can't beat 8 twirling tentacles of fury and suction cup

The octopus comes out of its burrow, passes me by ans slips back into another burrow.

O ty w życiu! Faktycznie pijany. Na trzeźwo by mi nie podskoczył.

ALDEBARAN EMERGES WITH PASSIONATE WINGS

■概要(Overview)
熱すぎて溶けてしまうくらいの情熱を持てたらいいね。
PrivateからPublicへ熱心に大名行列する。
I wish I could be so passionate that I would melt.
An enthusiastic procession of feudal lords from private to public.

■video
https://youtu.be/pdM0huA1zaE
※あまり動かないですわ

「溶けるくらいに」Let's get passionate

溶けてしまうくらいに
打ち込めるものがあれば
それだけでいいわ

十二時を過ぎたころに
アタマにあふれる「I hate you.」
傷つけあうのはもうやめて
心を解放したならば今

幾重にも重なる
合わせ鏡の迷路
本物は自分だけ
燃えるように　溶けてる


好きなものをいくつか
そばに置いておけたなら
それだけでいいわ

人づての言葉信じ
正義の仮面で「I hate you.」
傷つけあうのはもうやめて
好きなものだけそばに置いていて

幾重にも重なる
合わせ鏡の迷路
映し出されたものは
燃えているか　溶けているか

■Lyrics
If there is something I can devote myself to so much that it melts, that's enough.

After midnight, the words "I hate you" flood my head.
Stop hurting each other. If you free your heart, now.

Labyrinth of mirrors overlapping one after another. The only real thing is yourself.
Melting like it's burning.

If I could just keep a few of the things I like close by, that's enough.

People who believe the words of others who don't know the truth and say "I hate you" under the mask of justice.
Stop hurting each other. Keep only the things you like close by.

Labyrinth of mirrors overlapping one after another. Is the reflected thing burning or melting?

Ignite your passion(溶けるくらいに)

CAN’T YOU SEE
Vocals: Melissa (Ghosthack) Can’t you see
Brandon (Ghosthack) I don’t wanna go
https://www.ghosthack.de
Lillithe: Arrangement and Production
Paploviante: Remastering


Can't you see

https://soundcloud.com/33per , my dear donkey fellow sent me this wonderful instrumental, a Big Thank You for that, it was a great pleasure to write and sing along.

The image shows Gregory Peck as captain Ahab in John Houston's film adaptation of Melville's “Moby Dick” from 1956, having just nailed a Spanish dubloon on the main mast.

AHAB (All Hypocrates Are Basterds)

O-o-ohh, o-o-ohh…
Tell me please…
Is that really happening-ä-ä-ä-äppening ?
Do you feel that too ?

Noone is getting out here
Oh no-no-no-no-noo, o-o-o-o-o-ooh
Noone is getting out here alive

Ohh no
Not even the feckin’ basterds
No, no
Not even those feckin’ basterds

Will survive
Whatever may be the strive

See, because 
Noone is getting out here alive
Not the president
Nor his wife

Whatever may be the strive
That won’t work

Ohh oh 
All hypocrates are basterds 			(AHAB)
Ohh, oh
All autocrates are feckin’ basterds 			

They can fool the people 
For some time,

But,
But,
But,

They can’t fool all the people all the time
Not really …
That’s beyond the line

It’s possible to continuate
To self-determinate
To not participate…

So to say:
I would - and - i would…

And i-i-i-i-i-i-i- would 
And I would… 
I-I-I would…
And i would and I would…
I-I-I would…
I would prefer not to…

AHAB (wt 33per, raw edit)

Little Spontaneous Unpretentious Friendly Live Jam 05/25
Alto Sax Klaus-J. Paul (Pauli)
Git Andreas Besinger (Besen)
Original by the legendary J. Coltrane

Naima (Little Live Jam, May 2025) Original by J. Coltrane

We Emerge

drunk octopus wants to fight you

I had a dream, and I wrote this song not to forget it. 

Technical highlights: hand played bass, slightly odd riff on chorus (15/2) & some extra psychedelia.

Pic & sounds taken with my phone during a recent experience which could help me understand the dream, maybe…

Letra  /  Lyrics:

NÍMOR (No sé dónde estoy)  /  NÍMOR (I don’t know where I am)

Entré en la sala sin hacer ruido,  /  I entered the room making no noise,
los pocos que vi eran desconocidos,  /  the few ones I saw were strangers,
busqué una cama que estuviera libre y dormí.  /  I looked for a spare bed and slept.

