Your music is like all I've been listening to lately. It's absolutely shocking to me this isn't being played so much more!

Parliaments

This song celebrates those moments of escape with the ones dear to you. 

To be released on my upcoming album via @spiritgoth June 21st. 
I wrote and recorded this song in my bedroom after coming back from a getaway with my lover, when life was simpler and everything felt right. The song came together super quickly as I felt my skin radiate its pink glow as the sun went down - smiling at the warmth my body gave off.

Written, Recorded & Produced: VULPIX/Jordan Barrow
Additional Drums: Erik Scerba
Mixed and Mastered by: Erik Scerba

Weekend Off

unshackled

Best of Dear and the Headlights demos released by Equal Vision Records. http://www.dearandtheheadlights.com/

I'm Not Crying. You're Not Crying, Are You (Acoustic) - Dear and the Headlights

Jasmine

Mixed by Chris Sheldon
Master by Dan Suter

Taxi Gauche Records

In Your Head

Order French Cassette's latest record Benzene now: https://tenderlovingempire.com/products/pre-order-french-cassettes-benzene

Song title: Medium Horny

Mixed by Nick Krill and mastered by João Carvalho
Written by Scott Huerta
Vocals and Guitar by Scott Huerta
Guitar, Bass, and Keyboards by Mackenzie Bunch 
Drums and Percussion by Rob Mills

Lyrics:
Oh, maybe I try to impress you with my being a donor
Phoneless lust seems unsafe and unlikely
My neighbors need answers
Give me the question
I’m more than lazy 
But I’m less than exciting
And medium horny
You’ve a Rolodex of holy women for me
I’m a sunbeam so she must be lonely
I’m sick of bar banter 
But attracted to the neon
Oh, maybe I try not to guess
so I’m just reading it over
Boneless thugs seem to hate and to like me
It’s not what I’m after
But it’s something I can lean on
You used to call me that
(Time suggests we live better than this, better than this)
Hold my glasses
Hold my only key home
Even if they ask us
Blame it on the service of a cellphone

Scott Huerta on "Medium Horny":
It may sound dramatic, but pretty simply this song wouldn't have been if not for Johnny Marr. How he writes his guitar lines I don't know but that's what I was trying to do. I was in the middle of writing the song when I went to a friend's house and they had Bill Evans on the record player and someone said "Bill does chord solo's". I didn't even really know what that meant but I wanted to try, so that was the next section of the song. Another one of my favorite guitarists is Elliott Smith, he can do lead and rhythm at the same time in a way I've always looked up to. He inspired the outro guitar. I'll never compare to any of these three people, but they helped me a lot on this one.

Daisy

Life After Youth

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