mae un o fy hoff caneuon ar hyn o bryd - gorau dwi 'di clywed mewn amser hir - proper songwriting

https://fortherabbits.net/2019/04/18/five-things-we-liked-this-week-18-04-2019/

Five Things We Liked This Week - 18/04/19

Rapla Soul
2014
almubilt ''Nõgesed''

Öö meie hingi sööb
Närib me südameid
Ei tunne armu öö
ta kannab tume meid
kuid kuhu me ei näe
ja kuhu ma ei tea
ja kuhu me ei näe
ja vahest ongi

Sest sinna kus olen mina, ei ole sul ilmaski kiiret
Sinna kus oled sina, ma lähen unedes vaid
või vahel mõteteis mõrudais
sinna kus olen mina, ei ole sul ilmaski kiiret
Sinna kus oled sina, ma lähen unedes vaid
või vahel mõteteis mõrudais


ma mõõdan öiseid teid
all tähti tuhandeid
kesk mõru mõtteid teid
käin pikki nõgeseid
kuid kuhu me ei näe
ja kuhu ma ei tea
ja vahest ongi

Sest sinna kus olen mina, ei ole sul ilmaski kiiret
Sinna kus oled sina, ma lähen unedes vaid
või vahel mõteteis mõrudais
sinna kus olen mina, ei ole sul ilmaski kiiret
Sinna kus oled sina, oma mõteteis mõrudais

Öö linnas ringi käib
kuid ma ei põgene
sa vahel ...
ja vahel nõgesed
ja kuhu ma ei näe
mind kata kaugele
ja kuhu ma ei tea
ja vahest ongi

Sest sinna kus olen mina, ei ole sul ilmaski kiiret
Sinna kus oled sina, ma lähen unedes vaid
või vahel mõteteis mõrudais
sinna kus olen mina, ei ole sul ilmaski kiiret
Sinna kus oled sina, ma lähen unedes vaid
või vahel mõteteis mõrudais

ma lähen mõteteis mõrudais
ma lähen marudes mõtetuis, mõtetes mõrudais
ma lähen marudes mõtetuis, mõtetes mõrudais
ma lähen marudes mõtetuis, mõtetes mõrudais
ma lähen mõteteis mõrudais, mõrudais mõteteis
ma lähen mõteteis mõrudais
ma lähen
ma lähen mõteteis mõrudais

Mõtetes Mõrudais

Canolfan Hamdden yn fyw / live on BBC Radio Cymru, 28.11.13.

BBC Radio Documentary

Y Deyrnas Flinedig - CANOLFAN HAMDDEN

MWSTARD!  Cloc

Dance Mwncis

Cylchoedd yn y Pridd

Ysgrifennwyd gan/Written by: Iolo Jones
Perfformiwyd gan/Performed by: Iolo Jones, Llew Davies, Cian Owen
Recordiwyd yn/ Recorded at: Stiwdio Glan Llyn, Melin-y-Coed
Peiriannu, Cymysgu, Cynhyrchu/ Engineering, Mixing, Production: Llyr Pari
Mastro gan/Mastered by: Iwan Morgan
Llun/Picture: Iolo Jones

Elsewhere

Ein fersiwn ni o'r emyn 'Rho Im Yr Hedd' a recordiwyd ar gyfer cyfres Emyn Roc a Rol, Radio Cymru.

Our version of 'Rho Im Yr Hedd' - recorded for the series Emyn Roc a Rol on Radio Cymru

Rho im yr Hedd

Vaguely inspired by late Roxy Music, with nods to the likes of The Replacements.

Drums and bass recorded/engineered by Meurig Hailstone at Reel Time Studios, Cardiff. Guitars, vocals, and post production recorded/engineered/produced by Private World. Mastered by Meurig Hailstone.

