Classical Music

ترجمه ترنيمة «مهابة إيزيس» من كتاب الموتى
.
يا أيها البشر والآلهة الذين فى الجبل

إنها السيدة الوحيدة

مهابة لإيزيس فإنها التى تلد النهار

مهابة لإيزيس فإنها سيدة الغرب والأرضين معا

مهابة لإيزيس فإنها عين رع عظيمة القدر فى الأقاليم

مهابة لإيزيس فإنها التى تهب الكثير لملك مصر

العليا والسفلى

الكلمات:
اى رمت نترو
أن باجو
نتس حنوت وعت
سنج أن إيست بغ أن اس جت اف
سنج أن إيست انتس حنوت آمنت تاوى ام اسيبوى
سنج أن ايست ايرت رع ور حسوت ام سبات
سنج أن إيست ردى نس عات أن نيسو بيتى
.

.مصر القديمه
اغنيه باللغه المصريه القديمه الهيروغليفيه 
احتفالية نقل المومياوات الملكية
موكب
موكب المومياوات الملكيه
اوركسترا
اوبرا 
اوبرا عايده
الفراعنه
حضاره الحضارات
ام الدنيا
تاريخ
مصر
 #موكب_المومياوات_الملكية ​ 
  #المتحف_المصري ​ 
 #متحف_الحضاره ​ 
 #الموكب_الذهبي ​ 
 #ThisIsWonderfulEgypt​ ​   #this_is_wonderful_egypt​ ​   #tourism​ ​   #travel​ ​   #culture​ ​   #history​ ​   #civilization​ ​   #egyptian​ ​   #heritage​ ​   #  #Ägypten​ ​   #Egipt​ ​   #Egipto​ ​   #egito​ ​   #Египет​ ​   #مصر​ ​   #मिस्र​ ​   #エジプト​ ​   #埃及​ ​   #Egypten​ ​   #Egypt​ ​   #egitto​ ​   #egypto​ ​   #Αίγυπτος​ ​   #이집트​ ​   #mummies​ ​   #موكب_المومياوات_الملكية​ ​   #pharaohsroyalparade​ ​   #egyptianmuseum​ ​   #NMEC​ ​ 
 #egyptianmuseum​ ​   #egyptology​ ​   #cairo​ ​   #pharaohs​ ​   #pharmacology​ ​   #pharaonic​ ​   #trending​ ​   #trend​ ​   #trendingnews ​ 
 #متحف_الفسطاط ​

Singing in the ancient Egyptian language translated into English. I loved sharing it with your beautiful page on my heart. Greetings to all of you❤️

اميرة سليم - ترنيمة إيزيس .. أنشودة الموتى من حفل موكب المومياوات الملكية 🖤🖤👑 king #egypt#

잠잘때 듣는 포근한 수면음악 모음집 Collection Of Soothing Bedtime Music When Sleeping

퍼셀 : 압델라자르 – 1번. 론도 Purcell : Abdelazer Z.570 – I. Rondeau

Bulgarian Chamber Orchestra

Giovanni Battista Pergolesi - Stabat Mater
Galina Velikova - Soprano
Mihaela Berova - Alto
Female Choir form: Mixed choir Dobrudzhanski zvutsi, Mistica female choir and Profesor Zahari Mednikarov Children's Choir

Conductor - Ivan K. Yanakiev
Concertmaster - Irina Olshanska
Live recording from concert on 28.04,2021

Giovanni Battista Pergolesi - Stabat Mater, P. 77 - 12. Quando corpus morietur - Duet (Choir)

Chopin on Spotify
https://open.spotify.com/album/5RFPR9xUOAHPoTvuLMwqpC

Chopin Amazon
https://www.amazon.com/Chopin-Essential-Collection-Fr%C3%A9d%C3%A9ric/dp/B00KNTJ8YC/

Best of Chopin
https://us.napster.com/artist/frederic-chopin/album/chopin-the-essential-collection

Chopin Compilation
https://listen.tidal.com/album/30344018

Frederic Chopin
https://www.deezer.com/us/album/7857432

Best of Chopin Playlist
https://music.youtube.com/playlist?list=OLAK5uy_k3UamhvL2pVn3hfE7JS9dj-uWbv0ikr_o

La forza del destino

Nocturne No. 20 in C-Sharp Minor, Op. Posth.

