Wicked mate! Damn right, very cool chunky groove as well! 👑😘

hell yes!!! I endorse this message.....and choose this track as our new movements anthem! :D

no and no but there it is. Yea unbridled capitalisms!

"la la la laaa..." (humming this song as I fill water balloons with chef boyardee for throwing at said cars)

THANK A NEW DAY IN COMPOST PLANET

Humans are the only species who preserve a lasting relationship from parents to children and vice versa after the offspring has reached adolescence. This can be curse and blessing at the same time in some cases, but overall it is a gift in my view. We will stay the children of our parents for a lifetime obviously. Once you have realized this and don't consider it a threat anymore you are given the chance to close the circle in a peace- and beautiful way.


Photo (c) Laurent Bayeux

One Day When it was Time to Come Home

90’s indie vibes for your listening pleasure — Manchester in the house

Can’t sleep ?

Long time no see. Since I decided to make a career move, things have been too  hectic(^_^;
Now that I settled down in new workplace, I began to record one-man band again!
I wrote this song for my own band, and played sometimes in venues.
I completed the song here for SC.
Bass solo is always challenging for me, but I enjoyed very much(^_^)

FUNK THE DEVIL

I had a dream, and I wrote this song not to forget it. 

Technical highlights: hand played bass, slightly odd riff on chorus (15/2) & some extra psychedelia.

Pic & sounds taken with my phone during a recent experience which could help me understand the dream, maybe…

Letra  /  Lyrics:

NÍMOR (No sé dónde estoy)  /  NÍMOR (I don’t know where I am)

Entré en la sala sin hacer ruido,  /  I entered the room making no noise,
los pocos que vi eran desconocidos,  /  the few ones I saw were strangers,
busqué una cama que estuviera libre y dormí.  /  I looked for a spare bed and slept.

Al día siguiente no encontré mi sitio,   /  The following day I didn’t find my place,
todo estaba lleno de desconocidos,  /  the whole room was full of strangers,
me di la vuelta para salir y te vi.  /  I turned around to leave and I saw you.

Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...
Nímor, no sé quién eres…  /  Nímor, I don’t know who you are …

La cama de al lado estaba vacía,  /  The bed at your side was empty,
y me preguntaste si la quería,  /  and you asked if I wanted it,
la quise y pronto nos hicimos amigos,  /  I did and soon we became friends,
desconocidos.  /  strangers.

Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...
Nímor, no sé quién eres…  /  Nímor, I don’t know who you are …
Nímor, no sé qué pasa…  /  Nímor, I don’t know what’s going on...
Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...

Te pregunté “¿cómo se llama este sitio?”  /  I asked you "what’s the name of this place?"
y me contestaste que estaba contigo,  /  and you answered that I was with you,
y sin darme cuenta te quise mucho y dormí.  /  and unconsciously I loved you so and slept.

Ahora del sueño ya me he despertado,  /  Now from the dream I’ve already woken,
tu nombre lamento no haber preguntado,  /  your name I regret not having asked,
te llamaré como el sitio en que te conocí.  /  I’ll call you like the place where I met you.

Nímor (…)  /  Nímor (…)

ER27HC06 ©1995 ®2015

Honorable broadcast (34:47 - 40.00): http://jeffhickmott.podomatic.com/entry/2015-09-18T05_02_20-07_00

Nota para el oyente español: ninguna influencia de Chiquito de la Calzada en el título; lo pongo tal como lo soñé y punto.

NÍMOR (No sé dónde estoy)

Cast of characters:

Surfers Like Us– @user-411502040 –Artur–composition, arrangement, and Fender Jaguar foundational rhythm guitar

J.J. Terrell– @j-j-terrell – organ, envelope synth and vocals 

K2 and the Three [and the Four]-- @k2andthe3, @k2-kara –Ken–drums 

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –four string fretless bass and vocals 

Llanpsych– @llanpsych –Tez– Fender Stratocaster electric guitar

TexMex Shaman– @texmex-shaman –Stephen–Fender Nashville Telecaster electric guitar, sitar, mix, master, and production