Facebook: www.facebook.com/privateworldband
Instagram: www.instagram.com/privateworld.band
Contact: memoryseat@gmail.com

House Aflame

Perfect Body formed in Cardiff, early 2017, inspired by the sonic experimentation of bands like My Bloody Valentine, Stereolab, and The Brian Jonestown Massacre. Their earliest performances took place in Cardiff’s underground, often in practice spaces and house parties: So, by the time Perfect Body emerged on the music scene, they had already sculpted a distinctive sonic identity. The attention gained from their first single, ‘Getting Cold’, saw them supporting the likes of Jen Cloher, Slowcoaches, and The Wytches.

Perfect Body’s sound is characterized by it’s noisy, psychedelic guitar playing; icy, ethereal synthesizers; and a muscular, yet dynamic rhythm section. Their three vocalists, each with their own style and identities, ensure that Perfect Body’s performances are varied and engaging. Perfect Body is a wall of noise, hazing over and obscuring what is, at it’s core, pop-oriented songwriting.

Perfect Body - Fields

Half-Light Boy

Dream Merchants

Ynys - Caneuon

"Big, confident pop songs that fizz with melody" – 4 stars. Music OMH
"Admirers of the Magnetic Fields, Pet Shop Boys and the Postal Service ought to find I Blame Society a treasure trove." – 8/10 Press Association

***

Queer New York duo the Ballet marry the DIY ethos of the Hidden Cameras with the wry poeticism of the Magnetic Fields and the romantic pop of Jens Lekman, to create literate, infectious pop gems.
Formed in 2005 by Greg Goldberg and Craig Willse, the Ballet self-released two previous albums: Mattachine! (2006) and Bear Life (2009). These caught the attention of Fortuna Pop!, which released their third album, I Blame Society, in 2013. The Ballet has been joined by a few other musicians along the way including Ginger Brooks Takahashi and Michael O'Neill, who left in 2007 to join JD Sampson in MEN, as well as guest appearances on previous albums from Linton from The Aislers Set, Ramesh from Voxtrot, Scott Matthew, and Kaki King.
In addition to citing Stephin Merritt as an influence, Goldberg, who writes and home records all of the band’s songs, draws from an array of pop artists and periods, from 60’s bubblegum to 80’s synthpop and 90’s indiepop, fusing these in sophisticated and novel ways that reward repeat listening.
The Ballet’s new album, Matchy Matchy, is a return to the upbeat tenor of the band’s first two albums. While inspired by Goldberg’s experience navigating an open relationship with his boyfriend of 14 years, Matchy Matchy is not straightforwardly autobiographical; Goldberg writes from his experience, while also fantasizing about the perspective of his objects of desire, leaving ambiguous which is which. He is generally less melancholic than on I Blame Society, and fans will notice a return to earlier themes (“Looking” tackles Grindr, as “Personal” did Gaydar in 2006). Goldberg is not shy to write songs with explicitly queer subjects (“But I’m a Top,” “Messing Around,” “First Time in a Gay Bar”), while also taking on more universal longings, pleasures, and frustrations (“Jersey,” “Love Letter,” “Cry Baby”).
As the album’s title suggests, Matchy Matchy is also a meditation on sameness, both in its musical material (think limited chords in major keys, repeated phrases and constructions, and citations of Goldberg’s influences) and in its lyrical exploration of queer relationships and encounters. The album reclaims the insult of “matchy matchy,” finding value in repetition and doubling, both within the album and across the Ballet’s discography.

Matchy Matchy

Love Letter

The Ballet - Love Letter

Tell 'Em, Makoto! 
Taken from the forthcoming debut album from Wovoka Gentle
 'Start Clanging Cymbals ' released by Nude Records on  June 7th.

Tell 'Em, Makoto!

