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Mozart in the Jungle

Gustavo Dudamel   Danzón No 2 (Arturo Márquez)

These three pieces made up my Junior Recital.  I performed at the University of Miami's Frost School of Music where I study with Trudy Kane. 

Jacques Ibert  Pièce Pour Flûte Seule (Leduc)

"Leonore No. 3 Op. 72 - Overture" by Ludwig van Beethoven

The LMP performing at their residence at Fairfield Halls with Musical Director Gerard Korsten, May 2014.

LIVE Beethoven- Symphony No. 2 In D Major Op. 36 - I. Adagio Molto, Allegro Con Brio

I am happy with this mix, and this is my last rendering for now. I should go and play with different sounds and effects now. Every note in the score is reproduced here. 50 polyphonic voices. Over 25,000 notes counting trills, tremolos and other ornaments.

"Mars, the Bringer of War," Gustav Holst, The Planets, Op. 32, Movement 1 of 7

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The Piano Sonata No. 11 in A major, K. 331 (300i), by Wolfgang Amadeus Mozart is a piano sonata in three movements. It is uncertain where and when Mozart composed the sonata; however, Vienna or Salzburg around 1783 is currently thought to be most likely (Paris and dates as far back as 1778 have also been suggested). The sonata was published by Artaria in 1784, alongside Nos. 10 and 12 (K. 330 and K. 332).

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Movement Three - Rondo Alla Turca (Turkish March).

The last movement, "Alla Turca", popularly known as the "Turkish March", is often heard on its own and is one of Mozart's best-known piano pieces. Mozart himself titled the rondo "Alla Turca". It imitates the sound of Turkish Janissary bands, the music of which was much in vogue at that time.

Various other works of the time imitate this Turkish style, including Mozart's own opera Die Entführung aus dem Serail. In Mozart's time, the last movement was sometimes performed on pianos built with a "Turkish stop", allowing it to be embellished with extra percussion effects. 

Retailers:

Deezer:
http://www.deezer.com/album/11116224

Tidal:
http://listen.tidal.com/album/53171424

Amazon:
http://www.amazon.co.uk/Mozart-Project-Mozartisan/dp/B014MVAV7Y

Rhapsody
http://www.rhapsody.com/artist/mozart-2/album/mozart-symphonies-sonatas-serenades-concertos-and-overtu

MediaNet
http://www.mndigital.com/content-experience/music_content/albums/378851987/Wolfgang_Amadeus_Mozart/Mozart_The_Essential_Collection/

Spotify:
https://play.spotify.com/album/2qTzSNOusiykyFQ21F51mc

Orchestral samples included in this recording from the Vienna Symphonic Library.

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Piano Sonata No.11 in A-Major, K. 331: III. Rondo Alla Turca - Allegretto

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Mozart's Clarinet concerto in A major, K. 622 was written in 1791, shortly before Mozart's death, for the clarinetist Anton Stadler. It consists of the usual three movements, in a fast–slow–fast form:

Allegro (in A major and in sonata form)
Adagio (in D major and in ternary form)
Rondo: Allegro (in A major and in rondo form)

It was also one of Mozart's final completed works, and his final purely instrumental work (he died less than two months after its October premiere). The concerto is notable for its delicate interplay between soloist and orchestra, and for the lack of overly extroverted display on the part of the soloist (no cadenzas are written out in the solo part).

The closing rondo has a cheerful refrain, with episodes either echoing this mood or recalling the darker colours of the first movement. It is a blend of sonata and rondo forms that Mozart developed in his piano concertos, most notably the A major Piano Concerto, K. 488.


Retailers:

Mozart Concertos
https://music.youtube.com/playlist?list=OLAK5uy_m4VsdRl4Yv4y63CU_ArM91jVaewHDk0Us

Tidal
https://listen.tidal.com/album/53171424

Napster
https://us.napster.com/artist/wolfgang-amadeus-mozart/album/mozart-the-essential-collection

Deezer
https://www.deezer.com/us/album/12179034

Spotify
https://open.spotify.com/album/2g0NuO4CPA2uBLjzLqioCN

Amazon
https://www.amazon.com/Mozart-Collection-Haydn-Light-Orchestra/dp/B015NQQFHC/

Orchestral samples included in this recording from the Vienna Symphonic Library.

Also check out the very best in R&B & Pop Music 2020 from IndyPop Records!
https://www.youtube.com/c/indypoprecords

Mozart - Symphonies, Sonatas, Serenades, Concertos & Overtures

Concerto for Clarinet & Orchestra In A-Major, KV. 622: III. Rondo, Allegro

Tidal

Arranged by Jerry Kalaf 
Track from the multi-media concert: 
JAZZ AVIARY - 
A Celebration of BIRDS and the Universal Music We Share
Conceived & Performed by Susan Krebs
in Collaboration with the Soaring Sextet:
Rich Eames, Ken Wild, Jerry Kalaf, Rob Lockart, Riner Scivally, Scott Breadman
>>>   www.jazzaviary.com

The Lark Ascending = Ralph Vaughan Williams

Franz Liszt - Hungarian Rhapsody No. 12 in C - Sharp Minor, S. 244 (extr.)