This song began its life in Poland, where our resident surf rock specialist, Artur, composed it on his giutar. He is a brilliant composer and expert player, so we're always glad to receive music from him. 
  Artur gave it to JJ to start the project, so JJ was first to the trough here, adding his breathy, moving organ throughout. Ken came along shorly after to give the song its heartbeat, adding his triumphant drums. As soon as he had a beat to play to, Josh added his four string fretless bass to the mix, completing the rhythm section. 
  Now it was the other guitarists turn to take a whack at it. Tez was first up, adding the magical the first and third solos, in the verse sections. He also lit up the intro and outro sections with some dynamic guitar solos, as well. Stephen went last, filling in the second and fourth solo sections in the choruses, as well as a textural guitar that you hear throught most of the song. He also added the exotic sitar you hear in about the middle.
 Once we had it in the bag, we asked Stephen to produce it for us, which he did in his always trained, professional manner. 
  This is the eighth song we've done with Artur over the past about year and a half. We adore his music and him as a person, too. If you dig this song, you should hop over to his page and have a listen in case you're not already familiar. He loves surf music, and wanted to note the passing of surf rock legend, Brian Wilson this week. Wilson was more than just Pet Sounds, although that album is top class. He was a surf rock pioneer, who influenced a whole genre of music; a genre that's near and dear to Artur's heart. 
  We hope you enjoy listening to this song as much as we enjoyed creating it.
Original lyrics by Surfers Like Us:
We all live between Sun and Moon
Love and Peace
That's all what we do

———————————
In Memory of Brian Wilson 🍀
(1942-2025)
———————————

A big THANK YOU goes to everyone of The Eclectic Collective! Thank you all for this piece and our 8 tracks together! 
It was a pleasure and an honor to work with you! The journey goes on....

Surf’s Up! 🔆🎸🏄🏼‍♂️
    Artur

Between Sun and Moon (w/The Eclectic Collective)

Red Light Syndrome

drums by https://soundcloud.com/plex-auchta
vocals and guitar by andrew salvner (aka lil' spaceman)

compost the oligarchy

Mark says - 
In the 5 years I have been working with Rod, I have been encouraged to reach as far as my experience allows me to, with complete support at all times. So far we have completed 11 songs and have experimented with several others that made for a great learning curve for me, with several more at other stages of development... Watch this space, however as we are methodical and patient, therefore it may take some time to get them off the ground.

The subject matter of this song may be based on a different scenario but it is also a token of my gratitude to my inspirational collaborator and friend Rod, who has given me much confidence to rise to the ambition of his musical creativity and meticulous arrangements. Thank you all for giving this song your time.

Rod says - 
This song was conceived a long time ago to be sung in Spanish, but Mark did a magnificent adaptation with his English lyrics, and the meaning is 100% faithful to the original spirit, even though he hadn't heard the original song in Spanish. Technically, there are three voices together, consolidating a multi-vocal performance. The synth sounds emulate my old analog and FM synths, and the guitars were routed through an old console to achieve the vintage sound I was looking for.

Rodolfo Planes - Music composition, instrumentation, arrangement, production and mix - @rplanes
Me - Vocals and lyrics
Image by Douglas Corrance

Thank You (Rodolfo Planes/Mark J Bennett)

I would like to tell you just how grateful I am,
And also how important you’ve been here in my life.
I know I don’t need to draw you a diagram,
Thank you for being there all this time as my wife.
I have to tell you just how good you’ve been for me,
And I hope that I have also been there for you,
When you needed me through all this trouble and strife.
 
No need to show me all of your gratitude,
I already know how much you show that you care,
When you were prepared to move to my latitude,
Then I was convinced I was ready to share,
My life with you whatever it threw at the both of us.
I know that it’s true, no matter what you care to say.
I’ll always need to express all of my thanks to you 
This will always be true on that I swear.
 
I would like to tell you just how grateful I am,
And also how important you’ve been in, in my life.
I have to tell you just how good you’ve been for me,
And I hope that I have also been there for you,
When you needed me through all this trouble and strife.
Then I was sure that I was ready to share,
My whole life with you, whatever that meant for the both of us.
I know that it’s true, whatever you say.

This song on Continental Collision's own cloud - https://soundcloud.com/user-517923604/thank-you

Also available on Spotify - https://open.spotify.com/album/5pfvPjop9XCJPrVL9a60U0

Thank You - Continental Collision (Rodolfo Planes & Mark J Bennett) on Spotify

Cast of characters:

Jack Karasek — beats and seed idea

K2 and the Three [and the Four] -- @k2andthe3, @k2-kara –Ken–beats

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1– Roland Phantom workstation

Llanpsych–@llanpsych –Tez– electric guitar

Tea R. Sea @tea_are_sea -- Terry – Synthesizer

TexMex Shaman–@texmex-shaman –Stephen– mix, master, and production

This song began with Ken's oldest son, Jack, who laid down the basic rhythmic beat. Ken took over after that with the rest of the beats, though. Jack just graduated high school last week, and he's into hip hop and trap music, so he wanted to share some of it with his musician father, who is very proud of him.