Al día siguiente no encontré mi sitio,   /  The following day I didn’t find my place,
todo estaba lleno de desconocidos,  /  the whole room was full of strangers,
me di la vuelta para salir y te vi.  /  I turned around to leave and I saw you.

Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...
Nímor, no sé quién eres…  /  Nímor, I don’t know who you are …

La cama de al lado estaba vacía,  /  The bed at your side was empty,
y me preguntaste si la quería,  /  and you asked if I wanted it,
la quise y pronto nos hicimos amigos,  /  I did and soon we became friends,
desconocidos.  /  strangers.

Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...
Nímor, no sé quién eres…  /  Nímor, I don’t know who you are …
Nímor, no sé qué pasa…  /  Nímor, I don’t know what’s going on...
Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...

Te pregunté “¿cómo se llama este sitio?”  /  I asked you "what’s the name of this place?"
y me contestaste que estaba contigo,  /  and you answered that I was with you,
y sin darme cuenta te quise mucho y dormí.  /  and unconsciously I loved you so and slept.

Ahora del sueño ya me he despertado,  /  Now from the dream I’ve already woken,
tu nombre lamento no haber preguntado,  /  your name I regret not having asked,
te llamaré como el sitio en que te conocí.  /  I’ll call you like the place where I met you.

Nímor (…)  /  Nímor (…)

ER27HC06 ©1995 ®2015

Honorable broadcast (34:47 - 40.00): http://jeffhickmott.podomatic.com/entry/2015-09-18T05_02_20-07_00

Nota para el oyente español: ninguna influencia de Chiquito de la Calzada en el título; lo pongo tal como lo soñé y punto.

NÍMOR (No sé dónde estoy)

Three Owls are
 Régulo Tortolero: Drums, Bass, Cuatro Venezolano and lyrics 
 Oorlab https://soundcloud.com/oorlab : Lead Vocals and Backing Vocals, Piano, Strings and lyrics
Mark Bennett: Lead and Backing Vocals and lyrics

Recorded at NoHum Studio, El Limón - Venezuela and Oorlab Studio, Amersfoort - Netherlands and Edinburgh, UK 2025. Mixed by: R.T. ©® NoHum Records 2025  All Rights Reserved

Recorded and Produced by Three Owls 
 Art Cover: Mark J Bennett

Régulo (AKA @kings-of-manguareo) in Venezuela started this project a year ago with a piece called ‘Al Paso C’.
After several evolutions involving Dick (Oorlab) and myself, then the new title was suggested by Régulo and we ventured into space, with a ‘Musical Consequences’ scenario. I started off the lyrics, then Régulo added some lines and finally Dick completed them. Soundcloud is a great place for experimentation. Many thanks to my collaborators and also to you for taking part by listening, Mark

Am I the follower?
 Pleiades am I bound? 
Pleiades I am bound,
 I am the follower.

Aldebaran, Aldebaran, Aldebaran, Aldebaran… 
Never going, never going… coming back!

The fiery eye of Taurus,
 Trains its gaze upon, 
Orion’s shiny belt 
And it's perfect triad
 Over all of us
 For all eternity…

As long as the sun will shine
 And the magnetic field  
Stays well aligned 
The World will keep itself  
On course.

The long night will turn around
 Winter solstice is here 
Aldebaran will rise
 The ice will disappear

Aldebaran by Three Owls

Recorded in Modesto, Ca. Featuring Hammond B3 Electric Organ solo. Vibraphone solo. Alto Saxophone solo. Acoustic Piano solo.  Acoustic Bass. Gibson L5 Electric Guitar Rhythm. Vibraphone Rhythm. Drums Full kit Acoustic drum set. Percussion Rainstick, Tree Chimes, 22" Ride & Crash Cymbal.

Cannery Row

Wingding

https://soundcloud.com/user-30528268/help-im-a-little-fly-rehearsal

Little Fly

Mark says - 
In the 5 years I have been working with Rod, I have been encouraged to reach as far as my experience allows me to, with complete support at all times. So far we have completed 11 songs and have experimented with several others that made for a great learning curve for me, with several more at other stages of development... Watch this space, however as we are methodical and patient, therefore it may take some time to get them off the ground.

