Butter

I Can Only Whisper (feat. BADBADNOTGOOD)

Summer Breeze

Slow Burn

One Last Dance

prestrato

Limbo

LEGACY! LEGACY!

BASQUIAT

Bittersweet

Bittersweet (Radio Edit)

Waiting For (Feat. Jamila Woods)

Paper Thin

You + I

Rose Rouge

Creep

http://stpanther.lnk.to/thesedays

Written by Daniela Bojorges-Giraldo 
Published by Big Deal Beats / Gold Room Special Music / St. Panther Publishing (BMI) (Administered by Words & Music)
Produced by St. Panther and Nate Mercereau 
Drums, Bass, Vocals by St. Panther
French Horn by Nate Mercereau
Organ by Steve Wyreman
Strings by Shaina Evoniuk
String Arrangement by St. Panther and Nate Mercereau
Recorded at Elysian Park and Lower Peter's Canyon
 Engineered by St. Panther and Nate Mercereau 
Mixed by David Nakaji at Slick Suze Sound in Los Angeles, California. Assisted by John Bruington.
Mastered by Daddy Kev at Cosmic Zoo

YOU MIGHT JUST THINK I MIGHT JUST HOLD BACK THIS TIME
BUT, BABY, I GOTTA KEEP IT MOVING
‘CAUSE LATELY I’M UP WAY TOO LATE
I SPEND ALL MY NIGHTS WAITING FOR SLEEPING
 
I JUST DON’T GET REST NO, NOW BABY.. THIS IS REAL
I MIGHT JUST NEED YOU TO SPEAK A WORD TO ME
SET ME FREE
 
‘CAUSE THESE DAYS KEEP MOVING
MOVING ON
AND I JUST CAN’T KEEP LOOKING BACK
I GOTTA KEEP IT MOVING
 
‘CAUSE THESE DAYS KEEP MOVING
MOVING ON
AND I JUST CAN’T KEEP LOOKING BACK
I GOTTA KEEP IT MOVING
GOTTA BE STRONG
 
STRONG BLOOD PUMPING THROUGH MY VEINS
FOR DAYS I MISBEHAVE
PLEASE DON’T JUDGE ME, BABY
YOU GOTTA WORK THROUGH THE MUD
 
PLEASE DON’T LEAVE ME, BABY
‘CAUSE I WANNA FLY WITH YOU
PLEASE DON’T LEAVE ME, BABY
PLEASE DON’T LEAVE ME, BABY
PLEASE DON’T LEAVE
 
‘CAUSE THESE DAYS KEEP MOVING
MOVING ON
AND I JUST CAN’T KEEP LOOKING BACK
I GOTTA KEEP IT MOVING
 
‘CAUSE THESE DAYS KEEP MOVING
MOVING ON
AND I JUST CAN’T KEEP LOOKING BACK
I GOTTA KEEP IT MOVING
GOTTA BE STRONG

These Days

Lianne La Havas

Ivor Novello Award-winner and Mercury, Grammy, and BRIT-nominated artist Lianne La Havas unveils her new single ‘Disarray.’ The track showcases a blend of emotional depth and striking vocal delivery, set against sparse, ethereal finger-plucked electric guitar —a signature of La Havas’ style. 

“The song felt very intimate, almost like a secret just for me,” says La Havas. “It’s about vulnerability, honesty, and giving listeners a window into a moment of my life.”

Over the course of her career, La Havas has released three acclaimed albums — Is Your Love Big Enough? , Blood and her self-titled Lianne La Havas  (which won the Ivor Novello Award for Best Album). She has collaborated with leading international artists and captivated audiences worldwide with her spellbinding live performances.

Released via her own Καλό μήνα (Kalo Mina) Records. La Havas embarks on an exciting new chapter, broadening her sonic horizons while remaining rooted in vulnerability and artistry.

Paper Thin

Lianne La Havas

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