  Tez was first up on this one, which surprised me when I went back and checked the workflow. He added the perfectly placed guitar hits throughout. Josh was next up, using his synth to add the falling bass line. Last, but not least, Terry came aboard, adding the moody, melodic, high register synth.

  When it was all finished, we asked out resident pro mixer, Stephen, to mix it for us. 

  This song was in its current form for about the past eight months. It was originally part of a series of vehicles Eclectic Collective composed for The Mysterious Decibel. He got caught up in life, though, and had to abandon the project. So, we sat on it, asking all the rappers we know if they'd be interested in having a go with it, but no one bit. So, with Jack's recent graduation, Ken revived it as a celebratory song for his son. It could still use some vocals, too, so think of this as an open invitation to anyone who want to do the honors. 

  We hope you enjoy listening to this as much as we enjoyed making it. 

  Oh, and just a side note for all of our friends who follow along with us, we will have  new one for you, the following Friday, the 11th. Thank you for keeping up with us! 


Throwing Rocks - Eclectic Collective w/ Jack Karasek and Tea R Sea

a song about Australia my home ……a little piano improv at the end with some bush sounds I recorded and the phenomenal playing of native instruments by the elders..........these are the sounds I remember as a young fella, having just immigrated from Belfast  Northern Ireland during the “troubles”  in 1980,  swapping petrol bombings and the sound  of patrolling army boots for the  song of the lyrebird and the scent of the bush is something I’ve not forgotten ,  so I’ve tried to capture that feeling a bit here……….cheers and peace for listening



sun on the face, warm is the night
red dust underfoot, desert rose growing high
the smell of the eucalypt hangs in the air
corellas in the oak tree, cockatoo doesn't care

it's the land i love the roads i walk
the people i know, the language we talk
i'll never leave i'm never alone
my life is here, this is my home

the afternoon storms blow in from the west
to offer relief 39 in the shade
the sound of distant thunder makes the kookaburra cry
ooh my cooinda, katjeri sky

it's the land i love the roads i walk
the people i know, the language we talk
i'll never leave i'm never alone
my spirit's here, this is my home

it's the land i love the roads i walk
the people i know, the language we talk
i'll never leave i'm never alone
our spirit's here, this is our home

Home

Diagonal da sala -10-8-2025

She Loves Me

In a changing world, certainly in the UK, revolution and civil war are just around the corner. This track is intended to offer strength to those who refuse to accept insult. Drawing Out those amongst us who are prepared to say no, when no is required. To stand against totalitarian governments, quangos. ngos's and any other arms of oppression.
So this is what has inspired this piece.
Thanks for listening and any comments will be gratefully received.
Alan 

Con-Fusion

Drawing Out

J’AI RÊVÉ DE VOUS
VOUS M’AVEZ RÊVÉE
ET PUIS ON S’EST RÉVEILLÉS

WAS I IN YOUR DREAMS LAST NIGHT
YOU WERE IN MINE SO I FIGURED I MIGHT
COS WE ALL DREAM OF EACH OTHER
YES WE ALL DREAM OF ONE ANOTHER
ALL WILL BE FINE LAST NIGHT YOU WERE MINE

I’LL BE IN YOUR DREAMS TONIGHT
YES I’LL BE AROUND SOMEWHERE AFTER MIDNIGHT
COS WE ALL DREAM OF EACH OTHER
YES WE ALL DREAM OF ONE ANOTHER
AND OUT OF SIGHT AT NIGHT WE REUNITE

WE ALL DREAM OF EACH OTHER
YES WE ALL DREAM OF ONE ANOTHER
AND BY THE LIGHT OF THE MOON SHINING BRIGHT
TONIGHT YOU WILL BE MINE

WE WERE FRIENDS WE WERE FRIENDS

DREAMS (Lyrics) + Barbara Browning vocals

armed with seven rounds of space doodoo pistols.  -kool keith

(Don't follow me here, best on my main page ;)

compost the oligarchy

lil' spaceman

Recent comments

mo-na-log and a-dul-ar

Mystic Tape Deck

Fady

Hand on the Rock

Related tracks