Deezer

Prokofiev: Romeo and Juliet

Prokofiev_ Romeo & Juliet, Op. 64, 1. The Montagues And The Capulets (feat. New York Philharmonic)

Wolfgang Amadeus Mozart, Vol. 1

Symphony No.40 in G Minor, K 550 - I. Molto Allegro

Spotify

Khachaturian: Masquerade Suite

Khachaturian: Masquerade Suite I. Waltz

Covered by dhe Perissann, thanks for watching. See my youtube channel

Max Richter - Dona Nobis Pacem 2 (with Choir)

The Ontario Pops Orchestra is one of the most diverse professional orchestras in Canada. Music director Carlos Bastidas and the musicians of the Ontario Pops Orchestra are featuring three black women soloist on this Breaking Barriers Album.

Violin Concerto in A Minor, No. 1, BWV 1041: I. Allegro moderato by Johann Sebastian Bach

Antonín Dvořák - Serenade For Strings In E Major (1876)

Handel / Orch. Hale: Keyboard Suite No. 4 (lofi version)

Album: Harmonies of Baroque Masters by Gulan

Harmonies of Baroque Masters

Vivaldi: The Four Seasons, Violin Concerto No. 4 in F Minor RV 297  Winter: I. Allegro non molto

SOUND TRACK Vol.1

Concerto for Strings in G major, RV 151 (Vivaldi, Antonio)

Live Recording at Philharmonie Essen | 21 February 2009

Asta Kriksciunaité, Sopran
Laima Jonutyté, Mezzosopran
Audrius Rubezius, Tenor
Ignas Misiura-Tumanov, Bassbariton
Chor der Universität Witten/Herdecke
das junge orchester NRW
Musikalische Leitung: Ingo Ernst Reihl

Giuseppe Verdi: Messa da Requiem - Excerpt from "Dies Irae"

V013-Antonio Vivaldi – The Four Seasons Concerto No. 2 In G Minor, RV 315, Summer I. Allegro non molto

Musique issue du film « Les Indes galantes » réalisé par Clément Cogitore pour la 3e Scène de l'Opéra national de Paris.

Musique :
Jean-Philippe Rameau
Les Indes galantes : Les Sauvages 
« Danse du Calumet de la Paix et duo Forêts paisibles » - Le Concert d’Astrée –
Direction : Emmanuelle Haïm

(P) 2012 Erato Disques, a Warner Msic UK Division 
Avec l’aimable autorisation de Warner Music France, a Warner Music Group Compagny

Arrangement : 
Coco Josua / Mozarf
Thomas Deborde 
Arnaud Toulon

Voir le film : www.operadeparis.fr/3e-scene/les-indes-galantes

Les Indes galantes (Jean-Philippe Rameau)

Performer: 't Muziek Frascati, May 14th, 2009, Concert Hall Leuven 
Conductor: Kris Stroobants

http://www.tmuziekfrascati.be/concert/5

--

"Prince Igor is an opera in four acts with a prologue. It was composed by Alexander Borodin. The composer adapted the libretto from the East Slavic epic The Lay of Igor's Host, which recounts the campaign of Russian prince Igor Svyatoslavich against the invading Polovtsian tribes in 1185. The opera was left unfinished upon the composer's death in 1887 and was edited and completed by Nikolai Rimsky-Korsakov and Alexander Glazunov. It was first performed in St. Petersburg, Russia, in 1890." (source: Wikipedia)

'Polovtsian Dances' from 'Prince Igor' (Alexander Borodin)

A cello sextet arrangement of this hauntingly beautiful piece by Sergei Rachmaninoff. Originally for voice (soprano or tenor) and piano, and published in 1912.

Arranged and performed by Deryn Cullen

Mixed, produced and mastered by Dan Cullen

Rachmaninoff - Vocalise Op. 34, No. 14

Dmitri Shostakovich wrote his Symphony No. 2 in B major, Op. 14 and subtitled To October, for the 10th anniversary of the October Revolution. It was first performed by the Leningrad Philharmonic Orchestra and the Academy Capella Choir under Nikolai Malko, on 5 November 1927. After the premiere, Shostakovich made some revisions to the score, and this final version was first played in Moscow later in 1927 under the baton of Konstantin Saradzhev. It was also the first time any version of the work had been played in Moscow.

Classical Music

Lichtelf