The task of the remix was, by minimally changing the vocal track and structure, completely changing the mood and adding different unusual colors, using ideas from the minute version.
The structure of the track remained the same, but I tried to smoothly change the references for each part, so as not to repeat itself and not let the listener get bored. At the same time, the most difficult thing was to glue this vinaigrette together so that it would not be a set of torn ideas, but smoothly overflow.

Intro - the pads create a slightly otherworldly atmosphere, the rhythmic sounds of the toy piano in the major phrygian add some peppercorn to the sound, preparing for the ensuing riot of colors
Verse 1, 2 - we slightly reduce the ephemerality, creating a forest mood - a reference to Fever Ray, Keeping the Streets Empty. Moving from Dorian mode to a lighter Mixolydian, preparing for a chorus of energy
Chorus 1 - Unloading the killer arpeggio bass, continuing to alternate modes in contrast
Bridge, Verse 3 - we need a bridge between the rest and rest parts, so that later we can accelerate again. We go to the minor, keeping the driving rhythmic component. Nostalgic pads refer to the early works of Jean-Michel Jarre
Verse 4 - here we begin to mix the "Spanish tone" from the introduction, preparing for a specific solo
Chorus 2 - Continue preparing for the solo, mixing Hungarian Minor and layered djent rhythm guitars
Solo - we switch to one of the darkest modes - Double Harmonic, and then we shift it to the very eastern Hungarian Minor, here we wanted to add a heavy airiness in the spirit of Kashmir
Outro - what was that? We need to leave the riddle and logically loop the track so that the listener wants to return to it again.

Original track - @kartinmusic

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