Label Recordio Amgen / Alternative Record Label

Cartref / Home to ARGRPH, Adwaith, Papur Wal, Breichiau Hir, Hotel Del Salto, Names, Accu, Los Blancos, Silent Forum, ilu, La Forme, Red Telephone, KEYS

Dyma'r pethau rydym yn eu caru: pandas, hufen ia peanut butter, finyl o bob math, cymunedau agored, cefnogory, cynhwysol, gin (rhata'i gyd gorau gyd!), popeth Cymreig, ein hartistiaid ysbrydoledig neu unrhyw un sy'n barod i wneud y byd yn fwy prydferth yn gerddorol. Pedalau corws ... fel petai'n 1985!  Mae gennym ffydd ddiysgog ym mhŵer y gân bop tair munud sy'n gallu newid bywydau!

Wedi gwario dros ddau ddegawd yn archwilio cerddoriaeth o bob math, Fuzz Pop, Bedsit indie, Canu Gwlad, Synth Pop, Gwerin Seicodelig, Ol Pync (ie rwyn dipyn o bioden gerddorol!!) a ffurfio ysbryd cerddorol annibynnol, unigolyddol a rhyddfrydol. Fe ddes i sylweddoli nad y llwyfan oedd f'amgylchedd naturiol ond yn hytrach cynorthwyo artistiaid ifanc, a'u codi i amlygrwydd gan eu galluogi i gyflawni eu breuddwydion cerddorol unigol. Daeth y foment 'Eureka' pan glywais yr artistiaid (i gyd o fewn ychydig wythnosau a'm syfrdanodd) sydd nawr yn galw Libertino yn gartref creadigol iddynt eu hunain .Roedd yn RHAID i'r artistiad yma gael eu clywed gan weddill y byd as roedd yn RHAID i mi weithio gyda nhw. Roedd yn un o'r munudau prin hynny mewn bywyd lle mae'r artistiad, eu cerddoriaeth a'u hestheteg yn cyd-blethu i ffurfio cyfanwaith perffaith i'r gwrandawr. Dyma'r munudau prin hynny dwi'n dymuno'u potelu i bawb sy'n gwrando ar artistiaid Libertino; mae pob cân a ryddheir yn arbennig ac yn ddeiamwnt prin yn y tywyllwch.
Credaf yn gryf y dylsai celfyddyd fod yn gynhwysol gan greu cymuned o'r pridd dan ein traed. Bwriad Libertino yw cynnig llwyfan iddynt er mwyn i'r artistiais hefan yn llwyddiannus, Dewch, ymunwch â ni ar y siwrnai cerddorol hon i'r gorwel agored. Gruff Owen - Libertino

We love in no particular order: Pandas, peanut butter ice cream, all things vinyl, supportive open embrasive communities, gin (cheaper the better!), popeth Cymreig, our very inspiring Artists or anyone who puts themselves out there to make this world a more sonically beautiful  place, Chorus pedals, you know...like it's 1985! They are back in right?! And an unwavering faith in the life changing power of the 3-minute pop song! 
 
'After spending over two decades exploring music from diverse extremes; Fuzz Pop, Bedsit Indie, Country, Synth Pop, Psych Folk, Post Punk (yes bit of a musical magpie here!!!) and honing an individual, independent free musical spirit, I realised that my natural environment was not the stage but rather helping young artists, lifting them up to the limelight, enabling them to achieve their individual musical visions. The "Eureka" moment was hearing the artists (all in the space of a few gloriously head-spinning weeks) who now call Libertino their creative home. These artists NEEDED to be heard by the rest of the world and I NEEDED to work with them. It was one of those rare moments you have in life where the artists, their music and their aesthetic all coalesced into one perfect form for the listener. It's these rare moments that I wish to capture and bottle for everyone listening to a Libertino artist, every release is special, a rare diamond in the dark. 
I strongly believe that art should be inclusive and not exclusive creating a community from grass roots level. Libertino's aim is to give artists a platform from which to fly and how to fly successfully. Come join us on this musical journey to the open horizon. Gruff Owen - Libertino'

Ynys - Caneuon

Libertino

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