Guest Conductor, Stilian Kirov
Guest Artist, Elisa Barston, violin

The Amarillo Symphony performed the great storytellers of classical music. This concert featured romance, mystery and drama.

Scheherazade, op. 35 - Rimsky-Korsakov II. Lento (Adagio)

Sonata in G Minor K.30 L499 Cat's Fugue (Domenico Scarlatti Cover)

Franz Schubert (1797 - 1828)
Symphony No.8 in B minor D759, ’Unfinished’ - I. Allegro moderato

1st Violins: David Grimal - Sullimann Altmayer - Doriane Gable - Arnaud Vallin - Yorrick Troman - Anna Göckel - Emilie Belaud - Manon Phillipe 
2nd Violins: Hans Peter Hofmann - Jin-Hi Paik - Leslie Levi - Dorothée Node Langlois - Maud Grundmann - Nathalie Crambes - François Girard Garcia 
Violas: David Gaillard - Natacha Tchitch - Delphine Tissot - Claudine Legras - Clémence Gouet - Alain Martinez 
Cellos: Xavier Phillips - Marie Leclercq - Louis Rodde - Héloïse Luzzati 
Double basses: Laurène Durantel - Grégoire Dubruel 
Flutes: Júlia Gállego Ronda - Bastien Pelat 
Oboes: Alexandre Gattet - Gildas Prado 
Clarinets: Vicent Alberola Ferrando - Gaëlle Burgelin 
Bassoons: Julien Hardy - Lola Descours 
Horns: Antoine Dreyfuss - Pierre Burnet 
Trumpets: Josef Sadílek - François Petitlaurent 
Trombones: Murray Stenhouse - Pete Brandrick - Damien Prado 
Timpani: Camille Baslé

Live recording at Cité de la musique - Philharmonie de Paris – 19 December 2013

Schubert, Symphony No.8 in B minor D759, 'Unfinished' - I. Allegro Moderato

2 - 10 Claude Debussy  Suite Bergamasque, L.75  III. Clair De Lune

Soprano Rachele Stanisci
Pianoforte Beatrice Bartoli
Festival Solo Belcanto 2015
Teatro della Grancia di Montisi, 28 agosto 2015
(registrazione Samuele Simoncini)

Giuseppe Verdi - I vespri siciliani "Arrigo! ah parla a un core"

Mendelssohn-Symphony No. 4 in A Major 'Italian', Op. 90 - I. Allegro vivace

Bedřich Smetana (1824-1884) is one of those unfortunate composers whose major works are obscured by the celebrity of their first performances. He composed, in the last years of his life (between 1876 and 1883), two masterpieces: two string quartets which are as unclassifiable as Beethoven’s last quartets. But this is the only similarity, because whereas for Beethoven the gradual onset of this deafness meant that he was no longer encumbered by sound and could turn his deafness to his advantage in writing music in total freedom, Smetana, who was brutally struck by deafness during the night of 19 to 20 October 1874, turned back on himself. From then on and more relentlessly than ever before, he went in quest of his own roots.

The first quartet, ‘From my Life’, in E minor, tells a story. But it is far from being descriptive music. The writing is of extraordinary richness and vivacity. The first chord is certainly one of the most pathos-laden moments in music since the first seven bars of Schumann’s Scenes from Faust. Smetana, a great admirer of Chopin, was inspired by folk music without ever copying it. The quartet is a discreet summary of his life in four movements. It represents youth, with its enthusiasms, its adventures and its hopes but with a premonition of tragic events. The second (Allegro a la polka) is freedom from care and the dance, the deep heart of Bohemia. The third movement is a song of love to his adored wife. And the final movement is all happiness, then, in a single chord, deafness strikes like an axe into a tree trunk.

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Smetana - String Quartet No.1 in E minor "From my life" - Allegro vivo appassionato

ROCO’s Seventh Season was “a fusion of cultures and generations". The April Season Finale featured Grammy-nominated guest conductor, Alastair Willis, and the world premiere of a new piece by Anthony Brandt called “Maternity – Women’s Voices Through the Ages,” libretto by David Eagleman, sung by Karol Bennett. Also on the program: pieces by Wagner, Rossini, Tchaikovsky, and Kodály. Performed at The Church of St. John the Divine, Houston, TX, on April 21, 2012.

Gioachino Rossini, Overture to La Scala di Seta (The Silken Ladder)

Soyoung Yoon's debut album, released in 2012, contains recordings of two of most famous works for violin. The violin concerto in d minor, Op 47 of Jean Sibelius and well as Piotr Tchaikovsky's violin concerto in D major, Op 35. 
Th CD-album has been nominated to the International Classical Music Award (ICMA) 2013.

01 Sibelius_ Violin Concerto In D Minor, Op.47 - 1. Allegro Moderato.mp3

Centenario de Natalicio de Miguel Bernal Jiménez 1910 - 2010

Mozart in the Jungle

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