Four untitled tracks recorded at my grandparents house in Maine in the summer of 2000 before I moved to Los Angeles.  I was listening to a lot of speedcore at the time, especially Bloody Fist and I was into fast tempos. My Grandma said she liked it, too bad she didn't run a supercool experimental techno noise label.

bombs over ogunquit

demo featured on the cassette store day compilation by Gary Cassettes 2015.

White Poppy - Small Town Mind

The finest 47 minutes of Bloody Fist's entire existence as a label occurred sometime in early 1997 on a forgotten week night, when a live set by Memetic (Ian Beckwith / Darren Blayden) was performed using two battered Amiga computers. This particular live set encapsulated perfectly the Bloody Fist sound and aesthetic of the time: hectic, rough, unpredictable, industrial, furious, crunchy, idiotic, surreal, defiant, smart-arsed and reckless. It happened at the legendary Hunter On Hunter Hotel in Newcastle, Australia and was recorded on a battered cassette, then released on Bloody Fist as FISTC-15, a split cassette with Fraughman later in 1997.

It has been ripped from the original deteriorating cassette and uploaded here for you and your poor neighbours. 

Memetic Recorded Early 1997 @ The Hunter On Hunter, Newcastle, Australia

Track on Low Noise Productions Compilation #4: https://lownoiseproductions.bandcamp.com/album/low-noise-productions-compilation-4

Compilation 4

Femk

15 Year Anniversary Compilation

Impending Booty of Doom

Impending Booty Of Doom

From a cassette/digital release on Deathbomb Arc, released in support of the clipping. / Baseck west coast tour 2017. Track premiere thanks to Tiny Mix Tapes: http://www.tinymixtapes.com/news/baseck-release-ep-and-head-out-tour-clipping-friday-premieres-new-track-today

Baseck is a Los Angeles based experimental electronic musician. His roots run deep in L.A.'s underground rave scene since the early 90s. Baseck’s fascination with sound brought him to turntablism at an early age. The attraction to hands-on hardware learned from scratching records lent its way to audio manipulation with small battery powered toys, drum machines, and then modular synthesizers. His unique style and mastery of a wide range of music hardware created a segue into music technology. Since 2013, Baseck has been working with synthesizer companies offering design concepts that will enhance user playability.  Dave Smith’s analog drum machine, Tempest, is released with presets designed by Baseck. Variatic Basicus, a Eurorack module created by Noise Engineering, was built for his live performance needs.  

At the peak of his performance, Baseck's style builds on past musical experiments combining 80s drum machine sounds of Breakdance and Industrial, with a future approach to Drum & Bass and Braindance using analog/digital hardware.

Erisfall

BASECK "ERISFALL (FT. FEELAHOLIC)"

Chrono and The Hardcore Fiend "It's a Classic"

Chrono and the Hardcore Fiend "Zero Calibration"

Kelli Ali - The Art Of Love (Earth Is Flat Remix)

Sad Spiders

Side B of the new Istotne Nagr tape release by the Rotterdam-based artist Logosamphia entitled "Marginal Imperialism / Arrogant Impoverishment"
https://istotne-nagr.bandcamp.com/album/marginal-imperialism-arrogant-impoverishment

Logosamphia - Omni Durch Tanz

I've been on Soundcloud since the beginning. Once upon a time it was a great way to share music. I used to be able to count on people actually hearing my tracks and being able to connect with new fans. 
Now it's just another industry poisoned bottomless pit of disappointment. Ads, spam, bots, fake accounts, you have to pay to get an artificial audience, and the endless parade of boring losers trying to get famous. Sucks.

bombs over ogunquit

Libythth

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