my desire to use my voice in order to create a physical experience for the listener. A spatial setting with four synthesized voices appearing fixed within a four channel speaker system at the edges of the space, construct a transformative spatial setting, while my own voice appears frontal and centered, singing along with the synth voices but also departing to be heard for itself again. Beatings of various frequencies create dense material textures that I control with my voice.

The Presence Of My Voice - for voice and buchla synthesizer

Jazzoux are comprised of two veterans of the preposterously labyrinthine French free-beat noise scene- Amédee De Murcia usually cranks out slippery and joyful electronics as In Paradisum's favorite tour-dog 'Somaticae' while Claire Gapenne (hailing from the "la ficelle Picarde" crepe loving city Amiens) has spent time in legendary free-noise unit 'Headwar' and with numerous solo releases as 'Terrine' on French out-beat electronic labels such as Tanzprocesz and Bruit Direct. Suffice to say, these two teaming up gift us a wonderfully wrapped cadeaux of a strikingly free and unprejudiced electronic-beat sound; rhythm jazz played by machines all with a delicious creme dollop of a jeer and buttery wink-wink.
credits
releases April 21, 2022

Enregistré en janvier 2021 au studio Soundlove à Grrrnd Zéro par Claire Gapenne et Amédée De Murcia, excepté Pistachios enregistré en novembre 2021 au Rez de l'usine à Genève. Édition et mixage à la Citadelle Raspail à Saint-Etienne entre juillet 2021 et janvier 2022. Photographie : Mathieu Levet. Graphisme : Thibault Proux

Quand Le Jus De Rythme

Jazzoux - Tuning

For this second release Soleil Rouge focuses its attention on Jonnnah, one of the key artists since the creation of the project. After a versatile first release on Worst, the artist continues his creative process in the same line. The sequence of atmospheres and landscapes on this album was conceived as a journey into the psyche, more specifically as an analysis of the depressive state and the healing process. Jonnnah recreates familiar feelings and memories and writes an abstract story to allow the listener to interpret. 

"Terra Incognita" introduces us through a phase of doubt and leads to a loss of orientation, then the feeling of anxiety is explored before arriving at "Sounds of Silence" where energies are transformed, the following landscapes allow a slow reconstruction to close this metaphorical journey with "Enter Paradise". “Poppy's Star” was co-produced with French artist Tryphème, whose work was a source of inspiration in the creation of Jonnnah's universe. The fusion of their sound results in a sentimental 80’s pop atmosphere, that is characterized by heavenly sounding delay processing as well as the melancholic voice of Trypheme. Throughout the quarantine, the artist and his father (also a musician) set up a daily artistic ritual in order to use this interlude to promote their common artistic creation, from this sharing was born the track “Young Man, Old Boy”. 
This album takes us through interludes of gritty noise, melancholic pop, avant-garde experimental music and powerful bass music. The artist treats each of these sounds with the same ethereal and melancholic layer creating a link between the atmospheres of his narrative.

This album marks the birth of the Jonnnah artistic entity, right down to the creation of a physical appearance conceived in collaboration with designer William Mora. The two artists worked together to create a series of masks that draw on intimate visuals from the history and culture of Jonnnah. The various masks were conceived as ritualistic costumes for the upcoming performances, participating in the creation of an alter ego between mysticism and chivalry.


Crédits
Music by Jonnnah, Tryphème, Apple Bun
Lyrics by Tryphème, Christine Denamur
Hood art, tape art and design by William Mora
Hood manufacture by Karine Vazeille & Florence Galvao
A&R Marie Desseauves & Antoine Odin

limited to 50 tapes.

Jonnnah • Loneliness And Isolation

LOMISSION is back from the digital abyss and has dug up some lost gems of lockdown madness. assembled in the onerous months of the year 2020, these musical pieces bespeak the restlessness of fast-paced genre hopping - admittedly - within the inimitable realms of lomission's sonic cosmos. 

demons of funkiness have possessed our beloved lomission baddis and find their voice in stuttering breaks, squeaking synths staccatos, or barking guitars. of course, catchy basslines, driving guitars, smashing rhythms, and lulling chords are not an omission. could this be jazz? doubt it, it's just LOMISSION.

written & produced by: Lorenz Koschitz (@koschitz), Nino Jaggy (@endobliss), Timo Strohm (@ortra)
mixed & mastered by: Timo Strohm (@ortra)

Lannibaddi

ACIDZ WORMZ : Episode consacré au son Acid de la TB-303 qui évoque souvent des bruits d'insectes et de vers de terre. Un peu comme ci un Wormz vous chuchotait à l'oreille des secrets de familles rythmiques et organiques incompréhensibles et impossibles à chanter.

IL Y A QQE CHOSE KI CLOCHE /w Musique Chienne (29.07.2022)

@dino-spiluttini

»Trust In Me« is the first single of Dino Spiluttini's upcoming EP »Death Chants II« coming out on September 12th 2022. This weirdo Ambient Remix by BYDL sends Spiluttinis kickless Trance Hit to church – after having OD'ed on those funny edible papers of their friends fridge.

Full EP: https://dinospiluttini.bandcamp.com/album/death-chants-ii

»The soundtrack to a psychotic episode.« – D.S.

Death Chants II

Free DL

Dino Spiluttini – Trust In Me (BYDL's Ever Been To Church On Acid? Remix)

Lately

EP available on digital and cassette tape : )
https://erratac20series.bandcamp.com/album/vol-42-ciao-p-lussino

BRAVO TOUNKY - Fofana/Saliba - extrait (Errata C20 series vol. 42)

"Dans le Salon du Nous" outtake // recorded in 2021

Le Seau
Porté par la fille calme
Les deux pieds collés au plus profond du four
A pain
C'est extrêmement dur de passer son tour
Quand on aime tant ça
Les jambes de bois

Etre charmant en canne
Gratter et voir le squam
Sur la nourriture
Sous le frein de la lèvre
Qui quand elle le pourra
Se pluguera
Sur le pi de la vache

Tout dépend de si on aime se frotter
L'urètre
Sur le sable
Rêche
Rêche

Le maire
Apprend le discours
Qu'il récite sur des rails
Que même s'il voulait voir
Ses enfants mourir
Il ne s'y prendrait pas mieux

Le caissier tombe sous les balles
Le directeur tenait l'arme
Pour se faire remarquer
Ils excusent le supermarché

Le Seau, un autre récit

Soleil De Nuit representing @vizir-radio
www.instagram.com/soleil_de_nuit__/

Live recorded at Fondo.luogo, Milano

Originally streamed on www.fritto.fm

The Presence Of My Voice - for voice and buchla synthesizer

Li Tavor

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