The subject matter of this song may be based on a different scenario but it is also a token of my gratitude to my inspirational collaborator and friend Rod, who has given me much confidence to rise to the ambition of his musical creativity and meticulous arrangements. Thank you all for giving this song your time.

Rod says - 
This song was conceived a long time ago to be sung in Spanish, but Mark did a magnificent adaptation with his English lyrics, and the meaning is 100% faithful to the original spirit, even though he hadn't heard the original song in Spanish. Technically, there are three voices together, consolidating a multi-vocal performance. The synth sounds emulate my old analog and FM synths, and the guitars were routed through an old console to achieve the vintage sound I was looking for.

Rodolfo Planes - Music composition, instrumentation, arrangement, production and mix - @rplanes
Me - Vocals and lyrics
Image by Douglas Corrance

Thank You (Rodolfo Planes/Mark J Bennett)

I would like to tell you just how grateful I am,
And also how important you’ve been here in my life.
I know I don’t need to draw you a diagram,
Thank you for being there all this time as my wife.
I have to tell you just how good you’ve been for me,
And I hope that I have also been there for you,
When you needed me through all this trouble and strife.
 
No need to show me all of your gratitude,
I already know how much you show that you care,
When you were prepared to move to my latitude,
Then I was convinced I was ready to share,
My life with you whatever it threw at the both of us.
I know that it’s true, no matter what you care to say.
I’ll always need to express all of my thanks to you 
This will always be true on that I swear.
 
I would like to tell you just how grateful I am,
And also how important you’ve been in, in my life.
I have to tell you just how good you’ve been for me,
And I hope that I have also been there for you,
When you needed me through all this trouble and strife.
Then I was sure that I was ready to share,
My whole life with you, whatever that meant for the both of us.
I know that it’s true, whatever you say.

This song on Continental Collision's own cloud - https://soundcloud.com/user-517923604/thank-you

Also available on Spotify - https://open.spotify.com/album/5pfvPjop9XCJPrVL9a60U0

Thank You - Continental Collision (Rodolfo Planes & Mark J Bennett) on Spotify

Cast of characters:

The Beautiful Dark -- @thebeautifuldark -- Carl — Ovation acoustic guitar, lead vocals, lyrics, and compostion

Scratch Kelly -- @scratchkelly — Sarah — vocals

one man verity show – @one-man-verity-show – Scotty – Epiphone Casino melodic electric guitar and vocals

Joe Stroffolino-- @joseph-stroffolino -- vocals

Mistermark-- @user-432503709 -- Mark – triangle and vocals

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums

Llanpsych -- @llanpsych -- Tez – Fender Strat electric guitar

TexMex Shaman– @texmex-shaman –Stephen — Tom Anderson Custom T electric guitar, production, mix, and mastering

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass

Here's Carl's write up.
"Mr Bringer-er Together-er is Josh. You may also know him as artist Entheogenic Psychnought, or the spine of Eclectic Collective. We all came across Josh in our own lucky ways, but he really sets a high bar for spreading constructive musical love and encouragement on SoundCloud. This song started out as a comment. I (Carl/TBD) went to call Josh Mr Bringer-er Together-er and my phone auto corrected it. the next morning K2 swooped in and said what I wanted so I used that as a trigger for the song.
So, I had a rough arrangement. We then invited a few artists, except Josh, to paint it for him. Scratch Kelly, aka Sarah, beamed through some amazing vocals. Not long behind Joe Stroffolino painted in some brilliant backing vox. Then Scotty (One Man Verity Show) chimed in with some amazing guitar, trippy backing vocals, and the super artwork you get to enjoy. Mark brushed in a triangle and some vox, and then Ken added those trusty drums. Tez then strutted in and added some super lead guitar, and not far behind him was Stephen with some epic rhythm guitar that showed the way for the song from that point of view showing a much better space to all the other instruments than the original demo guitar. That was a lovely lesson on less is more...

The song was now ready to give to the main man for him to paint, and he chose his trusty bass to put some strawberries on his own musical cake.

I now stared at 37 tracks and went... Hmmm Stephen, Help! Stephen mixed and mastered it to its crisp current form, and it was a very difficult mix. He basically had to merge 3 projects to one and really aced the challenging mix and master like the true shaman he is. We hope you enjoy the song that brought us together again. May it give us more togetherness like Josh so wonderfully demonstrates everyday

You da brother man Josh 🤘🏽"

Lyrics

Magnet of human
Moulded by melody mind
Just jester Josh delivers this kind
Collective of creed worth all our belief
Friendship
Togetherness through skill and relief

Sharing, Caring
Composer of purr
Human vibrations of the highest occur
Let's celebrate this human some more
It's Mr Bringer-er together-er

Mr Bringer-er together-er
Mr Bringer-er together-er

Loving, Not shoving
Honing, Not moaning
Positive to give
In music he live
Loving his kids
Like he loves us
The luckiest kids who take this EC bus
Josh is the driver
Mr Music Jeez
More Mr Bringer-ers together-ers please

Mr Bringer-er together-er
Mr Bringer-er together-er

The Joshua Tree collecting collective
Physical dreams
Metaphysical pleasures
Skills. New.
Unconditional prime time
The only thing we tow is how we making new time line

Mr Bringer-er together-er

You are the rod
You cast your spinners
You reel us back in from lake bitter winter
It's Spring all the time in your World and Page
Our Mr Bringer-er together-er sage

We all love ya mate

Mr Bringer-er together-er
Mr Bringer-er together-er Oh oo
Mr Bringer-er together-er
Mr Bringer-er together-er Oh oo

Mr Bringerer Togetherer - Eclectic Collective with The Beautiful Dark (full credits in description)

Another snippet from Caligo Paean, darker in tone to evoke the power Of Caligo, who wasn't just in charge of mist but ruled the domain of chaos. 

Caligo Paean is a 1 hour long sound piece installed on river front property in the town of Franklin, Tasmania as part of the exhibition "When The Fog Clears". It formed part of the Ten Days on The Island Festival March 2025.
The work was installed in several locations across the property including a stack of subs under an old bus, in the main exhibition space and in an abandoned shed some 40 metres from the main area . The speakers were 'tuned' quite differently depending on their location and the sound was not delay corrected with the result of each mini-installation merging with each other in odd sonic ways - kind of calling the listener from one spot to another. The the work features field recordings, percussion, piano, bass guitar and Intonarumori as well as this special one off choir : )

Caligo is the Ancient goddess of Chaos. Born of the fog she controls the darkness, dwells in the void and is as old as the primordial matter that created the universe. This work is a tribute to the goddess as she continues to influence our lives and, in the case of this installation, the site and concept informing the show.

Official press release below for The Fog Clears

Every day, the mists of the Huon Valley perform a seductive dance, gently obscuring and revealing contours of the fertile land and waters. Situated in The Watershed Franklin, When The Fog Clears features six artists from lutruwita / Tasmania exploring the region’s iconic mists through a variety of mediums including installation, sculpture, illustration, sound, and video.

Developed exclusively for Franklin, this exhibit extends from the waterfront itself into the chambers, kilns, and rafters of the shed, inviting visitors to consider fog as an atmosphere that can cloak us in unexpected ways.

Caligo Paean (The Abyss Calls)

Made in August 2025.

Video; https://youtu.be/8-K3k06VT9o

Echoes

Not everyone is on holiday, even in the heat of summer. Some still work while the city falls silent, stretched under a long, empty day. I can’t tell if the man expects something to happen; to me, it feels like nothing will happen today either. Anyway, everything's good.

This is the third in a series of eight easy, acoustic, rather short, and deliberately inconclusive tracks, assembled by combining new ideas with reworked older material, adding parts and sounds along the way.

Part 1 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-1-night
Part 2 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-2-dawn
Part 4 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-4-late-afternoon
Part 5 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-5-night-again
Part 6 here: https://soundcloud.com/michele-ansani/in-case-nothing-happens-part-6-dawn-again

Composed by Michele Ansani (2020-2025 - this is a remake with a lighter sound and standard guitar tuning of a piece I already posted last year: https://soundcloud.com/michele-ansani/imperfections).
All the ambient noises are taken from public sound archives. Female vocals are courtesy by Black Octopus.
Posted on SoundCloud: 2025, August 23.

In case nothing happens - part 3 (noon)*

D3linquent~Slowed

armed with seven rounds of space doodoo pistols.  -kool keith

(Don't follow me here, best on my main page ;)

drunk octopus wants to fight you

lil' spaceman

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